Sadly Julian, the link you have posted requires a password.
Barry
On 11/22/2012 02:53 PM, Julian Templeman wrote:
I have a set of shuttle pipes that are surplus to requirements. The
shuttle drones are by Dave Shaw (see
http://www.daveshaw.co.uk/Shuttle_Pipes/_shuttle_pipes.html) and they
have
Pipers All, hello
The next meeting is on 8th December 2012
The first three dates for our monthly meetings in 2013 are 5th January,
2nd February and 2nd March.
The usual venue and times - Grove Lane Baptist Church, Pingate Lane
South (off Grove Lane), Cheadle Hulme, Cheadle SK8
My Ross 7 keyed chanter has now been sold. Thanks to everyone who responded.
Wallie.
Sent from my iPad
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I am selling a Colin Ross 7 keyed F chanter in blackwood and brass with split
stock and protective end cap. I think it's about 20 years old, has been
carefully maintained and is in superb condition, plays beautifully, with a good
sound and tone. I'm looking for £500 + postage and can provide
I have 2 beautiful Sloan SSP sets in A/Bb for a while, both so nice
I couldn't decide which one to sell.
It's of the fancy early 90s style, Blackwood fully mounted im. ivory,
A and Bb chanters, walnut bellows and alum. case.
Can sell with only one chanter. More information and
Selling a beautiful Heriot Allan NSP combination set D/G with 5
drones, 9-key D chanter and 7-key G chanter. Reid style (fully mounted,
Blackwood/im. ivory/ brass engraved ferrules), soft travel case w.
protective tubes, bellows. New bag, new HA bag cover and all
keypads replaced 1
Oh that is really sad. I will do what I can for next year. It will
depend on where I am. About all I can be sure of is that I will be overseas.
Just as an encouragement to others; for all the possible short falls of
a competitive situation, the benefits of putting in the preparations for
these
On 21 Oct 2012, Helen wrote:
Oh that is really sad. I will do what I can for next year. It will
depend on where I am. About all I can be sure of is that I will be overseas.
Just as an encouragement to others; for all the possible short falls of
a competitive situation, the benefits of
That's a great shame the so many had no entries this year - especially
the overseas players. Hopefully things will pick up again.
Colin Hill
On 20/10/2012 18:24, Julia Say wrote:
I have posted the results of these on the NPS forum at:
I noticed that the nsp list (at Dartmouth) was down for a while.
It should be working now.
Wayne
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On 16 Aug 2012, Richard Evans wrote:
So I created a facebook account and found the nps page but all I see is
a wikipedia extract. Is there some kind of forum or something?
Try searching on:
Northumbrian Piping Newsgroup in fbook - its kinda silly season there
at the
moment.
OK, thanks,
One of the problems with the NSP forum is that there seems to be no
addressing of well discussed problems. The stuff is spread over too
many sub forums some of which are just vanity areas for a couple of
people to bang on about stuff that interests only them.
I understand that
Derek Lofthouse recently wrote:
A question I forgot to ask though, are these 2 tunes played much?
Hello Derek
The tunes are popular in some circles and have been for some time. I
remember Chuck Fleming leading us all with 'Peacock Followed ..' in the
pub at Kathryn's (Tickell)
Well, somewhere along the line I totally missed the fact that there even
was a forum!
Thanks for bringing the subject up again, I've registered now.
Colin Hill
On 17/08/2012 12:04, Matt Seattle wrote:
On Fri, Aug 17, 2012 at 11:18 AM, Bilbo Hill [1]bilbo_h...@email.com
wrote:
The trouble is - all us monomaniacs followed the Forum, and nobody joined us.
Are they trying to tell us something?
'Here's a lovely forum to have your discussions in', then they tiptoe away
quietly and have a great party somewhere else.
John
From:
Gibbons, John wrote:
The trouble is - all us monomaniacs followed the Forum, and nobody joined us.
Are they trying to tell us something?
'Here's a lovely forum to have your discussions in', then they tiptoe away
quietly and have a great party somewhere else.
John
Yes, John, a very good
Again, thanks all for the advice.
I tried all 3 tunes with both Gg and Aa drones, both set ups worked okay. I
think i prefered the Gg sound though. Basically it is the border pipe set
up, a tone lower.
I suspect i better be able to play all 3 tunes by october though.
