For those interested-
I have adapted Arvo Pärt's FÜR ALINA for baroque lute. Write me off list for
the file (the piece is under copyright).
For those unfamiliar;
http://it.youtube.com/watch?v=c08i_9gumJs Pärt discusses and plays it.
RT
To get on or off this list see list information at
http
And in Russian "figa" is an obcene gesture of a masculine nature, consisting
of the thumb protruding between index and middle fingers in a fist. It is
famously depicted in a Dürer sketch.
It actually can be used for heavy strumming.
RT
- Original Message -
From: "ml" <[EMAIL PROTECTED]>
http://www.torban.org/ruthenicae/images/224.pdf
http://www.torban.org/ruthenicae/audio/224.mp3
RT
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
All you have to do is mutter to yourself unintelligibly. It will sound
Norwegian.
Be careful not to do the muttering perkily or assertively, because that
would sound Danish.
RT
- Original Message -
From: "Charles Browne" <[EMAIL PROTECTED]>
To: "Lutelist"
Sent: Saturday, November 08,
Giangiacomo Pinardi i think.
RT
- Original Message -
From: "howard posner" <[EMAIL PROTECTED]>
To: "lute-cs.dartmouth.edu"
Sent: Saturday, November 08, 2008 5:04 PM
Subject: [LUTE] Archlute player in Bartoli video?
Who is this?
http://www.youtube.com/watch?v=sG0Hqi8BQYM&NR=1
To
http://it.youtube.com/watch?v=cDH6HBeYlR4&feature=related
RT
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
OR Giancarlo Rado.
RT
- Original Message -
From: "Roman Turovsky" <[EMAIL PROTECTED]>
To: "Lutelist"
Sent: Saturday, November 08, 2008 5:15 PM
Subject: [LUTE] Re: Archlute player in Bartoli video?
Giangiacomo Pinardi i think.
RT
- Original Message -
Rado, for sure.
RT
- Original Message -
From: "Roman Turovsky" <[EMAIL PROTECTED]>
To: "Lutelist"
Sent: Saturday, November 08, 2008 5:34 PM
Subject: Re: [LUTE] Re: Archlute player in Bartoli video?
OR Giancarlo Rado.
RT
- Original Message -----
From
Check out Merula's Ciaccona in ET (Il Giardino)-
http://it.youtube.com/watch?v=bHrZlpdlxp0
Awesome.
RT
- Original Message -
From: "David Tayler" <[EMAIL PROTECTED]>
To: "lute-cs.dartmouth.edu"
Sent: Sunday, November 09, 2008 5:02 AM
Subject: [LUTE] Merula Ciaccona
Next up in mea
Dear friends,
Writing to let you know about a major solo performance Julian Kytasty has
coming up next week Friday. This is one a number of people have requested
over the last couple of seasons, a full concert of Julain alone, the
old-time bandura, and the songs of the kobzari in the bandura-
http://torban.org/ruthenicae/images/184c.pdf
http://torban.org/ruthenicae/audio/184c.mp3
"in a merrie moode."
Amitiés,
RT
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Baruryn, the capital of the hetmanate Ukraine, was sacked by the Russian
army under the command of Peter I's favorite prince Menshikov, 300 years ago
today, after a brief siege.
The defenders' commander was broken at the wheel, his deputies beheaded, all
men were drowned in the Seym river, all w
#4 has the Chaconne.
http://www.lysator.liu.se/~tuben/scores/schunfid/4unafid.pdf
RT
- Original Message -
From: "Arto Wikla" <[EMAIL PROTECTED]>
To: "Peedu Timo" <[EMAIL PROTECTED]>
Cc: "lutelist"
Sent: Tuesday, November 18, 2008 7:15 AM
Subject: [LUTE] Re: schmeltzer chaconne
Peedu
Actually, if I may say so, I've always svbscribed to the trotskyite idea of
permanent rev I mean contribution. Which in the long run is probably
equivalent to St.John the Baptist's preaching in the desert
RT
From: "Rob MacKillop" <[EMAIL PROTECTED]>
Here, here!
I'm sure I and Rom
Une ariette d'Ucraine avec trois doubles tres faciles-
http://www.torban.org/sounds/u-susida.mp3
http://www.torban.org/images/u-susida.pdf
pour luth baroque...
