http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemcategory=30035item=7505361524rd=1
HAR!!
William Robb
Quoting Shel Belinkoff [EMAIL PROTECTED]:
http://home.earthlink.net/~my-pics/abandoned.html
Interesting pic Shel. I like the echo of the chair in the shadows made by the
pipework.
This email was sent from Netspace Webmail:
Quoting Bruce Dayton [EMAIL PROTECTED]:
Rather nice shot. The composition is great and the boat with wake
really adds. Just a bit less contrast perhaps or at least opening up
the shadow areas a bit might be nice.
Thanks Bruce, the right-side trees and the shadow on the water is a real
Stripped-down versions of the Z1 and Z1p, for Japan only.
Bye,
Dario
(maker of the poster)
- Original Message -
From: Rick Womer [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Sunday, April 10, 2005 7:34 PM
Subject: Z-5 and Z-5p???
I just picked up my Pentax poster from the Post
On Apr 10, 2005, at 9:34 PM, Shel Belinkoff wrote:
http://home.earthlink.net/~my-pics/abandoned.html
Really like this. For all the reasons Bruce mentioned (so I won't
repeat them).
-Marco
On Apr 10, 2005, at 8:25 AM, Frantisek wrote:
Hi,
as sacrilegous as it is to me, I have some BW conversions from
digital which I would really like to have as fiber BW prints (e.g.
the frontpage photograph on my website).
I am not much keen on printing them on Frontier (even though the
Quoting cbwaters [EMAIL PROTECTED]:
Anybody wana come paint this room? Two coats of white primer in the kids
room and it's STILL pink... Ugh
Beware of pink.
Jostein
This message was sent using IMP, the Internet Messaging
Hi,
Monday, April 11, 2005, 7:33:03 AM, William wrote:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemcategory=30035item=7505361524rd=1
HAR!!
Reminds me of a New Yorker cartoon I once saw. A middle-class couple
looking at their bank statement. The man says Good news, darling. At
last we have
http://homepage.mac.com/ramarren/photo/PAW5/15.htm
enjoy,
Godfrey
Clever ;-))
Shel
[Original Message]
From: Godfrey DiGiorgi
http://homepage.mac.com/ramarren/photo/PAW5/15.htm
Hi all...
Saw a Pentax camera being used as a background image on Euromaxx today
while the host introduced a story about a German photographer. I
couldn't quite tell which model it was but it looked like it was from
the MZ series. They may have Photoshopped it to remove logos etc (the
From: Jostein [EMAIL PROTECTED]
Quoting cbwaters [EMAIL PROTECTED]:
Anybody wana come paint this room? Two coats of white primer in the kids
room and it's STILL pink... Ugh
Beware of pink.
RATS! Coffee all over the monitor, again
Jostein
Jack,
I would appreciate you providing a link. I haven't done a thorough
search, but what I stumbled on so far are just unsupported
statements through web forums, no authoritative source. This is
while all film technical documents I came across specify the same
conditions for
From: George Sinos [EMAIL PROTECTED]
Date: 2005/04/11 Mon AM 03:52:17 GMT
To: pentax-discuss@pdml.net
Subject: Re: PESO: More Loco Photos
Hi Mike -
Here's one of the links, but I don't think it will do you any good.
It will just take you to the page you can already see.
Try the
From: Shel Belinkoff [EMAIL PROTECTED]
Date: 2005/04/11 Mon AM 04:45:52 GMT
To: pentax-discuss@pdml.net
Subject: RE: PESO: Cell Squat
toning down the headlight of the other side of the pic so the eye is more
willing to focus on the woman.
How old are you again?
8-))
m
Hi Shel,
Another nice conversion. I'm going to have to get that plug-in.
Interesting shot as well. It would be interesting to try this again,
perhaps with longer lenses. I also wonder what it might look like in
color. With good light, color might be excellent here.
