Si viesse e me levasse in portuguese is:
Se viesse e me levasse
The same thing. Only the Si becomes Se. And more, that word when pronounced
nowadays in almost every place that speaks Portuguese sounds like Si. So, it
is the same.
Guilherme Barroso
Em 14/03/2013, às 14:48, Ariel Abramovich
Hello,
I recommend the book of Andrea Damiani - Method for renaissance lute from Ut
Orpheus edizioni
Cheers,
Guilherme Barroso
Em 17/06/2013, às 04:05, Steve Acklin sack...@comcast.net escreveu:
Greetings,
In my retirement, I’m teaching myself renaissance lute. It’s something I’ve
I don't know what was the context in Fuchs book. But a lot of times
when these terms appear in later sources is to identify a specific note
in the scale. For instance, Dlasolre can only be the d below the first
line in the G clef. Because according to the solmization thats is the
Dear Lute collective,
Does any of you know if there is a translation of the Novum Pratum Musicum from
Emmanuel Adriaenssen?
Thanks in advance!
Guilherme Barroso
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Hi Theodore,
That's a big question. But we still have very little evidence about
this.
Bor Zuljan has been experimenting with the âbray lute".
Here is an example:
[1]https://youtu.be/w2lQbXhITLY
All the best,
Guilherme Barroso
Guilherme Barroso
www.guil
l the best,
----
Guilherme Barroso
[1]www.guilherme-barroso.com
On 5 Jan 2020, at 18:47, Roman Turovsky <[2]r.turov...@gmail.com>
wrote:
All of Jordi Savall's CDs have him as De M.
RT
On 1/5/2020 12:24 PM, Joachim Lüdtke wrote:
The title page of the Libro de motes ⦠ha
Dear collective,
Would anyone of you have a pdf from the thesis Sixteenth century lute
treatises by Hiroyuki Minamino? Or maybe have an idea where i could
find it?
Thanks a lot and stay healthy!
--
Guilherme dos Santos Barroso
[1]www.guilherme-barroso.com
--
]https://escholarship.org/search?q=Minamino%2C%20Hiroyuki%E3%80%80
Sixteenth%2
0
Toshiaki Kakinami
-Original Message-
From: [3]lute-...@new-old-mail.cs.dartmouth.edu
[mailto:[4]lute-...@new-old-mail.cs.dartmouth.edu] On Behalf Of
Guilherme
Barroso
Sent: T
make decision based
on the musical flow?
I am very curious to hear your ideas.
All the best,
--
Guilherme Barroso
[1]www.guilherme-barroso.com
--
References
1. http://www.guilherme-barroso.com/
To get on or off this list see list information at
http://www.cs.dartmouth
try to play the "unplayable" parts
> on a smaller lute? You could just use an capo in your second or third
> fret, just to try how it feels with a small instrument.
>
> All the best,
> Yuval
>
>
>
>
> Am 28.04.2020 15:12 schrieb Guilherme Barroso:
> >
ewhere and post the link
to it here? That would be great.
Thanks
Jurgen
âââââââ Original Message âââââââ
On Tuesday, April 28, 2020 9:25 PM, Guilherme Barroso
<[3]guilhermesbarr...@gmail.com> wrote:
> --0c0ca105a45ecdc0
>
- just by yourself. Maybe this was really kind of "full score"
for
them - you can use it to study the music and counterpoint, and if
you
actually want to perfor it you still can decide to omit some notes.
Am 28.04.2020 21:25 schrieb Guilherme Barroso:
r more courses, and Waissel even gives us fingerings
which
involve using the second finger to hold to top two courses, in a
context
where we would use a barré. See my blog:
[2]https://luteshop.co.uk/all-fingers-and-thumbs/
Martin
On 28/04/2020 23:15, Guilherme B
Dears,
Recently i have acquired the Thesis. Thanks a lot for all your help.
All the best,
Guilherme Barroso
Em ter., 28 de abr. de 2020 Ã s 07:49, T.Kakinami
<[1]tk...@orchid.plala.or.jp> escreveu:
I tried to contact Hiroyuki Minamino, but I couldn't find wh
___
>
> From: [2]lute-...@new-old-mail.cs.dartmouth.edu
> <[3]lute-...@new-old-mail.cs.dartmouth.edu> on behalf of
Guilherme Barroso
> <[4]guilhermesbarr...@gmail.com>
> Sent: Tuesday, April 28, 2020 9:15 PM
>
Here it goes:
petercro...@gmail.com
Guilherme Barroso
Lute and Basso Continuo Professor at [1]Escola Superior de Música de
Lisboa ESML
[2]www.guilherme-barroso.com | [3]@the_lute_channel
Tel: +41 767488925
Em 27/09/2020, 08:33 +0200, Rainer
escreveu:
Dear
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