Ronald C.F. Antony wrote:
I would tend to differ. If BluRay DVD-Audio were resounding
successes, then one could say: heck, just deliver binaural, stereo,
5.1 etc. downmixes and not worry about distribution formats, these
disks have more storage capacity than we know to fill with an album
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On 16/05/2013 08:45, Eero Aro wrote:
In my thinking BluRay and DVD-Audio are delivery mediums.
Isn't DVD-Audio past and gone?
They may not be gone technically - there is still the odd release and
the odd player - but they are certainly gone from public consciousness.
I don't think any
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https
On 16/05/2013 10:36, Ronald C.F. Antony wrote:
This is another version of the lobby the record companies to adopt xxx
technology argument, which never worked in the past.
Nope. Screw the record industry. This is lobby the distributors.
Google, Apple, Amazon, these are the driving forces, they
On 16/05/2013 10:44, Ronald C.F. Antony wrote:
The question is if e.g. Apple would tolerate if you send them a file that's two
or three times the size it needs to be, because it adds an extended tag that
points to additional audio streams, particularly if the iTunes.app couldn't
play them
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Dear all
This will be of interest to the musicology inclined of you... and you would
have access to the studios too ;-)
pa
http://jobs.timeshighereducation.co.uk/jobs_jobdetails.asp?source=jobalertac=104356
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On May 14, 2013, at 6:00 PM, sursound-requ...@music.vt.edu wrote:
From: revery rev...@aircarving.com.au
Subject: Re: [Sursound] Naive question on MS and Ambisonics
To: sursound@music.vt.edu
Message-ID: f979611e-d16b-45a4-8411-a185b312e...@aircarving.com.au
Content-Type: text/plain;
in a particular model phone?
Ronald
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Maybe some nice reading material:
http://www.roebroeks.nl/wp-content/uploads/2013/02/Spatial-Music-Artist-Stories1.pdf
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The original conception of the Grand Duchy of Ambisonia was that it was a fairy
tale place where magic happens, where you could do fantasmagorical things with
sound... but you couldn't bring all the magic back with you into this world.
Furthermore, time is different there - you pop in through
also have Jack, Freetype, and Libpng installed. Your help on this matter
would be much appreciated.
Thank you, Paul Power
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Hi Paul,:
I am trying to install Ambdec on my Mac which has Mountain Lion Ver10.8.3,
i have managed to compile the Libcthreads but an error is generated when
trying to compile the Libclxclient '
(Assuming you are using the OSX makefile)
ld: warning: directory not found for option
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Augustine Leudar wrote:
However I'm not sure I agree that our hearing cant tell the
difference between whether a sound is coming from one or several speakers
I try to be more precise.
If you have a normal 5.1 speaker setup around you and you have several
playback devices in your use, you can
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Exactly.
Strictly, much stereo one hears is a bit like that - a mixture of panpotted
stereo, coincident mic, spaced mic, pseudostereo effects and even
mono-stuck-in-a-speaker.
Dr. Peter Lennox
School of Technology,
Faculty of Arts, Design and Technology
University of Derby, UK
e:
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have miced up a 3d soundfield in
this way ? I have read a couple of things but none of them are quite the same,
best, Gus
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but none of them are quite the
same, best, Gus
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Le 2013-05-16 09:27, Paul Power a écrit :
anyway thanks, will keep trying
Well, there's this: http://www.matthiaskronlachner.com/?p=1496.
- Daniel
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Well, its the most accurate in terms of point source localization. Then
again, its highly dependent on the rendering method used and the layout
available in the final space. But, at least in terms of archiving a 3d
soundtrack it will be the most accurate, as rendering it to a lower
order
Ronald C.F. Antony wrote:
As long as online music distribution grows at the rates it's growing at, and as
long as everything there is stereo, something like iTunes plug-ins, and UHJ
mixes have a use, and if one could form a partnership with some of the big fish
out there, like e.g. Apple,
Ronald C.F. Antony wrote:
My point is, physical media is gone. So while in the case of physical media,
one can easily (and without significant added cost) downmix an Ambisonic
production to 5.1, 7.1, stereo, and binaural, and still ship it on the same
media (provided one chooses Ambisonic
Ronald C.F. Antony wrote:
On 16 May 2013, at 05:24, Richard G Elen re...@brideswell.com wrote:
Ambisonic B-format or even UHJ-format delivery has an opening here, provided
the bickering stops and a concerted effort is made to lobby the players
involved, because for a reasonably moderate
Stefan Schreiber wrote:
Timothy Schmele wrote:
The industry is moving towards object oriented encoding of 3D
soundtracks anyway. This is perhaps the least elegant, but the most
accurate, as every sound is stored in isolation of the others, with
exact meta information of its spatial
On 2013-05-15, Augustine Leudar wrote:
I have used the 48 channel system at sarc on many occasions and have
set up my own 32 channel one - and if I want a sound to come from a
point source I would not use ambisonics- I would try and have the
sound come out of only one speaker use vbap or at
to a complete fragmentation of the stereo online market.
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Hi all,
Just popped in to do some spamming..
I hope there are still some here with a passing interest in binaural.
I have made a new type of dummy head, and am looking for some feedback
on whether it works for anyone other than myself.
The samples are here:
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