Paul
On Apr 10, 2005, at
Good suggestions, Shel. I think I'll do that. In truth I converted this
one on my laptop while watching television last night. I was pleased
just to see that I didn't completely miss on the exposure, contrast,
etc.:-)
Paul
On Apr 11, 2005, at 12:45 AM, Shel Belinkoff wrote:
Hi Paul I
William, (Is Bill OK or do you prefer William?)
I know you're not a zoom lover, actually neither am I.
I find that the quality of primes tend to make me look
on *most* zooms as rather inferior, though there are
a few exceptions.
Many of my photo opportunities are quick 'shoot from the
car' or
-Original Message-
From: Shel Belinkoff [mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~my-pics/houseboat.html
That scene reminds me of Avalon Beach near Geelong, small fishing
shanty town with similar surrounds. Like someone else said it's
nice enough, but maybe it mneeds a
Bruce,
I'm home now and can see this on my CRT monitor, now it
is really dark looking compared to how I saw it on an LCD
at work. I made a new version using the shadow/highlight
adjustment in PS CS, it has lost contrast and is not as nice
in some areas, but there is detail and tone in the trees.
I prefer this version. Very nice shot. Don't forget that when using
the shadow/highlight tool in advanced mode you can pump up mid-range
contrast without affecting the highlights or shadows.
Paul
On Apr 11, 2005, at 7:54 AM, Peter Williams wrote:
Bruce,
I'm home now and can see this on my CRT
Thanks, guys!
Great poster, Dario!!!
Rick
--- Dario Bonazza [EMAIL PROTECTED] wrote:
Stripped-down versions of the Z1 and Z1p, for Japan
only.
Bye,
Dario
(maker of the poster)
- Original Message -
From: Rick Womer [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Sunday,
I noticed among the seller's other items was a set of
Nikon Amusing Lenses. It's been quite a long time since
an optic has given me a good belly laugh...
Stephen
William Robb wrote:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemcategory=30035item=7505361524rd=1
HAR!!
That is a great photograph, but you don't need telling, you must know
already ;-)
The light is just right, shadows and everything, as is composition.
What makes the photograph lively and not just a technical composition
is the torn corner of the chair - it ads another point of interest
and
Thanks, William. I'll look for it.
Tonality of re-worked image, also, very nice with
improved sky.
Jack
--- [EMAIL PROTECTED] wrote:
Quoting Jack Davis [EMAIL PROTECTED]:
Striking contrasts with a clean fresh look about
it.
I'm not familiar with XP2 Super. I'd like to try
a
roll. Can
Shel,
Interesting! Is that a full size chair?
Beautiful rendering.
Jack
--- Shel Belinkoff [EMAIL PROTECTED] wrote:
http://home.earthlink.net/~my-pics/abandoned.html
Just a little something that caught my eye while
walking through Berkeley
one afternoon.
LX, K85/1.8, Fuji Reala -
Vivitar Series 1 F2.8 70-210.
Quoting Don Sanderson [EMAIL PROTECTED]:
I have several 70/80-200/210 zooms in the F/4-5.6 range for
autofocus.
All of them have their strengths and weaknesses.
Some are good at the short end and poor at the long end.
Others are just the opposite.
The ATX 80-200/2.8
Hi Paul,
Here's the original color shot:
http://home.earthlink.net/~my-pics/houseboat-color.html
I think it's obvious that the color didn't quite work here - different
light, different film, a different lens may have made it work better, or,
of course, it could have been adjusted in PS.
The
I was as close as could be without being up to my knees in water ;-))
Getting closer with a wider lens might have given a somewhat better result.
Shel
[Original Message]
From: Peter Williams
http://home.earthlink.net/~my-pics/houseboat.html
That scene reminds me of Avalon Beach
Hi Jack yes, it's a full-sized chair. Thanks for your kind words.
Shel
[Original Message]
From: Jack Davis
Interesting! Is that a full size chair?
