, and Spock, there's nothing to stop
them.
Regards,
Eve Sinaiko
NYC
.
Every art publisher I know is distressed at this trend.
Regards,
Eve Sinaiko
CAA
of views about this initiative from the museum
and image user communities.
Regards,
Eve Sinaiko
Director of Publications
College Art Association
if this has been asked
before.
Among our questions are:
Should we have separate policies for curatorial, education, admin, etc. or one
global policy?
Does a good policy include preserving email, or is that not usual?
What is a good policy for archiving image files where we may not own the (c)?
Eve
Here?s an upcoming panel on orphan works, of possible interest to list members
in the New York area. Please forward to other lists.
Regards,
Eve Sinaiko
Lost and Found: A Practical Look at Orphan Works
On Tuesday, October 20th, from 6-8pm, the Art Law Committee
in. What
other features are needed?
I'm hoping to implement an e-contract system for at least some of our
numerous author agreements.
Regards,
Eve
Eve Sinaiko
Director of Publications
College Art Association
275 Seventh Avenue, 18th floor
New York, NY 10001
212-691-1051 ext. 208
esinaiko
in place for data migration.
Any suggestions, recommendations, places we should look would be very
helpful. (I'm also going to ask the ARLIS listserve about this.)
Many thanks.
Eve Sinaiko
Director of Publications
The Jewish Museum
1109 Fifth Avenue
New York, NY 10128
Phone: (212) 423-3303
Fax
Eve Sinaiko wrote:
One cannot buy the rights to a work by buying the work (which is why MOMA
doesn't
own the copyrights to Matisse's paintings, for example).
Peter writes:
What Eve says is correct for published works, but the question of Matisse
paintings
purchased by MoMA is theoretically
.
Cheers,
Eve Sinaiko
NYC
for publishers on this...
Regards,
Eve Sinaiko
New York
or an understaffed museum), or a desire to avoid masses of
rights-clearance paperwork.
In these notes, I don't mean to encourage users not to clear rights. I'm
only suggesting ways to address the small group of works that are truly in
limbo.
Regards,
Eve Sinaiko
: smaller images are
usually safer; images with inactive or unknown rights holders may be safer;
takedowns may be necessary, leaving holes in online content, etc.
Regards,
Eve Sinaiko
in printed materials?
I'd love to hear how it's working.
Regards,
Eve Sinaiko
Director of Publications
College Art Association
attach a
flyer (though I don't know if attachments are accepted on this list.)
Please circulate this and post it to relevant listserves or groups.
Many thanks,
Eve Sinaiko
Director of Publications
College Art Association
* * *
Who Owns This Image?
Art, Access, and the Public Domain after
Here are three who were recommended to me by museum folks (Getty, Norton Simon,
and MOMA). I have not used them myself (ended up not needing the work done).
Regards,
Eve Sinaiko
The Jewish Museum
NYC
Douglas Parker
FranSalomonDMPS at aol.com (Douglas Parker?s wife)
323-660-6145 (business)
213
fathom how this can be said to meet museum mission, or serve art well.
In a nutshell: the advent of the Internet changed the game, and museums are
now, step by step, coming to terms with that.
Regards,
Eve Sinaiko
NYC
and constituencies than the AAMD guideline.
Regards,
Eve Sinaiko
NYC
-Original Message-
From: Ben Rubinstein benr...@cogapp.com
Sent: Feb 10, 2015 2:14 PM
To: Museum Computer Network Listserv mcn-l@mcn.edu
Subject: Re: [MCN-L] FW: CAA Code of Best Practices in Fair Use for the Visual
Arts
The Jewish Museum, New York, is looking for a Digital Asset Management (DAM)
Manager.
http://thejewishmuseum.org/careers/position-information/digital-asset-manage
ment-dam-manager
The museum is on Museum Mile on the Upper East Side of Manhattan. Its focus
is on art, especially contemporary
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