In a message dated 99-04-15 11:41:54 EDT, you write:

<< Additionally there is the fact that vinyl has much worse seperation (both 
channel and harmonic) - and this gives a warmer, more together sound, again 
adding a more "live" sound to the whole thing. 
  >>
ok, my bit as well.  I've been in the music industry (on the performing side) 
for years, though only as a hobby now.  One thing I've noticed over the years 
is that there's nothing quite like the warmth of a growly moog synth.  The 
digital synths are great, and they have samples of the analog stuff, but 
listen to a true analog patch and the same patch from a digital sample.  
There's something missing in the digital output.  "Humanity" may be as good a 
word as any.  "Real" also comes to mind.  Digital stuff just isn't as 'fat' 
and will never be.  Those analog patches on O3 are partly what makes the 
album so good.  Pure digital bands leave much to be desired.  The fact that 
SS uses real percussion and real guitar adds a "feel" that makes them sound 
vibrant and alive.  
Records, though I don't agree with the allure of varying speeds, provide the 
same warmth.  Gav sent me an SS mix tape (nicked from Adam, I believe) that's 
got some record tracks on it (along with some cracks and pops), and those 
tracks do sound the best, to be quite honest.  Not necessarily for their 
imperfections, but for the warmth of their tones.

anyway, hope everyone is well,

regards,

Sid
*********************************************************
You are being sent this message because you
are subscribed to the Sunscreem Mailing List.
For help send the message text: help
to [EMAIL PROTECTED]
*********************************************************

Reply via email to