Beautiful rendering.
http://home.earthlink.net/~my-pics/abandoned.html
Thanks ... your comments are most appreciated. For me, it's especially nice
that it is a found photo - the scene is exactly as I saw it when passing
by. Plus, it was fun to shoot as I had to stand in the middle of the
street as cars went past me and around me in either direction. Also, while
Vivitar Series 1 F2.8 70-210.
. . . as in VS1 70-210/2.8-4 ?
Fred
I find the color version more interesting, although it leaves me wishing you
could find an angle where the waterbreak didn't intersect the boat. However, it
appears that might be impossible unless you find a much higher camera position.
In any case, I like the shot. The color lends a sense of
Hmmm ... the color just doesn't grab me that much, at least in this
rendition, although it does look better surrounded in black and framed as
compared to the grey background with no frame in Photoshop. I'll be going
back at some point and see what other possibilities there are at the old
marina.
Like it a lot. Weird atmosphere despite the lighting.
Regards
Albano
--- Shel Belinkoff [EMAIL PROTECTED] wrote:
http://home.earthlink.net/~my-pics/abandoned.html
Just a little something that caught my eye while
walking through Berkeley
one afternoon.
LX, K85/1.8, Fuji Reala - Scanned
Alla Elton...
http://www.albanogarcia.com.ar/dacalCCC/pages/DacalCCC11.htm
Regards
Albano Garcia
Photography Graphic Design
http://www.albanogarcia.com.ar
http://www.flaneur.com.ar
__
Do you Yahoo!?
Yahoo! Small Business - Try our
G'day Folks,
Yesterday the Savage household had a small visitor. Willy Wagtail
(Rhipidura leucophrys or Djidi djidi in the local aboriginal
dialect...gotta love Google g). They're a small native bird about
the size of a budgie.
Anyway, after Dad finished mowing the lawn he was doing some
I like the color version a lot more, too.
Rick
--- [EMAIL PROTECTED] wrote:
I find the color version more interesting, although
it leaves me wishing you could find an angle where
the waterbreak didn't intersect the boat. However,
it appears that might be impossible unless you find
a much
shrug No accounting for our preferences, eh Rick. It's nice that you
like it as it gives me thought to try to make something better of it.
Thanks!
Shel
[Original Message]
From: Rick Womer
I like the color version a lot more, too.
Here's the original color shot:
According to a spokesperson from Adobe:
http://tinyurl.com/4r7af
http://www.adobeforums.com/cgi-bin/[EMAIL PROTECTED]@.3bb6a85c.3bb9
69f7
Shel
Nice one, Shel- the colors, light, and shapes all come together well, and
the incongruities of the subject matter add a nice quirkiness.
- MCC
- - - - - - - - - - - - - - - - - - - -
Mark Cassino Photography
Kalamazoo, MI
www.markcassino.com
- - - - - - - - - - - - - - - - - - - -
- Original
Hey all... I've been playing with some older lenses I've got with
my *ist-DS, and I figured I'd try my hand at modifying a lens to have the
electrical contacts. Basically, the same modification as outlined here:
http://www.robertstech.com/matrix.htm
After successful completion of
Yes.
Quoting Fred [EMAIL PROTECTED]:
Vivitar Series 1 F2.8 70-210.
. . . as in VS1 70-210/2.8-4 ?
Fred
http://www.astro.umsystem.edu/apml/ARCHIVES/JAN01/msg00571.html
Alin,
This is not the original source accessed, (kept
getting PAGE COULD NOT BE FOUND when attempted to
send URL). FRUSTRATING!!!
Actually, I had to try this one a couple times before
it took.
The conversion factor is, again,
- Original Message -
From: Don Sanderson
Subject: RE: Best mid-speed 70/80-200/210 AF zoom?
William, (Is Bill OK or do you prefer William?)
HAR!!
Bill is fine.
I went with William when I signed on to try to differentiate myself from the
half dozen other Bills on the list.
