Re: Splitting

[Slau Halatyn]

OK, Jimmy, this is a potentially large subject area but I'll detail steps. I'm 
not going to cover all of the pre-flight checks that you should have in place 
because it's too lengthy. Based on what you've said already, here's exactly 
what to do.
Let's assume it's only for one track for now.
Move your insertion cursor to the track on which you'd like to create the fade.
If your clip ends at bar 10, move your insertion to bar 6 and press Control+g 
in the Edit window. That'll create a basic fade out.
Alternatively, instead of pressing Control+g, you can press Shift+Tab to make a 
selection from bar 6 to bar 10 and then press Command+f to bring up the Fades 
dialog. The mp3 details everything from there.
Let me know if you're still stuck.
Slau


> On Jun 16, 2020, at 7:00 PM, jimmie smith  
> wrote:
> 
> 
> Thanks for your reply, but I guess I still need some help. When I press 
> command F, nothing happens. That's why I asked if there was something I was 
> missing. Any help would be appreciated. I did listen to the MP3. You 
> mentioned something about cutting something, and I'm not quite clear on that.
> From: ptaccess@googlegroups.com  on behalf of Slau 
> Halatyn 
> Sent: Tuesday, June 16, 2020 5:57:23 PM
> To: PTAccess List 
> Subject: Re: Splitting
>  
> Hi Jimmy,
> You don't have to split anything to create a fade. That mp3 I mentioned in my 
> previous message demonstrates it. Let me know if you need more info.
> Slau
> 
> 
>> On Jun 16, 2020, at 1:29 PM, jimmie smith > > wrote:
>> 
>> 
>> If I'm understanding correctly, I must split a clip before it can be faded. 
>> The problem is, I do not know how to do this. Can someone suggest some 
>> reading so i  can learn how to split clips to fade?
>> 
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>>  
>> .
> 
> 
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Re: Splitting to fade

[Slau Halatyn]

Oh, and BTW, If you extend your insertion cursor through multiple tracks with 
Control+semicolon or Control+P, you can create a fade on all of the selected 
tracks with one keystroke, Control+g. If all of the clips end at the same time, 
the fade will be equal on all clips. If some of the clips are longer, the fades 
on those clips will be proportionately slower since they change over a longer 
period of time in the timeline.
HTH,
Slau


> On Jun 16, 2020, at 5:16 PM, jimmie smith  
> wrote:
> 
> 
> I must not be doing something right. Like I said before, I have 10 bars of 
> acoustic guitar. The bar starts at bar one, to bart10. I want to fade out 
> starting at bar six. I do not understand how to set this up to be done. If 
> there's some documentation, I'll be more than happy to read it. If not, can 
> someone please go through the process with me?  I have both guitar tracks in 
> a sub. Does that mean I would have to perform the fade on the sub mix?
> 
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>  
> .

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Re: Splitting

[jimmie smith]

Thanks for your reply, but I guess I still need some help. When I press command 
F, nothing happens. That's why I asked if there was something I was missing. 
Any help would be appreciated. I did listen to the MP3. You mentioned something 
about cutting something, and I'm not quite clear on that.

From: ptaccess@googlegroups.com  on behalf of Slau 
Halatyn 
Sent: Tuesday, June 16, 2020 5:57:23 PM
To: PTAccess List 
Subject: Re: Splitting

Hi Jimmy,
You don't have to split anything to create a fade. That mp3 I mentioned in my 
previous message demonstrates it. Let me know if you need more info.
Slau


On Jun 16, 2020, at 1:29 PM, jimmie smith 
mailto:jimmie.harold.sm...@gmail.com>> wrote:


If I'm understanding correctly, I must split a clip before it can be faded. The 
problem is, I do not know how to do this. Can someone suggest some reading so i 
 can learn how to split clips to fade?

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Re: Splitting

[Slau Halatyn]

Hi Jimmy,
You don't have to split anything to create a fade. That mp3 I mentioned in my 
previous message demonstrates it. Let me know if you need more info.
Slau


> On Jun 16, 2020, at 1:29 PM, jimmie smith  
> wrote:
> 
> 
> If I'm understanding correctly, I must split a clip before it can be faded. 
> The problem is, I do not know how to do this. Can someone suggest some 
> reading so i  can learn how to split clips to fade?
> 
> -- 
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> "Pro Tools Accessibility" group.
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>  
> .

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Re: iZotope Ozone 9 VoiceOver Accessibility in Pro Tools?

[TheOreoMonster]

VOCR handles installing the plug in manager quite well. 


> On Jun 16, 2020, at 1:14 PM, Michael Holmes  
> wrote:
> 
> I can say based on their Elements plugins that accessibility in the PT plugin 
> window is on par with Waves. If you don’t have their software manager, you’ll 
> need a sighty to install the package, because it’s not a standard Apple 
> installer. On the flip side, the manager software is easier to VO than 
> AvidLink, and doesn’t require any sight after running the installer. As for 
> their standalone editor apps, they’re 50% accessible. You can navigate 
> controls and such, but the controls are geared toward looking at the waveform.
> 
> Not much help on Ozone specifically I know, but thought I’d share my 
> experience with the way their software is. Basically a more surgical Waves.
> 
>> On Jun 16, 2020, at 12:49, CHUCK REICHEL  
>> wrote:
>> 
>> Hi Guys,
>> anybody using iZotope Ozone 9?
>> Music Rebalance looks to be a game changer and before proceeding on I wanted 
>> to get some feedback from you guys first. :)
>> I do have a C|24 that i use for all the Waves and UAD and pt plugs and such 
>> so if thats the only way to use "iZotope Ozone 9" let me know?
>> Thanks
>> Chuck
>> 
>> 
>> -- 
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>>  
>> .
> 
> 
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Splitting to fade

[jimmie smith]

I must not be doing something right. Like I said before, I have 10 bars of 
acoustic guitar. The bar starts at bar one, to bart10. I want to fade out 
starting at bar six. I do not understand how to set this up to be done. If 
there's some documentation, I'll be more than happy to read it. If not, can 
someone please go through the process with me?  I have both guitar tracks in a 
sub. Does that mean I would have to perform the fade on the sub mix?