Derek
Barry Say wrote:
More happens on fyecebeuk than anywhere else at the moment. I have been
very disappointed that more NPS committee members have not taken
advantage of the opportunities offered by the NPS forum.
So I created a facebook account and found the nps page but all I see is
a
If I have the right one (and that's far from certain as I don't
understand facebook at all) it's
http://www.facebook.com/groups/131491660229952/
at least that's what's on the URL bit at the top of the page.
Colin Hill
On 16/08/2012 19:44, Richard Evans wrote:
Barry Say wrote:
More happens
On Wed, Aug 15, 2012 at 12:26 AM, Anthony Robb
[1]anth...@robbpipes.com wrote:
Here is what Forster Charlton, Colin Ross and Roland Wright put
in the
introduction to the second edition to the NPS 1st Tune Book:
Small Coals and Little Money and Cuckold Come Out
On Border pipes, nominally a tone higher, the drones are fixed, in A; they have
no bead holes.
Cuckold, or the Peacock followed the Hen, swap around between B minor and D
major above the A harmony of the drone.
This corresponds to playing them in Aminor/Cmajor against G drones on NSP.
It
On 15 Aug 2012, Matt Seattle wrote:
And neither does playing Cuckold or Peacock on NSP against A drones
sound nasty, but it does miss a lot of the musical effect of these
tunes, the contrasting minor/major strains
Coincidentally (yes, really) I spent part of this afternoon playing
To my ear the best thing about the Peacock with Gg drones is the
prominent clashing f#, which resolves to a d; it is a strongly
emphasised note in the 'C major' strains. BP would have a high g nat
here instead but Peacock was stuck with f# on NSP and seems to have
gloried in it.
Hello Derek'
In a way you've answered your own question.
G D drones would presumably have been used originally for these tunes
as they probably precede the development of tuning beads but they don't
sound right to many people.
Here is what Forster Charlton, Colin Ross and
Hi to All,
I am trying to find if the Northumbrian Small Pipes or the Border Pipes
have any melodies that are connected with Portugal. A Portuguese friend
of mine is asking if there is any musical connection with Lowland
Scotland/Scotland/Northern England and the Portuguese.
I
What is this email about? Doesn't seem to have anything to do with
Piping.
Marianne.
Date: Mon, 9 Jul 2012 15:36:20 -0400
To: barne...@gmail.com; edt1...@cox.net;
carol...@ticklehallcross.co.uk; pbtand...@gmail.com;
nsp@cs.dartmouth.edu; amca...@cox.net;
Quite simply, it's spam. This particular email appears to be doing the
rounds at the moment on many groups including Google and Yahoo.
Someone, somewhere, has had their address book hacked.
Any mail like this should be deleted and not opened. I doubt anyone in a
group would send a link with no
Thank you for accepting me on the mailing list Wayne!
Have one question: How do I find out where I can see a Northumbrian
Smallpipe specifically made by my great-great grandfather Robert Hall of
Hedgeley, Powburn, Alnwick, NBL? He made very unique handcrafted ones,
(year about 1840s or 1850's)
Hi Jenny - there's a set attributed to Robert or James Hall in Edinburgh:
http://hdl.handle.net/10683/17806
(James was Robert's son and was also piper to the Duke about 100 years ago)
I don't know what EUCHMI is or whether the collection is viewable
I used to be able to search the
On 14 Jun 2012, rob@milecastle27.co.uk wrote:
Hi Jenny - there's a set attributed to Robert or James Hall in Edinburgh:
Someone will no doubt be along
shortly with a list of any Hall pipes in the Bagpipe museum in Morpeth
There are about 10 Hall sets known of in total. 2 at least I
Rob,
The Woodhorn pictures are still visible, but I could not link to the search
engine either.
Off to the day job
John
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of
rob@milecastle27.co.uk [rob@milecastle27.co.uk]
Hi to All,
Can anyone tell me the origins of the the tune Mallorca (1st NSP Tune
Book), how old it is, and why it was written, and which member of the
Royal Family wrote it?
