Thanks a lot for the class John.
--
MaritimTim
http://maritimtim.blogspot.com/
2011/3/25 John Sessoms jsessoms...@nc.rr.com:
From: Tim ?sleby
Agree about the flat light. I had trouble rendering these two files.
As I recall, I had one light at each side of me, in a 45 degre angle,
And to the rest of the crew. You have given me a lot to work on.
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http://maritimtim.blogspot.com/
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Tim,
The question is: What sort of person is Ole Dan?
Is he a sober and reflective sort? Then #1 might be best.
Is he relaxed and casual? Then #2.
Is he given to melancholy? Then perhaps #3.
#4 is the most complex of the four poses; the pose indicates engagement (a
conversation with
Yeah. I think I've portrait him pretty good.
--
MaritimTim
http://maritimtim.blogspot.com/
2011/3/24 Rick Womer rwomer1...@yahoo.com:
Tim,
The question is: What sort of person is Ole Dan?
Is he a sober and reflective sort? Then #1 might be best.
Is he relaxed and casual? Then #2.
Thanks Paul. My opinion and experience is appreciated.
The modell told me he _really_ liked the first one. Maybe you have put
words on why?
Let me explain why I explore these odd angles, to see if I can make them work.
I am looking for something different. There is so many portraiters
doing the
And this is what makes your opinion so valuable for me :-)
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MaritimTim
http://maritimtim.blogspot.com/
2011/3/24 Tim Øsleby maritim...@gmail.com:
Thanks Paul. My opinion and experience is appreciated.
The modell told me he _really_ liked the first one. Maybe you have put
words on why?
See if you can get hold of a copy of 'Train Your Gaze' by Roswell Angier. It's
an excellent and practical guide to portrait photography. Camera angles tend to
be gimmicky and looked tired very quickly. Besides, Cartier-Bresson was very
scathing about them. The key to portrait photography is
On Mar 24, 2011, at 12:47 AM, Tim Øsleby wrote:
Thanks Paul. My opinion and experience is appreciated.
The modell told me he _really_ liked the first one. Maybe you have put
words on why?
It's a good shot.
Let me explain why I explore these odd angles, to see if I can make them work.
You will be fine Larry, as long as you stay away from tiny overlaoded boats.
http://maritimtim.blogspot.com/2011/03/o-d-johnson.html
I'm not aiming to invent a totally new direction in photography. But
I'm looking for something that makes my pictures mine. My photo
colleague takes a lot of near
From: Tim ?sleby
Meet my college Ole Dan Johnson (four picks)
http://maritimtim.blogspot.com/2011/03/o-d-johnson.html
I lust for comments. I need to learn fast.
The first and last have nice modeling.
The lighting in the middle two are a bit flat for my taste.
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PDML Pentax-Discuss Mail
Tim -
Being different for it's own sake is seldom if ever, a successful
asthetic.
The best portraits are where the personality and character of the one
you are photographing is revealed in them without
your style and personality getting in the way.
I suspect you model (friend of yours?)
Both are valid points Ann.
BTW. The first one is 20% photography and 80% rendering.
--
MaritimTim
http://maritimtim.blogspot.com/
2011/3/24 Ann Sanfedele ann...@nyc.rr.com:
Tim -
Being different for it's own sake is seldom if ever, a successful asthetic.
The best portraits are where the
From: Tim ?sleby
Alas my photoshop skills are limited.
When I try to remove them, it just looks unatural. So I just try to
tone them down a bit.
This is among the things I really need to work on. I have a book somewhere ...
2011/3/23 Jack Davis jdavi...@yahoo.com:
Would advise removing any
Tim Øsleby wrote:
Both are valid points Ann.
BTW. The first one is 20% photography and 80% rendering.
ahha! hence the fantasy look.
:-)
ann
--
MaritimTim
http://maritimtim.blogspot.com/
2011/3/24 Ann Sanfedele ann...@nyc.rr.com:
Tim -
Being different for it's own sake is
Agree about the flat light. I had trouble rendering these two files.
As I recall, I had one light at each side of me, in a 45 degre angle,
probably about 1,5EV differense. Nothing fancy. Any suggestions on how
to improve?
--
MaritimTim
http://maritimtim.blogspot.com/
2011/3/24 John Sessoms
From: Tim ?sleby
Agree about the flat light. I had trouble rendering these two files.
As I recall, I had one light at each side of me, in a 45 degre angle,
probably about 1,5EV differense. Nothing fancy. Any suggestions on how
to improve?
You've got the lights off to both sides so both
Meet my college Ole Dan Johnson (four picks)
http://maritimtim.blogspot.com/2011/03/o-d-johnson.html
I lust for comments. I need to learn fast.