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Re: iZotope Ozone 9 VoiceOver Accessibility in Pro Tools?

[Ignasi Cambra]

It depends on the modules, but most parameters are visible to automation which 
is good for us. features such as master assistant can be used with VOCR inside 
of Pro Tools. I would probably recommend the Advanced version since you get all 
modules as separate plug-ins besides the main Ozone plug-in which also contains 
all of them. This is very useful since adding, dragging, and removing modules 
from the chain is not accessible on the main plug-in.

Sent from my iPhone

> On 16 Jun 2020, at 19:15, Michael Holmes  wrote:
> 
> 
> I can say based on their Elements plugins that accessibility in the PT plugin 
> window is on par with Waves. If you don’t have their software manager, you’ll 
> need a sighty to install the package, because it’s not a standard Apple 
> installer. On the flip side, the manager software is easier to VO than 
> AvidLink, and doesn’t require any sight after running the installer. As for 
> their standalone editor apps, they’re 50% accessible. You can navigate 
> controls and such, but the controls are geared toward looking at the waveform.
> 
> Not much help on Ozone specifically I know, but thought I’d share my 
> experience with the way their software is. Basically a more surgical Waves.
> 
>>> On Jun 16, 2020, at 12:49, CHUCK REICHEL  
>>> wrote:
>>> 
>> Hi Guys,
>> anybody using iZotope Ozone 9?
>> Music Rebalance looks to be a game changer and before proceeding on I wanted 
>> to get some feedback from you guys first. :)
>> I do have a C|24 that i use for all the Waves and UAD and pt plugs and such 
>> so if thats the only way to use "iZotope Ozone 9" let me know?
>> Thanks
>> Chuck
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
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>> To view this discussion on the web visit 
>> https://groups.google.com/d/msgid/ptaccess/E36861BE-A366-4AE2-A6D2-22527F0F3318%40gmail.com.
> -- 
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Re: Splitting

[jimmie smith]

Thanks for this information. I will try it this afternoon.


From: ptaccess@googlegroups.com  on behalf of CHUCK 
REICHEL 
Sent: Tuesday, June 16, 2020 12:38:04 PM
To: ptaccess@googlegroups.com 
Subject: Re: Splitting

Hi jimmie,
Just find the location you want to split and hit "command e" VoiceOver will 
tell you it did it.
Also look under the edit menu and you'll find this same command listed.
HTH
Chuck
"God does not play dice with the universe"
"Albert Einstein’



On Jun 16, 2020, at 1:29 PM, jimmie smith wrote:


If I'm understanding correctly, I must split a clip before it can be faded. The 
problem is, I do not know how to do this. Can someone suggest some reading so i 
 can learn how to split clips to fade?

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Re: Splitting

[CHUCK REICHEL]

Hi jimmie,
Just find the location you want to split and hit "command e" VoiceOver will 
tell you it did it.
Also look under the edit menu and you'll find this same command listed.
HTH
Chuck
"God does not play dice with the universe"
"Albert Einstein’



On Jun 16, 2020, at 1:29 PM, jimmie smith wrote:

> 
> If I'm understanding correctly, I must split a clip before it can be faded. 
> The problem is, I do not know how to do this. Can someone suggest some 
> reading so i  can learn how to split clips to fade?
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
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Splitting

[jimmie smith]

If I'm understanding correctly, I must split a clip before it can be faded. The 
problem is, I do not know how to do this. Can someone suggest some reading so i 
 can learn how to split clips to fade?

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Re: iZotope Ozone 9 VoiceOver Accessibility in Pro Tools?

[Michael Holmes]

I can say based on their Elements plugins that accessibility in the PT plugin 
window is on par with Waves. If you don’t have their software manager, you’ll 
need a sighty to install the package, because it’s not a standard Apple 
installer. On the flip side, the manager software is easier to VO than 
AvidLink, and doesn’t require any sight after running the installer. As for 
their standalone editor apps, they’re 50% accessible. You can navigate controls 
and such, but the controls are geared toward looking at the waveform.

Not much help on Ozone specifically I know, but thought I’d share my experience 
with the way their software is. Basically a more surgical Waves.

> On Jun 16, 2020, at 12:49, CHUCK REICHEL  
> wrote:
> 
> Hi Guys,
> anybody using iZotope Ozone 9?
> Music Rebalance looks to be a game changer and before proceeding on I wanted 
> to get some feedback from you guys first. :)
> I do have a C|24 that i use for all the Waves and UAD and pt plugs and such 
> so if thats the only way to use "iZotope Ozone 9" let me know?
> Thanks
> Chuck
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
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> To view this discussion on the web visit 
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iZotope Ozone 9 VoiceOver Accessibility in Pro Tools?

[CHUCK REICHEL]

Hi Guys,
anybody using iZotope Ozone 9?
Music Rebalance looks to be a game changer and before proceeding on I wanted to 
get some feedback from you guys first. :)
I do have a C|24 that i use for all the Waves and UAD and pt plugs and such so 
if thats the only way to use "iZotope Ozone 9" let me know?
Thanks
Chuck

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