Best wishes,
Kevin
--
http://www.ethnopiper.com
http://www.youtube.com/kevnsp
It says The Late Duke of Windsor and I always assumed this was the former
Edward VIII who succeeded to the throne in 1936, abdicated so he could marry
Wallace Simpson, and died in 1972 after spending the rest of his life in
France. According to Wikipedia, the title Duke of Windsor was created
The Late Duke of Windsor was quite proud of the fact that he could play
the Highland Pipes. Although since Victoria and Albert fell in love
with the Highlands and bought Balmoral, there had always been a piper
who woke them up every morning, in their day it was definitely an NCO
job. When the
Following Dru's mail:
Digging round on the web, I found that the
site [1]http://www.pipetunes.ca/displayproduct.asp?catID9tuneID28 sta
tes that Edward VIII was a piper and wrote this tune, perhaps with some
help from his piping mentor, Willie Ross.
It is variously described
There were two pipers called William Ross. The first was piper to
Queen Victoria from 1854-1891; Edward VIII, as he became, was born
three years later. The other Willie Ross was a top player from before
WW1 to after WW2, and was for many years the chief instructor at the
school of piping. But he
Not our pipes, but has anyone else seen this morning's Scotsman?
[1]http://www.scotsman.com/news/pipes-play-music-of-love-for-edinbur
gh-zoo-pandas-1-2209167#
An excellent April fool, and obviously written by someone who knows
something about the subject
--
References
Ian Lawther has chosen THE MORPETH RANT for April's Tune of the Month.
There are lots different settings out there. Matt Seattle published a
book on the tune. It may be the first tune we've had in D, and it may
be the tune with the most key work we've had so far. It is a melody
And is this an opportunity to do a kindness to the victims of political
violence, by allowing your bank account to assist the widow of a former
general to access funds in exchange for a token share of the proceeds?
Not our pipes, but has anyone else seen this morning's Scotsman?
1,042,012 Naira? That's 3/4d isn't it?
Wait for the next edition Rare panda commits suicide in zoo
Colin Hill
On 01/04/2012 16:45, Dru Brooke-Taylor wrote:
And is this an opportunity to do a kindness to the victims of political
violence, by allowing your bank account to assist the widow of a
This is a little off topic, but i am looking for a little advice.
A few of us (conveniently 5) are starting a rapper dance side. We have swords,
instruction books, a little experience (My father and i had a side 30 odd years
ago).
Just wondering if anyone can suggest recordings that we can
I don't know of any recordings played at proper rapper speed but you
might not want to start there anyway! One thought might be to look for
some rapper videos on youtube and capture the sound to your computer.
Ian
DEREK LOFTHOUSE wrote:
This is a little off topic, but i am looking for a
On 7 Mar 2012, Gibbons, John wrote:
Bruce was one of the 2 editors of the Northumbrian Minstrelsy, though Stokoe
was the
main editor for the tunes. Both were not ideal - but many of the earlier
Ancient
Melodies Committee, particularly William Kell,
Last week I went through the Ancient
I was poking around for some information on some of the individuals
involved in the sustainment of the NSP tradition heading into the 20th
century, and it turns out that the book The life and letters of John
Collingwood Bruce of Newcastle-upon-Tyne is available on GoogleBooks
for
On 6 Mar 2012, Matthew Boris wrote:
The life and letters of John
Collingwood Bruce of Newcastle-upon-Tyne
Just though this may be of interest to other folks interested in
history. . Hope someone else might enjoy this as well.
If that's the one written by his son, it's one of
I once wondered if the ballad fits the tune - can you sing it in 9/4?
The answer is a tentative yes... But it isn't as obvious as I'd like.
I have not checked every verse.
The ballad seems to be a local analogue of a Robin Hood one, with
Carlisle for Nottingham etc,
Adam a
If anyone wants the dots of the Dixon version, they're in 'The Master
Piper', available from NPS. If they need to transcribe it into G before
playing it that will be a useful exercise.
See the credit for the photo of the Edinburgh pub sign 'Jingling
Geordie' which appears with the
Reading in A and playing in G is also a skill worth learning!
It opens up an awful lot of the Scottish repertoire.