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http://maritimtim.blogspot.com/
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I prefer the pose in the first shot
Dave
On Wed, Mar 23, 2011 at 6:25 PM, Tim Øsleby maritim...@gmail.com wrote:
Meet my college Ole Dan Johnson (four picks)
http://maritimtim.blogspot.com/2011/03/o-d-johnson.html
I lust for comments. I need to learn fast.
--
MaritimTim
I liked the first and the second most.
The first has the old-time look and the second has a natural feel about it.
The last one might have been better for me, if the foot was not
fighting for attention.
Bulent.
-
Would advise removing any glistening facial areas. I see a few in these shots.
Would apply to all bare skin areas for that mater.
Jack
--- On Wed, 3/23/11, Tim Øsleby maritim...@gmail.com wrote:
From: Tim Øsleby maritim...@gmail.com
Subject: PESO - Portrait: O. D. Johnson
To: Pentax-Discuss
Two words: Face powder. First is best. -T
On Wed, Mar 23, 2011 at 3:25 PM, Tim Øsleby maritim...@gmail.com wrote:
Meet my college Ole Dan Johnson (four picks)
http://maritimtim.blogspot.com/2011/03/o-d-johnson.html
I lust for comments. I need to learn fast.
--
MaritimTim
On Mar 23, 2011, at 3:25 PM, Tim Øsleby wrote:
Meet my college Ole Dan Johnson (four picks)
http://maritimtim.blogspot.com/2011/03/o-d-johnson.html
I lust for comments. I need to learn fast.
I like the first one.
The lighting in the fourth is nice, and it's an interesting angle. I think
On 11-03-23 6:25 PM, Tim Øsleby wrote:
Meet my college Ole Dan Johnson (four picks)
http://maritimtim.blogspot.com/2011/03/o-d-johnson.html
I lust for comments. I need to learn fast.
Tim, I *really* like the bw headshot best.
I have a couple of issues with the 2nd and 3rd seated shots. To me
Don't be sorry Bruce. I asked for honesty. So thanks a lot for
speaking freely. Your da maaan :-)
Despite this, I'm not sure if I agree with you point about making a
male subject diminutive. But I _do_ think you are right about the size
of the head.
So I'll probably try to zoom in and back of a
http://maritimtim.blogspot.com/2011/03/o-d-johnson.html
Thanks a bunch guys. For speedy and constructive comments.
Let me reply to the most important first. O. D. is my colleague, not my college.
What I do for metering? Errrh. Does chimp count as metering ;-)
What I do, is to chimp with
:
From: Tim Øsleby maritim...@gmail.com
Subject: PESO - Portrait: O. D. Johnson
To: Pentax-Discuss Mail List pdml@pdml.net
Date: Wednesday, March 23, 2011, 3:25 PM
Meet my college Ole Dan Johnson (four
picks)
http://maritimtim.blogspot.com/2011/03/o-d-johnson.html
I lust for comments. I need
Alas my photoshop skills are limited.
When I try to remove them, it just looks unatural. So I just try to
tone them down a bit.
This is among the things I really need to work on. I have a book somewhere ...
--
MaritimTim
http://maritimtim.blogspot.com/
2011/3/23 Jack Davis jdavi...@yahoo.com:
On Mar 23, 2011, at 4:42 PM, Tim Øsleby wrote:
http://maritimtim.blogspot.com/2011/03/o-d-johnson.html
Thanks a bunch guys. For speedy and constructive comments.
Let me reply to the most important first. O. D. is my colleague, not my
college.
What I do for metering? Errrh. Does chimp
Øsleby maritim...@gmail.com wrote:
From: Tim Øsleby maritim...@gmail.com
Subject: PESO - Portrait: O. D. Johnson
To: Pentax-Discuss Mail List pdml@pdml.net
Date: Wednesday, March 23, 2011, 3:25 PM
Meet my college Ole Dan Johnson (four
picks)
http://maritimtim.blogspot.com/2011/03/o-d
So far I haven't had problems with blown out background. But I will
soon. Because now I will start to light it directly.
I haven't had tools to trigger more than two flashes so far, but now I
have extra triggers, opening up new possibilities.
What I've had metering difficulties with so far, is to
On Mar 23, 2011, at 5:09 PM, Tim Øsleby wrote:
So far I haven't had problems with blown out background. But I will
soon. Because now I will start to light it directly.
When I use white seamless I *try* to blow out the background. And if I don't
in the camera, I often do in post, using the
I find this one a bit odd. The 50/50 center-of-face light split and the bright
spot in the shadowed eye make it look a bit spooky. If a bit of a horror-movie
look was your goal, it succeeds. As an attractive portrait it doesn't work for
me.
On Mar 23, 2011, at 6:25 PM, Tim Øsleby wrote:
Meet
I had looked only at the first. I went back to see the rest. I agree in regard
to the odd camera positions, as noted by Bruce below, although I think the
second shot (first color) is okay in that regard. But I find a bit too dark and
oversaturated.
On Mar 23, 2011, at 7:20 PM, Bruce Walker
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