Thanks Arthur!
AJN The facsimile and raw transcription is from the Dusiacki Lute
Book (Berlin/Cracow Mus ms 40153), fol. 60v-61. Part of the problem
in reading it is that the barlines are drawn (for the most part) in
duple, whereas the dance is in triple. So a good start would be to
ignore
On Tuesday 21 October 2008, Arthur Ness rattled on the keyboard:
AJN Isn't the publisher of Dieter's edition defunct? That is,
Gitarre + Laute Verlagsgesellschaft?
Hi arthur,
There happens to be something called musicologne Ltd which links to
http://www.gitarre-und-laute.de. Website
Blavet
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On Wed, Oct 22, 2008 at 8:55 AM, Taco Walstra [EMAIL PROTECTED] wrote:
On Tuesday 21 October 2008, Arthur Ness rattled on the keyboard:
AJN Isn't the publisher of Dieter's edition defunct? That is,
Gitarre + Laute Verlagsgesellschaft?
They have this santiago di parma book and had a good
A more interesting and challenging piece is surely the 'Gagliarda di Santino'
and its double/variant on F. 123v-124 of Mus Ms 40032. Here we have a more
complex work whose structure also seems obscured and some rather quirky melodic
leaps. Geisbert in his 1969 private publication 'Santino
Thanks for all your work Rob, and Kudos to the fearless performers.
dt
At 12:19 PM 10/21/2008, you wrote:
I've added these excellent videos to the Lutes and Early Guitars video
collection [1]http://www.vimeo.com/francesco which now has 227 videos.
Rob MacKillop
2008/10/21
22 oct. 08 à 01:09, Jeffrey Noonan a écrit :
I recently played a very nice 4 movement sonata for baroque flute
attributed to Vivaldi. In the key of e minor. This is a continuo
part,
not a tabbed accompaniment. I played it on theorbo and it
works fine.
I have no specific
I'll look into it, Arto. It would certainly be useful.
Rob
2008/10/21 [EMAIL PROTECTED]
On 10/21/2008, Rob MacKillop [EMAIL PROTECTED] wrote:
I've added these excellent videos to the Lutes and Early Guitars
video
collection [1][3]http://www.vimeo.com/francesco
I think the problem you might encounter is not finding music for this
combination, but finding too much. if you think of the baroque lute as
the continuo member then you can play almost any of the sonata's for
traverso. Vivaldi, Quantz, Paganelli, Ruge, Telemann, ect. even
with
Short reports from the trade shows:
Not much new in the way of affordable gear for recording and video.
Microphones in particular disappointing at this year's AES show. A few
advances on the high end, such as the Schoeps
open cardioid microphone and a $3000 Sennheiser that looks
Dear David,
Yes, I can confirm that the HF10 is a very good video camera indeed.
The latest videos from my duo on vimeo are filmed with this little
camera. The sound quality is quite decent. In this case the camera was
a bit to far away from the stage and the sound is not as defined as I
NB The Canon HF10 is the same as the HF100, except you have to buy
the flash card for the HF100. And it is black, the 100 is silver :(
And you are correct about the mic input, there is also a headphone jack.
Those vids look sharp!
dt
At 05:37 AM 10/22/2008, you wrote:
Dear David,
Yes, I can
On Mon, Oct 20, 2008 at 4:05 PM, David van Ooijen
[EMAIL PROTECTED] wrote:
- the transcription for guitar made by Dieter Kirsch in his 'Santino
Garsi da Parma Lautenwerke - Gesamtausgabe in Tabulatur un
Uebertragung Herausgegeben von Dieter Kirsch. Gitarre und Laute G + L
148)
- the
Hi again, lute gangs,
I advertised my tiny Santino Garsi da Parma editions, see below.
In a way those pieces are not the most important compositions ever made,
but anyhow they are good music in some sense of the word. And to me
those pieces belong to the same genre with the Doni ms.: Archlute
That is, if you don't think it's sacrilege to correct what is in my
eyes a printer's or writer's error.
Judge for yourself at my website www.davidvanooijen.nl Click your way
to Writings and then to Dowland Puzzles. Or use this direct link:
David's correction fixes another mistake, which is that as written,
the two lower parts create a direct ocatve approached by double skip.
I would add the opening of the Lachrimae solo to the puzzle list, as
the parallel fifths in the opening bar--which are on every
recording--are not present
[EMAIL PROTECTED] schrieb:
convenient... This way all - really nearly the ALL! - the baroque
solo-continuo stuff is playable by an archlute!
Yepp, that's true. I tried Logy and Weiss grand staff transcriptions
with the archlute and found them quite feasable.
--
Mathias
To get on or off
- Original Message -
From: Arto Wikla [EMAIL PROTECTED]
Thanks Arthur!
AJNYou're welcome.
Another version is indeed in the
Mus Ms 40032 manuscript. Folio 153v/p. 361.
Facsimile in Kirsch, very last page (staff lines
1-3, with varied reprise, lines 4-7). You may
wish to use that one
Dear Davids (Taylor and Van Ooijen),
I spotted the one in Sleep Wayward Thoughts some months ago while
preparing for a concert. In the past I had always accepted the lute
tablature as gospel, and happily accompanied singers with just the lute.
When a bass viol was added in rehearsals for this
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