John
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Matt Seattle
Sent: 29 February 2012 10:24
To: Dartmouth NPS
Sorry about the spelling. ;-)
Wouldn't anyone somewhat familiar with the tradition assume Dixon's
collection to be smallpipe tunes just by perusing the table of
contents? It's after reading your insightful text, Matt, that one sees
the connection to Border pipes. Your proof
-Original Message-
From: brimor bri...@aol.com
To: theborderpiper theborderpi...@googlemail.com
Sent: Wed, Feb 29, 2012 3:48 pm
Subject: Re: [NSP] Re: March 2012 TOTM: Adam a Bell selected by Julia Say
It certainly is also useful to read in G and play in F, if you are a fiddler
and
On Wed, Feb 29, 2012 at 7:46 PM, John Dally [1]dir...@gmail.com
wrote:
Sorry about the spelling. ;-)
Wouldn't anyone somewhat familiar with the tradition assume Dixon's
collection to be smallpipe tunes just by perusing the table of
contents?
From the titles, yes, but not
On Wed, Feb 29, 2012 at 11:52 PM, Gibbons,
John [1]j.gibb...@imperial.ac.uk wrote:
There is also the question of what did Dixon intend by his blank key
signature?
Did it mean 'this tune is in Gmix/Cmajor or Adorian'?
Or did it mean, as with Highland pipe music,
'I
From the playing the tunes on my various sorts of pipes, it seems clear
that Dixon did play an instrument with a flattened 7th. But in my
experience the flat 7th is sharper on Highland pipes than on SSP or
most BP. I don't think his fingering was anything like modern Highland
Many thanks to Julia Say for selecting a classic tune for March.
Julia writes:
William Dixon's Adam a Bell and its tune family - through the Peacock
My Dearie sits ower late up (and the similar but not identical one
in Clough).
If any new players find these too intimidating
An expanded and revised up-to-date version of Colin Ross' reedmaking book is
now
available. It covers nsp reeds (all pitches), ssp reeds (all pitches) and
Border
pipe chanter reeds, as well as cane on brass composite drone reeds for all
varieties. There is a troubleshooting section.
The cost
Pipers All, hello and greetings.
Reminder - March meeting is on 3rd.
The next three dates for our monthly meetings are 31st March, 5th May
and 2nd June.
The usual venue and times. All are welcome. Manchester Group of
Northumbrian Pipers meet at the Grove Lane Baptist Church,
Hi All,
The ivorycould possibly be walrus. Goeff Wooff used old walrus pieces
that I think he bought in NZ years ago in the limited number of sets
of pipes that he made. Then again am happy to be proven wrong!!
Regards,
Guy T
--- On Wed, 15/2/12, John Dally
A lot of the ivory actually came from old billiard and snooker balls as
well and a lot of of them (and other ivory work) came from mammoth tusks
from Russia. Europeans used ivory mainly for piano keys and cutlery handles!
I remember being advised to look out for them to make some bits for the
If that recent footage of a mammoth-shaped object fording a river in
Chukhotka in the Russian Far East turns out not to have been faked,
then presumably the species goes on the CITES list pretty sharpish, and
carrying smallpipes across borders gets harder...
John
In a
Hello Mike
I agree there is nothing of the Hedworth style in this set - keys
especially. Hedworth taught silver smithing to Colin Ross and was a
master of beautiful keywork. His style is unique with the key stem
shaped and silver soldered to reach completely across the domed round
I didn't look at the larger images :(
Quite different and, as you say, especially the keys. Bill's are a work
of art in themselves. Should really have looked at my own set before
replying.
The only other chanters I have seen (and not that many) have been rather
heavy and thick which made me
First of all, I must apologise to Anthony for sending my first reply to
him rather than the list. This was a finger slip.
What I wrote was:
As far as I can see, these pipes bear none of the features I would
expect in Hedworth pipes. In particular,
Anthony Robb wrote:
His style is
[1]http://www.ebay.com/itm/Northumbrian-Smallpipes-/120858672456?pt=UK_
Woodwind_Instrumentshash=item1c23bcfd48
Can anyone identify the maker?
I am not associated with the sale or interested in bidding on them.
Just curious.
--
References
1.
On 15/02/2012 16:23, John Dally wrote:
[1]http://www.ebay.com/itm/Northumbrian-Smallpipes-/120858672456?pt=UK_
Woodwind_Instrumentshash=item1c23bcfd48
Can anyone identify the maker?
I am not associated with the sale or interested in bidding on them.
Just curious.
Doh! I did reply but sent it to the original sender instead of well
you know the rest.
I saw a distinct Hedworth look in the chanter but note it's brass
fittings. He, I think, used NS (he did on mine) and there's more ivory
on this one.