I know
- Original Message -
From: Jostein
Subject: Re: Beware of camera
Quoting cbwaters [EMAIL PROTECTED]:
Anybody wana come paint this room? Two coats of white primer in the kids
room and it's STILL pink... Ugh
Beware of pink.
Isn't bleed through a beautiful thing?
Cory, put another coat
I just started reading this site. Thought some here might like to know
about it or comment on the process.
http://bowhaus.com/services/lvtmain.htm
Shel
Interesting pic - selective color works pretty well here. It does
capture a moment that doesn't come across posed, even though the guy
is looking at you and flashing the peace sign.
I like it. Nice job.
--
Best regards,
Bruce
Monday, April 11, 2005, 12:16:10 AM, you wrote:
GD
Between the color and the BW versions, the color one is certainly more
impressive -- one can feel the water and the gentle ripples/waves in the
foreground.
The BW appears to be too heavy -- it may need a shaft of sun light on the
boat to make it stand out.
In both the versions, may be a few
For me, this is a big improvement. The losses are much less than the
gains in my eye. Nice shot even better. Well done!
--
Best regards,
Bruce
Monday, April 11, 2005, 4:54:50 AM, you wrote:
PW Bruce,
PW I'm home now and can see this on my CRT monitor, now it
PW is really dark looking
On Apr 11, 2005, at 8:39 AM, Cory Papenfuss wrote:
Hey all... I've been playing with some older lenses I've got with my
*ist-DS, and I figured I'd try my hand at modifying a lens to have the
electrical contacts. Basically, the same modification as outlined
here:
Hello Albano,
Nice shot! You have captured the feeling of the concert well. The
limited lighting works quite well.
I enjoyed it.
--
Best regards,
Bruce
Monday, April 11, 2005, 7:56:31 AM, you wrote:
AG Alla Elton...
AG http://www.albanogarcia.com.ar/dacalCCC/pages/DacalCCC11.htm
AG
Cory,
At the bottom of that web page is the following:
NOTE: This modification will not permit shutter-preferred or programmed
autoexposure and will not allow K and M lenses to be used on the new *ist
and *ist-D cameras (or the ZX-30/MZ-30, ZX-50/MX-50 or ZX-60/MZ-60).
Since that web page was
Sounds like you had fun. Little birds being bold really helps in
photographing them. In looking through the gallery, my favorite is
2090. For some reason, I prefer a full body with this little guy.
Thanks for sharing.
--
Best regards,
Bruce
Monday, April 11, 2005, 8:01:11 AM, you wrote:
This is a gallery of lively pictures - particularly your 2090 is the best -
great composition - the bird covering the frame diagonally -- and background
fully thrown out of focus making the bird stand out.
Among the portraits I think the 2146 is the best; the 2152 is very good in
lighting and
Thanks!
It wasn't posed per se ... I had time for two exposures only, no time
to reset the ISO lower or anything else. He saw me as I took the first
exposure and turned, smiled, waved ... perfect timing. In the next
moment, the car to my right occluded the view as the light turned
green.
The
OK... I've looked through lots of the information regarding the
mounts, but I'm new to matrix metering and wasn't sure what it required.
I guess it makes sense that the body would have to know not only the
min/max, but also the *current* aperture. Without the mechanical
coupling, there's no
Shel Belinkoff mused:
According to a spokesperson from Adobe:
http://tinyurl.com/4r7af
http://www.adobeforums.com/cgi-bin/[EMAIL PROTECTED]@.3bb6a85c.3bb9
69f7
Not a spokesperson - a far, far superior information source
(Thomas Knoll is the primary developer for ACR DNG).
One thing
Cory Papenfuss a écrit :
Hey all... I've been playing with some older lenses I've got with
my *ist-DS, and I figured I'd try my hand at modifying a lens to have
the electrical contacts. Basically, the same modification as outlined
here:
http://www.robertstech.com/matrix.htm
After
Peter,
You're original image seemed excellent and dramatic, although a bit
dark/muddy in the trees and in the shadow of the channel along the
right hand side. The re-do goes bright and jangly everywhere, loses
contrast and looks to be very oversharpened by comparison.
