An article (below) that is tangential but pertinant to the question.
Museums are all about accuracy of attribution, especially in a collecton
database.
Amalyah Keshet
---
Controlling copies isn't necessarily part of an artist's livelihood, but
getting them
Hello
We are at the planning phase of an exhibition about testing and
measurement.
We are contemplating the relationships between activities on the web and
the exhibition.
It can go two ways (or both):
1. Identify yourself and interact with the exhibits. When you return
home, identify
Hi all,
Today, the Kittredge Numismatic
Foundationhttp://www.kittredgecollection.orgwebsite goes live to the
public:
John Kittredge was well known as a generous and supportive member of the
numismatic community, both in Worcester, Massachusetts and in New England.
Much of his collection
This doesn't relate to anything specific, but as a long-time observer
without deep legal knowledge or economic understanding of the
licensing / copyright disputes among content creators, museums,
publishers etc. I'd be interested in hearing reactions to the
following situation. (Blame this post on
Are we sure that MFA Houston is the bad cop? Perhaps the Robert Frank
estate (or their representatives) complained to MFA Houston who then had
to send a CD to your friend.
Perian Sully
Collections Information Manager
Web Programs Strategist
The Magnes
Berkeley, CA
-Original Message-
Hi all,
Any djatoka users out there?
We're on the brink of deciding between two candidates as open-source
AJAX client implementations for working with navigable images served
with resolution on demand by djatoka server and a JPEG 2000 back-end.
The two candidates are Djatoka OpenURL, based on
Hi Rob,
I have used both. I prefer the viewer based on IIPMooViewer purely for
aesthetic reasons. I like the thumbnail in the corner with the small box
that shows one's zoomed position on the current layer and one's ability to
navigate with that box. There's also the button to export whatever
Is anyone using Artifax events management software? We are looking into
it and would love to hear back if anyone has had first-hand experience,
good or bad, on or off the list...
Thanks,
Janice Craddock
Information Technology Manager
Amon Carter Museum
3501 Camp Bowie Blvd., Ft. Worth,
Thanks, Ethan. That's pretty much where I've been headed so far, too, in
what seems otherwise to be close to a toss-up; the current-view outline
box on small reference image is a big plus.
Any other comments out there?
Rob
On 9/17/2009 12:21 PM, Ethan Gruber wrote:
Hi Rob,
I have used
Hi,
I'll jump in here since I'm from the MFAH and my office acts as the
clearance office for copyrights for museum objects. The MFAH
distributes the films of Robert Frank, but we do not represent him in
regards to copyright. Mr. Frank is very protective of his copyright and
we were asked by his
A few thoughts/data points on this, one of my favorite vexing topics (!)
- I've been studying these issues for the better part of a year now and I'm a
long way from figuring them out. Copyright, fair use, and non-commercial use
were complex before the Internet, now they're insanely complex
Deborah, et al.,
You can't imagine how great it felt to read your message re: image fair use
best practices for museums. Our department here at MIA has been tasked with
exploring the creation of just such a document. Even better to have it
industry or professional assn. supported--so we can
12 matches
Mail list logo