I always thought of Bill's as very neat and slim so
Colin Hill writes:
I saw a distinct Hedworth look in the chanter but note it's brass
fittings. He, I think, used NS (he did on mine) and there's more ivory
on this one.
I pretty sure this isn't Bill Hedworth's work. I don't see his
distinctive rolled (crimped) line that he used
Hello all,
Here's my offering.
[1]http://youtu.be/sfiCRPct9vQ
Warmest best
Anthony
--
References
1. http://youtu.be/sfiCRPct9vQ
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Gets the approval of the grumpy old Border pipers on their lunch break
Matt Bill
On Thu, Feb 9, 2012 at 12:03 PM, Anthony Robb
[1]anth...@robbpipes.com wrote:
Hello all,
Here's my offering.
[1][2]http://youtu.be/sfiCRPct9vQ
Warmest best
Anthony
And this one too - though the lunch break hasn't yet started, alas
John
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Matt Seattle
Sent: 09 February 2012 12:18
To: Anthony Robb
Cc: DartmouthNPS
Subject: [NSP] Re: TOTM
Gets
Hello All,
John Dally has kindly invited me to choose the TOTM for February and it is:
The Keelman Ower Land
This tune has been a favourite since 1973 when (according to Johnny
Handle) Carole I gave its first public airing in years. It is still
yielding up its secrets 38 years
Great choice. Thanks Anthony.
On 2/1/12, Anthony Robb anth...@robbpipes.com wrote:
Hello All,
John Dally has kindly invited me to choose the TOTM for February and it is:
The Keelman Ower Land
This tune has been a favourite since 1973 when (according to Johnny
Handle) Carole
[1]http://soundcloud.com/john-dally/herd-on-the-hill-highland
There's the link to my offering for Highland Laddie. It's the Clough
three part tune paired with Tom Clough's The Herd on the Hill. I
tried a new recording technique, and I think the sound quality is
better than
Here is a message from Chris Ormston, who has graciously agreed to make
the selection this month:
John has asked me to select the theme for January's TOTM. In keeping
with previous months, I've chosen something to appeal to both
Northumberland pipers and Border pipers (though I'm
We have something exciting planned for January Tune of the Month.
Check this space for BIG news in the near future.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Now out - just in time for Christmas. A book of 126 tunes in Northumbrian style
by
74 different composers from all round the world, young and older, well-known
and
less so, most of them pipers, most still with us, but a few passed on.
Composers
will receive a complimentary copy: otherwise
Sorry for the bungled url on my end. This should work.
http://soundcloud.com/john-dally/winter-wren-christimass-day-in
all the best,
John
-- Forwarded message --
From: John Dally dir...@gmail.com
Date: Wed, Dec 21, 2011 at 10:41 PM
Subject: December TOTM
To: NSP group
Here's my December TOTM offering:
http://soundcloud.com/you/tracks
Hope you enjoy it.
cheers,
John
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Colin has asked me to pass on his thanks and seasonal good wishes to all his
friends and contacts who have sent Christmas cards and wishes.
He is very grateful for your cards, but there are so many that he cannot
possibly
respond individually this year, much as he would wish to do so.
Julia
How would the group feel if we changed the present tune/topic/theme
selection process? There must be better ways to make the choice so
that more pipers will want to participate and, equally important,
there will be more useful discussion about the selection. Pete
Stewart has been very helpful in
Hi John,
That sounds like a great proposal, brilliant learning possibilities and
history background too
Super
Dave S
On 12/14/2011 9:40 AM, John Dally wrote:
How would the group feel if we changed the present tune/topic/theme
selection process? There must be better ways to make the choice
On 8 Dec 2011, Julia Say wrote:
This is an untitled Kathryn T composition.
Thank you to the various people who responded offlist. I now know that the
title
is Andy's Slip Jig, but whether I can get a stop press change in the book I
don't
know - the printers have gone home.
Julia
To
A puzzle - are there any ethnoorganologists out there who can identify the
thing?
John
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of John
Dally [dir...@gmail.com]
Sent: 06 December 2011 22:29
To: NSP group
Subject: [NSP] ebay
I just told them that it was not a Northumbrian bagpipe, just a European
one.
The box for typing in the reasons doesn't allow many letters.
Certainly does look like something maybe from Spanish-influenced areas
like Morocco or that area (they have smaller single drones, in general).
