One set of gains that works is 0.2357 0.2357 0.2357 0.2357 0.2357 0.2357 1.0000 -1.0000 0.0000 0.0000 0.0000 0.0000 0.0000 0.0000 1.0000 -1.0000 0.0000 0.0000 0 0 0 0 1.0000 -1.0000
I put a write up on how to derive those at: http://www.ai.sri.com/ajh/ambisonics/umashankar_velan.html -- Aaron (hel...@ai.sri.com) Menlo Park, CA US On Sat, May 26, 2012 at 12:41 PM, umashankar mantravadi <umasha...@hotmail.com> wrote: > > assuming all six capsules have same gain, and all are contributing to W, how > much should be the attenuation? umashankar > > i have published my poems. read (or buy) at http://stores.lulu.com/umashankar > > Date: Sat, 26 May 2012 18:25:04 +0200 >> From: netti...@stackingdwarves.net >> To: sursound@music.vt.edu >> Subject: Re: [Sursound] microphone epiphany ? >> >> On 05/26/2012 04:51 PM, Augustine Leudar wrote: >> >> Hi Michael, >> >> thanks for the reply - there is no doubt Ive missed something ! >> >> I am aware of the need for W coordinate and have included it in my encoder >> >> as instructed although I have to admit I am still not clear on its >> >> function - but my question specifically relates to the information gained >> >> from the 3 fig of eight patterns gained form a mic design such as this >> >> one : >> >> >> >> http://www.shapeways.com/model/143678/velan-140-internals.html >> >> >> >> Am I right in thinking the W component gives you enhanced distance >> >> information for a given sound source ? >> >> we cannot hear absolute phase, so if you are listening to a figure of >> eight microphone, there is no way to tell whether the sound you're >> hearing was coming into the (positive) frontal lobe or the (inverted) >> rear lobe. hence, the only information we can get from a lonely fig8 is >> "it's obviously not coming from the side". >> >> now if you add an omni to the equation, all of a sudden you have the >> possibilty to discern between the two lobes of the fig8: one is in-phase >> with the omni, the other isn't. >> >> thus, the 0th order component helps you resolve the ambiguities of all >> the 1st order signals. >> >> btw, if you move to second order, the situation is the same: with a >> cloverleaf directivity, you only know "it's either coming from >> front-or-back, or from left-or-right". only with the first-order >> information, the ambiguity can be resolved. >> >> W also has a subtle role in distance coding, but its main job is really >> to help us make sense of the fig8s. >> >> >> to wrap up, three real fig8s won't ever give you ambisonics. but if you >> obtain the fig8s by subtracting two back-to-back cardioids, you can also >> add them, which then gives you a nice omnidirectional component. note >> that you will have to attenuate the resulting omni signal according to >> the number of capsules you used. >> >> >> best, >> >> >> jörn >> >> >> >> -- >> Jörn Nettingsmeier >> Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487 >> >> Meister für Veranstaltungstechnik (Bühne/Studio) >> Tonmeister VDT >> >> http://stackingdwarves.net >> >> _______________________________________________ >> Sursound mailing list >> Sursound@music.vt.edu >> https://mail.music.vt.edu/mailman/listinfo/sursound > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <https://mail.music.vt.edu/mailman/private/sursound/attachments/20120527/db077b8f/attachment.html> > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound