Another option is to use something like quickeys to map the numpad shortcuts to
the number row on a non extended keyboard. Someone did this and shared the
quick keys script with me. i haven't tried it yet but i know its not all the
number roow shortcuts, If there is interest, i'll see if i can
Or if you want it to really not clip, then do what I do, hold vo+space down
through the entire audio track once soloed from beginning to end. Ow!
Mommy! Me Fingul huts.
R O F L! Hey, it works though! R O F L!
- Original Message -
From: "Kevin Reeves"
To:
Sent: Sunday, October 0
OK that would be wonderful.
Chris.
- Original Message -
From: "Kevin Reeves"
To:
Sent: Sunday, October 02, 2011 9:52 PM
Subject: Re: Metronom with no keypad, am I S O L, Basically?
Hey man. Just go grab yourself the wired usb keyboard. You're gonna need it
for editing, transport,
Once vo is on the meter, hit vo f3 while the track is playing or your singing
into the mic. If it clips, hit vo Space and clear the meter. Simple as that.
Kevin
Here's some stuff to think about.
1. Try to record everything flat. You can add EQ's later via plugins that will
sound much better than the multimix EQ. Sometimes it's not a matter of how good
the mic is, if the Pre is inexpensive, it will poorly effect the quality of the
sound.
Also, record e
Hey man. Just go grab yourself the wired usb keyboard. You're gonna need it for
editing, transport, selecting, dropping markers, navigating markers, selecting
between markers, nudging, etc. It's got 2 USB ports on it for your ilok and
such. I'll find you guys the best deal on it and post it to t
So, I have a macbook. NO extra keyboard, none I can unplug, no bluetooth
with num pad, etc. All I got's the macbook keyboard with no num pad. Is
there a way, thus, being I can't do num pad 7, that I can turn on and off
the metronom? I desperetly need it for this project as there is a cold
s
Yes sir. That was way better. Sorry I seemed a bit rude earlier, if I did
at all. And to everyone, especially the mods, whoever you guys are, I'd be
curious by the way, thanks for such a great list. And Slau, I do plan to
start tonight on reading the manual, so please don't jump my back just
Ok, lets back up and start with one thing at a time. On your vocal track.
Insert the AIR 1 band EQ VO right to the filter type and change it to high
pass. then find the frequency parameter and interact with it. Then play back
the project while you adjust it down to somewhere around 200hz or
Hate to keep flagging these e-mails with high priority, but this is very
important as it means the difference in an acceptible recording or not.
OK, we have a few very weird things going on here part of which plays into
my clipping issue. BTW, I backed off my mike a bit on In the Still of the
Man, you all're right as always! I ran the male vocal solidifier E Q
preset, and holy! dynamite!
Huge! difference! Man, I wish Sonar was that noticeable when adding
effects/EQ's! I'm beginning to see now, why PT is so pro-grade! Good!
L'lord!
Oh, BTW, no mid control on my multi-mix, only lows, not highs.
Chris.
My high and low right now is half way straight up at 12:00.
Chris.
- Original Message -
From: "Stephen Martin"
To:
Sent: Sunday, October 02, 2011 2:49 PM
Subject: Re: Erm, boss? We gotta little pwobwem, LOL!
ok
ouch! That went way over my poor little head. In the longrun, I wanan
learn to do all that, but for now, what would you say you'd focus on
learning before anything further. Let's take this one step at a time. All
these things're overwhelming me.
Chris.
- Original Message -
From:
ok two things. If the vocals aren't loud enough, instead of turning up the
vocals bring down the level on the karaoke track. Secondly Stop trying to boost
the highs, and cut the mud instead. Rule #1 of using EQ cut before you boost.
First off, you probably want to run the vocals through a high
Notta tinner, so I can't. I tried.
I'll try and send another result though.
Chris.
- Original Message -
From: "Christopher Wright"
To:
Sent: Sunday, October 02, 2011 2:27 PM
Subject: Re: Erm, boss? We gotta little pwobwem, LOL!
One thing that might help, if you're able to do so,
One thing that might help, if you're able to do so, is singing the lead
vocal part an octave higher.
- Original Message -
From: "Christopher-Mark Gilland"
To:
Sent: Sunday, October 02, 2011 1:57 PM
Subject: Erm, boss? We gotta little pwobwem, LOL!
OK, first of all, download this mp3
OK, first of all, download this mp3 I made in PT. I had to use Audio Hijack
Pro to get it mixed to an mp3 till I find out what the heck my bouncing
issue is, but anyway, again, here, get this first of all:
http://www.sendspace.com/file/7fm4u2
OK, yeah, yeah, don't chastise my vocals, I know t
I tried that and it didn't work, still.
Chris.
- Original Message -
From: "Stephen Martin"
To:
Sent: Sunday, October 02, 2011 1:20 PM
Subject: Re: Huge huge huge! improvement! So! Close!
Create a folder on that external drive and point all your Pro Tools Projects
to that folder an
Create a folder on that external drive and point all your Pro Tools Projects to
that folder and have pro tools work off that drive instead.