Wouldn't
Some sort of euro-pipe, very expensive for what it is, but not what
the seller claims it is: ebay item #170741342181.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I have reported this to ebay as a misleading title.
If others wish to do so this might not be a bad idea.
I have not yet been able to tell them what is wrong, it is a rather
tick-box approach, but I will see what happens.
Barry
John Dally wrote:
Some sort of euro-pipe, very expensive for
nsp@cs.dartmouth.edu
* * * * * * * * * * *
Hi there,
I've just joined this group, I confess, as an outsider looking in.
However, I bought my first NPs LP back in the 70's have always been
drawn to this music, although I must confess that Irish Music has
been a lifelong passion for me.
For
The Tune of the Month for December is, as discussed, some version of
Christenmass Day in the Morning and another tune (or two, or how
many you want). As always, please post a link so we can enjoy your
music. Thanks to everyone who has participated so far.
:D
To get on or off this list see
I note that our latest copy of the New Internationalist has a cover
story tag for The Rise of the Killer Drones.
Is this an aspect of piping we should be discussing?
Richard.
--
To get on or off this list see list information at
Hi To All,
many thanks to all who wrote. i will give the 4mm rod a try as it is
the closes i can get to 4.76mm. since it might be a little narrow, will
i have t compensate in the length or the width of the reed when making
it? or is the difference to small to make a real difference?
Hello Kevin
First off, I'm assuming you mean tube and not rod? I follow Mike
Nelson's advice on this and use model aircraft aluminium fuel tubing
- 4mm internal, 4.75mm external diameters.
This is very easily cut to length with a large scalpel/sharp Stanley
knife ( simply roll it
Anthony Robb wrote:
- 4mm internal, 4.75mm external diameters.
That is as near as d*mn*t 5/32 id and 3/16 od which is the size of
brass tube I use. So no argument there.
Personally, I suspect this fuel tube originates in the US where,
thankfully, the traditional sizes are alive and
Colin's interesting account of making staples from sheet metal is a very good
reminder that this was the staple [pun unavoidable] method of making staples
for historical reeds - they generally relied on the binding to keep them
airtight.
No reason why that shouldn't work perfectly well today,
The obvious topic is tunes with a reference to the season (winter,
soltice, Christmas, Hogmany, New Year). I suggest we pick a tune we
all want to play and then combine it with one or more other tunes,
as
suggested by Barry Say.
Here's one we prepared earlier, John, I
Shame we weren't quite in tune!-compared to the chanters in the Wild Hills
video-but interesting how the chanters begin to attune further on in a
set.!?
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of Matt Seattle
Sent: 23 November
Yes!
-Original Message-
From: lute-...@cs.dartmouth.edu
[mailto:lute-...@cs.dartmouth.edu] On Behalf Of Anthony Robb
Sent: Thursday, November 17, 2011 9:41 PM
To: Dartmouth nsp list N.P.S. site
Subject: [NSP] Re: flat chanter in the middle
Hello Kevin and all
I noticed this in
Julia tells me that she been told by the BBC that the film will be used
in the Antiques Roadshow, but not in this episode.
Sorry for the false alarm ... but I'm still going to watch it anyway,
Richard
--
To get on or off this list see list information at
A fiddler friend of mine has sent me a BBC iplayer link to a Radio
Scotland programme Travelling Folk featuring Chris Stout from Fiddlers
Bid.
Also on the same programme is Kathryn Tickell. Kathryn is on from
about 8 minutes for about half an hour.
Here is the link for
Thanks for the link -- time in 1h12'ish to 1h33 on the one I played
Dave S
On 11/18/2011 11:44 AM, Di Jevons wrote:
A fiddler friend of mine has sent me a BBC iplayer link to a Radio
Scotland programme Travelling Folk featuring Chris Stout from Fiddlers
Bid.
Also on the same
Next week's issue of 'Radio Times' lists 'Antiques Roadshow' this
coming Sunday - the 20th - as coming from Delaval Hall. Julia took
some pipes along which generated interest, although there are no
guarantees that they will appear. BBC1, 8pm, Sunday 20th - possibly
worth a look,
Richard
Hello Kevin and all
I noticed this in Kevin's email:
...so i closed the G hole with glue at one side until it was in tune.
I'm wondering why you put the glue at one side rather than the top?
Putting glue at the side will flatten the note by making the hole
smaller but this
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