Both are being viewed on
I have an M 50mm f4 macro on which a prior owner performed this
modification. On the Pz-1p it meters in matrixed mode. It can't work in
program modes, of course, since it has no A setting on the aperture ring -
but in Aperture Priority and in Manual Mode matrixed metering is available.
I just
Peter,
You're original image seemed excellent and dramatic, although a bit
dark/muddy in the trees and in the shadow of the channel along the
right hand side. The re-do goes bright and jangly everywhere, loses
contrast and looks to be very oversharpened by comparison.
Both are being viewed on
The article makes a good point for camera makers to standardize on RAW
formats. Canon is a horror, with subtle differences between bodies to make
keeping up with them a real nightmare. DNG may really be the way to go,
but y'know, John, I'm something of a dunce wrt all these formats and what
Anthony Farr wrote:
But when the *istD appeared without mechanical linkage there
was a great wailing and gnashing of teeth, because this was
not a budget camera to be dismissed as a newbies' camera.
Pentax had sent a message that it would not maintain full
backwards and forwards
With K-lenses on the *istD I sometimes get overexposed pictures at wide
open apertures when the subject is too bright. It is a little annoying that
there is no exposure warning, at least not in M mode. The only way to
check this is in Hyper P, where the shutter speed (4000) would blink.
Have you
Shel Belinkoff wrote on 4/11/2005, 1:06 PM:
The article makes a good point for camera makers to standardize on RAW
formats. Canon is a horror, with subtle differences between bodies to
make
keeping up with them a real nightmare.
And Pentax is just as bad D and Ds use two
Quoting Bill Owens [EMAIL PROTECTED]:
The Wally World where I work has just received a shipment of 3MP PS
digital
cameras. I haven't seen any results yet, but the specs are pretty
impressive for a $60.00 digital. It has 16MB of internal memory, 1.5 inch
LCD screen and an SD card slot.
Quoting Godfrey DiGiorgi [EMAIL PROTECTED]:
(with all the stupid shutter emulation
sounds turned off, of course ;-)
As an aside (to this remark specifically) I have actually found ONE use for
the stupid shutter emulation sounds! When supervising use of my Optio by my
children, it's
Quoting Doug Franklin [EMAIL PROTECTED]:
On Sun, 10 Apr 2005 05:34:12 -0400, Bill Owens wrote:
[...] Pentax Optio 50 [...] 5MP, 1.8 inch LCD, SD slot and uses AA
batteries (2). [...] Cost is $197.00 US, pretty reasonable for a
5MP IMHO.
Pretty annoying since I just spent almost a
Quoting William Robb [EMAIL PROTECTED]:
- Original Message -
From: Bill Owens
Subject: Cheap digital PS
The Wally World where I work has just received a shipment of 3MP PS
digital cameras. I haven't seen any results yet, but the specs are
pretty
impressive for a
On Sunday 10 April 2005 10:55, Carlos Royo wrote:
FJW Thibouille escribió:
FJW If anyone has a DS but would prefer good old Z1 / Super A / P30t / MX
FJW I am willing to trade (all of'em if ya want lol).
FJW
FJW BTW what is a normal price in the US for DS body only?
FJW In Europe it is still
- Original Message -
From: [EMAIL PROTECTED]
BTW, something on another thread causes me to inquire: Do Optios that use
AA
batteries like NiMH?
Check the specs for the camera you are interested in. I think most of them
are using proprietary batteries.
William Robb
- Original Message -
From: Peter Smekal
Subject: Overexposures with K-lenses on *istD
With K-lenses on the *istD I sometimes get overexposed pictures at wide
open apertures when the subject is too bright. It is a little annoying
that
there is no exposure warning, at least not in M
Perhaps learning how to properly expose without having to rely on the meter
in the camera?