On Oct 2, 2011, at 11:45 AM, Christopher-Mark Gilland wrote:
> We'll give that a shot ande see. How do I go about consolidating all my
> tracks into one t
Jason,
There's currently no way to edit MIDI events other than scrubbing and using
cut, copy and paste. One thing (which I believe Kevin was suggesting) is to
change the behavior of the insertion point following playback. Pressing
Control-n toggles this behavior and there's a checkbox in the Op
Kevin, thanks for responding.
I probably did not explain this very well. When I am using the MIDI
edit window the MIDI notes displayed do not reflect the current
position of the song. I can't think of a brief way to explain this so
I apologize for the long-winded description. In the MIDI edit wi
It's ok, but even bouncing to wav is not working.
Chris.
- Original Message -
From: "Chris Norman"
To:
Sent: Sunday, October 02, 2011 5:11 AM
Subject: Re: Huge huge huge! improvement! So! Close!
I know it's not perfect either, but you could bounce as WAV, then use
something like s
We'll give that a shot ande see. How do I go about consolidating all my
tracks into one thing as you said? Actually there were only two tracks, one
karaoke track, and one vocal track, n o fancy things just bvocal, and the
auto-tune RTAS wrapper, and maybe a stereo reverb insert, so basically,
And one more thing…
I haven't used Avid's tech support for some time but, at least a few years ago,
they offered tiers of support options and, if I'm not mistaken, support for a
standard LE product was something like $250 per year of unlimited phone
support. To me, that's a priceless resource. A
Right ON Slau!
I try to call avid every chance I get and guess what The people I talk
to are starting to say yes I have heard of VoiceOver!
The squeaky wheel gets the grease!
YMMV
Chuck
On Oct 1, 2011, at 11:25 PM, Slau Halatyn wrote:
Just a little note to the new Pro Tools users on this l
I assume you grabbed the latest versions of drivers from Avid's website and
followed all steps. Hmm maybe something has to be configured in the Driver
software first. It's been a while since i set mine up so their maybe something
i am not thinking of. Sorry i can't be more helpful, keep us pos
Something to consider, and i don't know how well this will work, but if you mac
has an SD card slot on it, Class 10 16GB and 32GB SD cards are fairly
inexpensive now, especially if you know where to shop for them. So yeah you may
be only to kep a project or two on them but move the project fold
It's the Apple aluminum wired keyboard. Just google that, and a ton of results
will come back.
On Oct 2, 2011, at 5:15 AM, David Eagle wrote:
> you got an external keyboard with USB ports on it? What's the model please.
>
> On 02/10/2011, Chris Norman wrote:
>> Other option is to get an exter
Found one. Excelent. What a brilliant bunch of people you all are.
On 02/10/2011, Chris Norman wrote:
> Dunno mate, just a standard apple USB keyboard.
>
> On 02/10/2011, David Eagle wrote:
>> you got an external keyboard with USB ports on it? What's the model
>> please.
>>
>> On 02/10/2011, Chr
Dunno mate, just a standard apple USB keyboard.
On 02/10/2011, David Eagle wrote:
> you got an external keyboard with USB ports on it? What's the model please.
>
> On 02/10/2011, Chris Norman wrote:
>> Other option is to get an external keyboard LOL. Mine comes with 2 USB
>> ports on it, so you
Strange, my interface doesn't work at all, unless I'm being a propper
dumb ass, which is more than possible LOL, got a friend coming round
to look at it though.
Footswitch would be nice though. If you're like me, and don't like
doing things again and again, it's great for just getting that bit of
you got an external keyboard with USB ports on it? What's the model please.
On 02/10/2011, Chris Norman wrote:
> Other option is to get an external keyboard LOL. Mine comes with 2 USB
> ports on it, so you could plug your iLok into that. Or a USB hub. I
> got one for £10, with 10 ports, and it wa
Hey man. The wired keyboard comes with 2 USB ports, which would totally house
your iLok and 1 more unpowered device. Hope that helps.
Kevin
I know it's not perfect either, but you could bounce as WAV, then use
something like soundconverter to convert your track, Macs or Max is
the other one (which has the additional benefit of being free), which
you can also use.
Sorry I can't be more constructive.
On 02/10/2011, Kevin Reeves wrote:
Other option is to get an external keyboard LOL. Mine comes with 2 USB
ports on it, so you could plug your iLok into that. Or a USB hub. I
got one for £10, with 10 ports, and it was all powered.
Oh yeah, firewire hard drive LOL.
HTH,
On 02/10/2011, David Eagle wrote:
> Aaah, this presents me wi
Aaah, this presents me with a dilemma: I've only got two USB ports on
this thing, despite the fact that it costed £2000; I get three on my
£150 PC netbook but that's by the by. Basically, I need one port for
my external hard drive with all my audio files on, and one port for my
Ilock device which I
Hey man. Congrats on getting your interface to work. Here are my thoughts on
the whole monitoring deal. I don't advise turning off the Pro Tools monitoring.
Actually, I think it's better to shut off the multimix's monitoring instead.
Here's why. The fact that you can hear your signal going into
The main thing that needs to be unchecked is the insertion follows playhead
setting. That will unlink them so that when you press stop, it will go back to
where your insertion point is.. Then, When you move the insertion point, the
playhead moves, not the other way around. At this point, I can't
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