Amitiés,
RT
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
From: "David Tayler" <[EMAIL PROTECTED]>
I'll make up a budget workflow later this week for MP3s, CDs and DVD
audio,
but the short answer is just get Samplitude. Roman uses it and he has
more brain cells than me, for sure.
dt
That may be true, but they are a bit loose..
RT
As promised, I have jut posted the German version of the same aria,
"Ha Welch Ein Kampf Der Seele", as #73 at
http://www.polyhymnion.org/lieder/german.html
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> Dear e-friends!
> I've just posted something for the extremely adventurous am
>From the site:
".VVhereunto is added an introduction to Prickesong,"
Hm.
RT
> From: [EMAIL PROTECTED] (Rainer aus dem Spring)
> http://www.shipbrook.com/jeff/bookshelf/details.html?bookid=6
> http://www.shipbrook.com/jeff/bookshelf/details.html?bookid=26
> Rainer adS
__
Rom
I know, but I thought Rainer had to be reassured.
RT
> "Prickesong" is the term used to refer to mensural notation as opposed to
> tabulature.
>
> Gary
>
>> From the site:
>> ".VVhereunto is added an introduction to Prickesong,"
>> Hm.
>> RT
>>> From: [EMAIL PROTECTED] (Rainer au
> That wandering minstrel/troubadour was a bit of a canard. The early
> musicians were servants with no more status than cooks and jugglers. They
> were the bards of the court (and the bard, the poet who wrote the words, was
> a bit higher on the status table than the instrumentalist).
In some cult
>> Why? What makes you think the food chain in the South was different from
>> the North?
>> RT
> You are right, in all cultures there has been a food chain of the powerful
> versus the weaker, but my point was that the naming of the Aztec as the
> superior (and the using of documentation on their
There is more than one group by that name. Which one do you have in mind?
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
>
> Has anyone heard of the Folk Ensemble Dubrava?
>
> Regards,
> Craig
>
>
>
There are more than one ensemble by this name within Slovakia, one of them
being Carpatho-Rusyn, i.e. Ukrainian, "Dubrava" meaning an oak-grove in many
languages. I'd ask them to send a CD of theirs before you send any money.
My personal preference is to help those too proud to ask for help. These
A reminder to compatriots:
Ariel Abramovich and José Hernandez Pastor will be heard in NYC, Jueves 24
de junio de 2004 a las 18:00 h.
Instituto Cervantes
122 E. 42nd St. suite 807
Nueva York (ESTADOS UNIDOS)
RT
A question to Arthur, Per-Kjetil and Tim:
Would you have any comments on the document I have just put up at
http://polyhymnion.org/swv/vita2.html (#1)
???
RT
A have posted a LIVE recorded fragment of Sautscheck played by Sautscheck
at http://polyhymnion.org/swv/facs.html ("Largo nach Jungmuffatsches Manier"
(part I) 3mb -midpage, along with a facsimile of the said piece)
Enjoy,
RT
I have quite a few interesting updates, mainly (but not only) in the
Regional Iconography pages
at
http://polyhymnion.org/torban
Enjoy,
RT
> The reentrant tuning often provides many ways to produce a particular pitch.
> Has anyone analyzed these options to try to discover patterns in the ways in
> which Kapsberger assigned such notes?
>
> Richard Yates
JK rarely knew what he was doing...
RT
> i find the whole hip approach to early music to be something of a
> tyranny.
So what do you suggest? Should we give up lutes because you feel tyrannized
by our HIPness?
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
You seem to live in Rome. Do you feel tyrannized because you have to speak
Italian in the street? Do you insist on speaking English everywhere you go?
Or you are willing to learn enough Italian to actually enjoy the culture?
RT
> i find the whole hip approach to early music to be something of a
> t
>> unless alternate choices of music can be seriously considered for the
>> baroque lute and alternative instruments considered for the playing of
>> baroque music, then i'd say this thread is at an end.
> You can play anything you want on a baroque lute (you can probably have
> Roman intabulate it
> So, one is not surprised to hear that in the park of Koethen Castle, where
> JSB worked under the reign of Herzog Leopold, armadillo breeding was
> done with great success.
By Lutheran bachelor Kechua speaking farmers, no less.