Shel
[Original Message]
From: Peter Smekal
With K-lenses on the *istD I sometimes get overexposed pictures at wide
open apertures when the subject is too bright. It is a little annoying
that
there
Exactly. You don't even have to be able to judge exposures accurately. But a
little common sense will tell you that you can't shoot wide open with a fast
lens in bright light without some ND filters, even at ISO 200.
Perhaps learning how to properly expose without having to rely on the meter
And more: with non A lenses, P-TTL isn't available !
Hrm... that's a rather significant limitation, no? How does P-TTL
differ from TTL? I'm assuming that in P-TTL the camera wants to know how
far away the subject focus is so it doesn't like not knowing.
Anyone tried to reverse-engineer the
And Pentax is just as bad D and Ds use two different formats.
--
... and neither one is that great. The -DS is at least better in
that it doesn't waste 4 bits with zeros for every 12 of data in the file.
Neither one compress the RAW data losslessly like just about everyone else
does.
On Apr 11, 2005, at 11:02 AM, Cory Papenfuss wrote:
And more: with non A lenses, P-TTL isn't available !
Hrm... that's a rather significant limitation, no? How does P-TTL
differ from TTL? I'm assuming that in P-TTL the camera wants to know
how far away the subject focus is so it doesn't like
Thanks for your comments, Bruce.
Regards
Albano
--- Bruce Dayton [EMAIL PROTECTED] wrote:
Hello Albano,
Nice shot! You have captured the feeling of the
concert well. The
limited lighting works quite well.
I enjoyed it.
--
Best regards,
Bruce
Monday, April 11, 2005, 7:56:31
Peter Smekal mused:
With K-lenses on the *istD I sometimes get overexposed pictures at wide
open apertures when the subject is too bright. It is a little annoying that
there is no exposure warning, at least not in M mode. The only way to
check this is in Hyper P, where the shutter speed
Another walk this morning. The poppies are just about through for the
season. But a new wildflower has come out.
Pentax *istD, Tokina AT-X SD 400/5.6 AF
ISO 800, 1/750 sec @ f/5.6, handheld, manual focus
http://www.daytonphoto.com/PAW/bkd_1732.htm
Converted from Raw to Tiff 16 bit in
Bruce Dayton wrote:
Another walk this morning. The poppies are just about through for the
season. But a new wildflower has come out.
Pentax *istD, Tokina AT-X SD 400/5.6 AF
ISO 800, 1/750 sec @ f/5.6, handheld, manual focus
http://www.daytonphoto.com/PAW/bkd_1732.htm
Converted from
Hello Ann,
I was trying to remember - I think you are right. Thanks for the
comment.
--
Bruce
Monday, April 11, 2005, 12:33:07 PM, you wrote:
AS Bruce Dayton wrote:
Another walk this morning. The poppies are just about through for the
season. But a new wildflower has come out.
Very nice, Bruce! Keep taking those walks--I'm
enjoying these!
Rick
--- Bruce Dayton [EMAIL PROTECTED] wrote:
Another walk this morning. The poppies are just
about through for the
season. But a new wildflower has come out.
Pentax *istD, Tokina AT-X SD 400/5.6 AF
ISO 800, 1/750 sec @
Hi Krishna,
LOL
I try not to play God too often with my photos. Adding birds, rays of
sunlight, fog and mist is something I'll let nature do - it does a much
better job at such things than Photoshop.
Of course you've criticized the photo, and that was clearly your intention,
otherwise you'd
Another excellent shot Bruce - looks like you are having a wonderful spring.
- MCC
- - - - - - - - - - - - - - - - - - - -
Mark Cassino Photography
Kalamazoo, MI
www.markcassino.com
- - - - - - - - - - - - - - - - - - - -
- Original Message -
From: Bruce Dayton [EMAIL PROTECTED]
To:
Good work, Albano - nice use of light and shadow. Too many people would
have given the scene more exposure to capture detail, and ruined the
shot. Nice exposure choice.