RT
> The armadillos were fed with "Leipziger Allerlei"
> and cheese cake and grew up to such a size that
They were referred to as "Erzarmadillos".
> even bariton charangos could
> be built for the Hof-Kapelle. It is very probable that most of Bachs "lute"
> works were written for 13c charango.
There
I think I'd ask Gidon Kremer whether he pays royalties to the Schnittke
estate for all the Schnittke cadenzas he uses..
Which I strongly doubt.
Anyway, Mr. Sawkins' seems to be really after a piece of the dead man's
chest.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
>
Bravo, Guglielmo! Finalmente siamo d'accordo...
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> From: bill <[EMAIL PROTECTED]>
> Date: Fri, 16 Jul 2004 19:56:07 +0200
> To: Howard Posner <[EMAIL PROTECTED]>
> Cc: <[EMAIL PROTECTED]>
> Subject: Re: Caution: copyright stuff
>
> ho
>> Perhaps someone can explain why Hyperion believes they should collect
>> revenues on this CD and not compensate the musicologist when the production
>> the CD
>> was enabled by his labor.
>
> I think you missed this part:
>
>> The nub of the dispute with Hyperion is that the record company ta
The person to ask about this is Ugo Nastrucci.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> Dear all,
> Is anybody on this list knowledgeable about the
> Raimondi or Raimondo mansucript of the Municipal
> Library of Como? As I understand it mostly contains
> music for the 10-co
There is also a Raimondi CD by Ugo Nastrucci, should still be in print.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> There is a published facsimile available for $26 from OMI
> (immelspanix.com):
>
> Libro di sonate diverse per liuto (Pietro Paulo Raimondi), introduction by
>
> The files are in fronimo format. Look at the Fronimo link on the page
> you provided and it has all the info. The demo version lets you open the
> files and print but not save. Alas, it does not work on the Mac.
>
>
>> http://members.aol.com/MWhee40252/Index.html
It does work on Virtual PC thou
This is wrong list to ask.
Which is the intended OS of your program? There are fairly advanced and user
friendly tabulature pgms for Windows, but none for Mac.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> [EMAIL PROTECTED]
> Kevin O'Neill
> Milano, Italia
>
> I have been work
> Nylgut - obtained from the intestines of a riverine animal native to Egypt.
Or a Sudanese refugee.
RT
From: Robert Eklund <[EMAIL PROTECTED]>
In 1991 I wrote a Master's Degree paper on a most fascinating lute
manuscript
preserved at Uppsala University. It is for a 13-course lute and contains two
suites in the bizarre keys D sharp minor and G sharp major, as well as an
intabulation of an Affettuos
"Paulo Galvão" <[EMAIL PROTECTED]>
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> From: doc rossi <[EMAIL PROTECTED]>
> Date: Wed, 28 Jul 2004 04:15:15 +0200
> To: Lute Net <[EMAIL PROTECTED]>
> Subject: paulo galvao
>
> does anyone have paulo galvao's email or postal address?
I am sending this to all 4 I have, cc to the list.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
--
From: doc rossi <[EMAIL PROTECTED]>
Date: Thu, 29 Jul 2004 00:22:24 +0200
To: Lute Net <[EMAIL PROTECTED]>
Cc: Roman Turovsky <[EMAIL PROTECTED]>, Arthu
> From: Roman Turovsky <[EMAIL PROTECTED]>
> Date: Wed, 28 Jul 2004 18:57:21 -0400
> To: Paulo Galvão <[EMAIL PROTECTED]>, Paulo Galvão
> <[EMAIL PROTECTED]>, Paulo Galvão <[EMAIL PROTECTED]>, Paulo Galvão
> <[EMAIL PROTECTED]>
> Cc: LUTE-LIST <[EMAI
> PS Alas Roman is right about the musicaliaportugal site, which looks
> highly suspicious. I didn't dare click on "Enter".
I did, and it was exactly what I suspected.
> www.pressioni.com/adc/index.html
Pressioni is history, replaced by
http://polyhymnion.org/adc
> TF. +351 282 767 305
This is hi
> could the puertorican quatro be considered a vihuela and does it
> (vihuela) predate the vihuela de mano?
E' la stessa cosa.
RT
URL? Other than www.galvao.net ?
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
>
> interesting site, thanks.
>
> caro saggi-e:
>
> could the puertorican quatro be considered a vihuela and does it
> (vihuela) predate the vihuela de mano?
>
> - bill
>
>
> On Giovedì, lug 29, 20
Look here first:
www.ifrance.com/luth-librairie/
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> Can anyone recommend where I can find a good edition of Weiss's Prelude and
> Fugue in C-major?
>
> Thanks
> Alan Williams
> Howell, Michigan
> m
And here too:
http://perso.wanadoo.fr/jdf.luth
RT
> Look here first:
> www.ifrance.com/luth-librairie/
> RT
> __
> Roman M. Turovsky
> http://polyhymnion.org/swv
>
>> Can anyone recommend where I can find a good edition of Weiss's Prelude and
>> Fugue in C-major?
>>
>> Thanks
>> Alan
Paulo should be reachable at <[EMAIL PROTECTED]>
RT
--
http://polyhymnion.org/adc
Check out Belorussia's premier early music ensemble, the video clip of a
Belorussian version of "In Taberna" from Carmina Burana is hilarious:
http://staryolsa.com/
RT
> Assuming this not an event for SA veterans, do you want a few pieces that
> are recognizably Jewish?
SA vets have a reasonable shot themselves at being a persecuted minority (of
sorts.). They were gotten rid of rather quickly.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
So why did you bring them up in the first place?
RT
>> SA vets have a reasonable shot themselves at being a persecuted minority (of
>> sorts.). They were gotten rid of rather quickly.
>
> A few hundred of the leaders were killed in June 1934. But there were
> hundreds of thousands of storm tro
FYP&D,
Francesco Tribioli had graciously contributed the Perrine's version of
Ennemond Gaultier's "Tombeau pour Messangeau"
that may be found as #50 at
http://www.polyhymnion.org/tombeau/
RT
> civilians are killed in the process of war. (And I'm sure I'll get
> disagreement there).
Probably not. You would have had some disagreement if you were coherent in
what you write. I simply didn't acquire your drift.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> h...
>
> while i agree that branches of the same tree may differ slightly in
> terms of shape, number of leaves, etc., their similarities far outweigh
> their differences.
I'm sure Vance Wood would clarify this for us.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> music they play on it may be south american but the tuning
> (gg-cc-eE-aa-ee) and the basic design (designs, actually ... including
> a charango with a triangular shaped body ... does that make it a
> balalaika?)
Triangular balalaika is a fairly late invention (late 18th cent.), and in
all likeli
> i think mop-heads have been tinkering with your water supply there
> buddy...
I mainly take Cottorella rietina, or San Pellegrino, when the former is
unavailable.
RT
>
> On Mercoledì, ago 11, 2004, at 17:10 Europe/Rome, Roman Turovsky wrote:
>
>> Triangular balal
> I definitely am _not_ well versed in the evolution of charango. Do you
> know when the name itself first began to appear, Bill, and what the
> instrument to which it was applied looked like?
The word was first noted in Tocharian language of Central Asia. It was a
derogatory term, meaning "armadi
> i'm preparing a pocket history of the charango which i'll post as soon
> as i can - hopefully it will earn it a few more friends and make it
> more amenable.
>
> the vihuela is credited as being father to the charango. i understand
> what you say about instruments evolving to a point where it b
http://www.puebloindio.org/Historia_del_charango.html
__
Roman M. Turovsky
http://polyhymnion.org/swv
> i'm preparing a pocket history of the charango which i'll post as soon
> as i can - hopefully it will earn it a few more friends and make it
> more amenable
I've been running Django on my G4, trouble free.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
>> This is probably of
>> limited interest to the list, so it would be best to respond
>> privately.
>
> I'm sure there are other Mac users like me who like to keep tabs, as it
> were,
Tidpunkt: 2004-08-16 15:39:31 VB-procedur: MiscClassTr.ExecuteSQL Felkälla:
Microsoft OLE DB Provider for SQL Server VB-felnummer: -2147217900
VB-beskrivning: Line 1: Incorrect syntax near 'D1062'. error '80040e14'
Tidpunkt: 2004-08-16 15:39:31 VB-procedur: MiscClassTr.ExecuteSQL Felkälla:
Microsof
>> I'm evaluating a demo of Django on a Mac to see if it will suit my
>> needs and would like to ask anybody who has used it with virtual PC
>> on a Mac a few questions, if you don't mind. This is probably of
>> limited interest to the list, so it would be best to respond
>> privately. I'm particul
> expensive if you can't use an academic discount, but it does do nice
> tab, is quite flexible, and the print-out is great.
My understanding is that is still is incapable of the baroque lute
tabulatures.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> Yup, baroque cittern is my deal, but I play a 7-course, so a line below
> is useful sometimes. If you've only used 3.7, things have changed, a
> lot. It's quite easy to use now.
> Doc
You should always add a modifier "but not with baroque lutes"
RT
> Django will be probably the first piece of
> software to do away completely with the "Open file" menu command, because
> it is a pain to have to look for that one piece all over your hard-drive.
Don't do that. I know where my files are, and I use Ctrl+O A LOT.
RT
> Renaissance musical esthetics?
And what exactly would that be?
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
Which Francesco?
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> Happy Birthday Francesco!
>
> W
>
>
Luter Olbertz of old Wupperthal
oft encouraged himself "Dieu, pas mal"
badly though he sang
'bout Sturm and 'bout Drang
nach dem Spring, in der Wald, in der Thal.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
>> What did Basho write:
>>
>> Lonely lute outside.
>> Joe's playing a
Fronimo III will.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> From: "Stewart McCoy"
> 2) Fronimo does not offer unusual time signatures like 5/8.
A question to Collective Wisdom:
My laptop has lost its midi bank somehow and the restore CD is missing. I've
heard of "better" midi banks. Where does one get them and how do they work?
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
To Bill:
>> it occurs to me that formally trained musicians and composers like
>> yourself have always been at odds with "musicians" like me who will
>> gleefully murder a tune and disregard learned opinion if it "feels" ok
>> to do so.
We haven't heard you do this, yet. An example?
>> this must b
Thanks to all who tried to help (in vain).
I finally got some advice from Microsoft, and they said that no driver would
load properly because there are some .vxd files missing from the operating
system, and the only solution is finding a Windows 98 CD appropriate for a 5
year old Toshiba somewhere
elingt's nur schlecht: Reimen wie McCoy.
>>
>> Regards,
>>
>> Stephan
>>
>>
>> Am 26 Aug 2004 um 2:18 hat Stewart McCoy geschrieben:
>>
>>> Dear Roman and Stephan,
>>>
>>> If limericks are unwelcome, you could alwa
> The mistake is to equate HIP with being boring. Both HIP and non-HIP
> are equally capable of being boring or not boring. For example, if I
> were to imitate exactly your gleeful murdering of "tempus est
> iocundum" complete with American accent and accompaniment
> of Bolivian charango, it could
I think You should look up "tautology" in the dictionary, which is good for
one's diction, should you know.
RT
> Descartes proposed a tautology, Cogito ergo Sum (or would you call that an
> axiom?). For me it is easier, Bibo ergo Sum (although I sometimes wonder
if
> it should be Sum ergo Bibo
That's what one might call poetic licence, and what our own Her Theolog has
explained to us in slightly different terms.
RT
> Hello Roman,
>
> without looking in a dictionary: not only John, but also Immanuel called
> "cogito ergo sum" a tautology in his Kritik der reinen Vernunft.
>
>
> Yours
> A
Not a good idea. Canova is firmly associated with a baroque scolptor of this
name.
RT
> I suppose strictly speaking we should call him "Canova". I guess we
> don't do so now, because people didn't seem to in the 16th century.
__
Roman M. Turovsky
http://polyhymnion.org/swv
> http://www.cbsr.ucr.edu/wlkfiles/Publications/Unicorn/Unicorn.xml
>
> Note: this is an xml document, and some browsers may not like it...
> Alain
IE doesn't, Mozilla does.
RT
The most current Mac version for OS9.2 has no files listed in the XML doc.
RT
> IE6.0 likes it.
> ft
>
>>> http://www.cbsr.ucr.edu/wlkfiles/Publications/Unicorn/Unicorn.xml
>>>
>>> Note: this is an xml document, and some browsers may not like it...
>>> Alain
>> IE doesn't, Mozilla does.
>> RT
>>
It has an apple shaped logo on the front
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
>> The most current Mac version for OS9.2 has no files listed in
>> the XML doc. RT
>>> IE6.0 likes it.