Shel
[Original Message]
From: Albano Garcia
Alla Elton...
Ahhh ... lupine. Nice pic ;-))
Shel
[Original Message]
From: Bruce Dayton
Another walk this morning. The poppies are just about through for the
season. But a new wildflower has come out.
http://www.daytonphoto.com/PAW/bkd_1732.htm
[EMAIL PROTECTED] wrote:
Quoting Doug Franklin [EMAIL PROTECTED]:
On Sun, 10 Apr 2005 05:34:12 -0400, Bill Owens wrote:
[...] Pentax Optio 50 [...] 5MP, 1.8 inch LCD, SD slot and uses AA
batteries (2). [...] Cost is $197.00 US, pretty reasonable for a
5MP IMHO.
Pretty annoying since I just
Sticky Aperture Syndrom (SAS)!
If Pentax lenses are left on a camera for a long time or with open aperture,
they may develop SAS, resulting in too slow closure of the aperture during
(before) exposure. This means exposures with a too large aperture. This
explains the overexposed frames.
Remember
Mark Cassino [EMAIL PROTECTED] wrote:
I'd assume the camera is programmed to go to CW metering if the aperture
ring is not in the A position - perhaps matrixed metering is not
compatible with stopped down metering? Just a guess...
Right. In order to use matrix metering the camera needs to
Bruce, why do you convert your RAWs to 16 bit Tiff?
Thanks - John
Bruce Dayton wrote:
...Converted from Raw to Tiff 16 bit in Capture One LE
Quoting Paul Stenquist [EMAIL PROTECTED]:
I prefer this version. Very nice shot. Don't forget that when using
the shadow/highlight tool in advanced mode you can pump up mid-range
contrast without affecting the highlights or shadows.
Thanks Paul,
I don't know much about the
Hello John,
16 bit has more working room to manipulate the image when altering
with curves and such - for a quick explanation. Since the sensor
captures at 12 bits, if you convert to 8 bit jpg or tiff you are
throwing away information.
--
Best regards,
Bruce
Monday, April 11, 2005, 3:10:33
Quoting Jack Davis [EMAIL PROTECTED]:
Thanks, William. I'll look for it.
I'm not William ;-)
I'm Peter Williams.
Write out 100 times:
He is not William.
This email was sent from Netspace Webmail: http://www.netspace.net.au
Not again, Jens.
I have exercised one of my lenses a thousand times. It doesn't help. Just
gives you a sore thumb.
This is not about slow closure. It is about a lens put on wide aperture
(stor bländare), let us say 2.8. Press the green button and voila the *istd
says 4000, but in M mode there is
There have been a lot of posts lately about matrix metering and K lenses
on the *ist D and *ist D S that have left me bamboozled about what are
the correct ways to meter with K lenses on the *ist D S. Since I don't
have the *ist D the green button is an anomaly that doesn't concern me.
I do
On Sat, 9 Apr 2005, Cotty wrote:
On 9/4/05, Kostas Kavoussanakis, discombobulated, unleashed:
I was watching a Champions League game the other night. Every time the
ball approached the box Icould hear a camera going tsk-tsk-tsk like
there's no tomorrow. That's not photography, though it is
Quoting Shel Belinkoff [EMAIL PROTECTED]:
Hi Paul,
Here's the original color shot:
http://home.earthlink.net/~my-pics/houseboat-color.html
I think it's obvious that the color didn't quite work here
I disagree. For me this is much more tolerable, it addresses the criticism I
made about
Quoting Shel Belinkoff [EMAIL PROTECTED]:
I was as close as could be without being up to my knees in water ;-))
Getting closer with a wider lens might have given a somewhat better result.
I suspected as much :-)
It's all very well for us to sit back and tell you what you should have done,
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