>>> ft
> Mac?? What is Mac? 8^))
> ft
>
www.clivetitmuss.com
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> What is happening with the site of Clive Titmuss? Seems to have
> disappeared...
> No way of reaching it.
>
> Saludos from Barcelona,
>
> Manolo Laguillo
>
> --
> I happened to catch a replay of the 1952 film Ivanhoe with Robert Taylor.
> There was a scene at the beginning where Ivanhoe is riding around Europe with
> a lute singing a song that alludes to the captured Richard I in hopes he'll
> get discover where he's being held. I began to wonder if the lu
I went back to 9.2, because my monitor is sharper in it, and Ghostview
crashes 10.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
>> The most current Mac version for OS9.2 has no files listed in the XML
>> doc.
>> RT
> Wouldn't the most current Mac be OS10.3.4?
>
Neither is mine, after clearing the cache.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> But my IE can't find this site!
>
>
>> www.clivetitmuss.com
>> RT
>> __
>> Roman M. Turovsky
>> http://polyhymnion.org/swv
>>
>>> What is happening with the site of Clive Titm
>> Lute [3-string, both long and shortnecked] had been in Europe all along, at
>> least since the Hellenistic period.
>> See
>> http://www.polyhymnion.org/torban/iconography.html
>
> Great display of iconography. May I suggest putting dates on all those so they
> can be viewed in context to one an
> earlier this year i asked a question about early country music - what
> were untrained, informal instrumentalists of the time playing outside
> the traditional, well documented repertoire of renaissance and baroque
> music in the towns?
Separation of mass-culture from elite-culture is a much late
> while i take "baroque lute music" to mean anything played during the
> baroque period on anything from the lute related family,
You really shouldn't. Imagine: you are on a Bentley list. What response
would you get on a Ford Pinto question (both are cars, really)???
RT
> it may be a shame that we don't have a chance to meet with one another
We do, quite often, and even put each other up for the night, on occasion.
RT
>> The problem is where history becomes an end in
>> itself
>
> to me it's like a velvet trap.
>
> couple an artist's arrogance with an aggressive application of the hip
> principle to any other art or discipline (...painting... automobile
> manufacturing... "early" standards of hygiene...etc;, e
> On pg 104 of Damiani's lute method book is a piece headed
> M de Fuenllana. Duo de la missa de Hercules. Josquin. Pleni sunt coeli.
> It is a Vihuela piece.
> We are accumtomed to papgan inroads into Christianity from northern
> Europe, such as Dec 25 as Jesus' birth date, the Christmas tree, S
> Thanks to all.
>
> From Roman T.:
>> What makes you think it celebrates the hero of Avgian Stables, and not
>> Hercule Poirot?
>
> I did not "think". I assumed, based on my experience, much as we all
> assume that a plate of scrambled eggs will not be prepared from insect
> eggs.
Your experie
> I think it's a fair question, because towns and villages have been
> around for many centuries, as have the rich and the poor. It is
> reasonable to suppose that music has not always been the same for
> all strata of society. However, it is difficult to give a thorough
> answer through lack of ev
> "Roman Turovsky" <[EMAIL PROTECTED]> schrieb:
>>> while i take "baroque lute music" to mean anything played during the
>>> baroque period on anything from the lute related family,
>> You really shouldn't. Imagine: you are on a Bentley lis
ENORMOUS thanks to the 4 gentlemen who helped. I am reporting a TOTAL
SUCCESS.
A deep bow to all.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> I have recently updated the Baroque Lute mailing group page to include a
> section entitled: Anatomy of the Baroque Lute. It can be viewed at:
>
> http://bachplucked.com/baroque-lute/
It would be better if you took some time to write intelligibly.
Some kangarooisms:
"Anatomy the Baroque Lute ©
I an really curious: would 4 (or any) voice telephony be really possible on
a lute, which is generally thought an analog instrument? And if yes: what
fingering should be used?
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> From: "Jon Murphy" <[EMAIL PROTECTED]>
> I assume that
And: Does it make Bach the greatest telephonist that ever lived?
RT
> I an really curious: would 4 (or any) voice telephony be really possible on
> a lute, which is generally thought an analog instrument? And if yes: what
> fingering should be used?
> RT
>> From: "Jon Murphy" <[EMAIL PROTECTED]>
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