dear aaron thank you umashankar

i have published my poems. read (or buy) at http://stores.lulu.com/umashankar
 > Date: Sat, 26 May 2012 14:09:28 -0700
> From: [email protected]
> To: [email protected]
> Subject: Re: [Sursound] microphone epiphany ?
> 
> One set of gains that works is
> 
>     0.2357    0.2357    0.2357    0.2357    0.2357    0.2357
>     1.0000   -1.0000    0.0000    0.0000    0.0000    0.0000
>     0.0000    0.0000    1.0000   -1.0000    0.0000    0.0000
>          0         0         0         0    1.0000   -1.0000
> 
> I put a write up on how to derive those at:
> 
>   http://www.ai.sri.com/ajh/ambisonics/umashankar_velan.html
> 
> --
> Aaron ([email protected])
> Menlo Park, CA  US
> 
> 
> On Sat, May 26, 2012 at 12:41 PM, umashankar mantravadi
> <[email protected]> wrote:
> >
> > assuming all six capsules have same gain, and all are contributing to W, 
> > how much should be the attenuation? umashankar
> >
> > i have published my poems. read (or buy) at 
> > http://stores.lulu.com/umashankar
> >  > Date: Sat, 26 May 2012 18:25:04 +0200
> >> From: [email protected]
> >> To: [email protected]
> >> Subject: Re: [Sursound] microphone epiphany ?
> >>
> >> On 05/26/2012 04:51 PM, Augustine Leudar wrote:
> >> >> Hi Michael,
> >> >> thanks for the reply - there is no doubt Ive missed something !
> >> >> I am aware of the need for W coordinate and have included it in my 
> >> >> encoder
> >> >> as instructed although I have to admit I am still not clear on its
> >> >> function  - but my question specifically relates to the information 
> >> >> gained
> >> >> from the 3 fig of eight patterns gained form a mic design such as this 
> >> >> one :
> >> >>
> >> >> http://www.shapeways.com/model/143678/velan-140-internals.html
> >> >>
> >> >> Am I right in thinking the W component gives you enhanced distance
> >> >> information for a given sound source ?
> >>
> >> we cannot hear absolute phase, so if you are listening to a figure of
> >> eight microphone, there is no way to tell whether the sound you're
> >> hearing was coming into the (positive) frontal lobe or the (inverted)
> >> rear lobe. hence, the only information we can get from a lonely fig8 is
> >> "it's obviously not coming from the side".
> >>
> >> now if you add an omni to the equation, all of a sudden you have the
> >> possibilty to discern between the two lobes of the fig8: one is in-phase
> >> with the omni, the other isn't.
> >>
> >> thus, the 0th order component helps you resolve the ambiguities of all
> >> the 1st order signals.
> >>
> >> btw, if you move to second order, the situation is the same: with a
> >> cloverleaf directivity, you only know "it's either coming from
> >> front-or-back, or from left-or-right". only with the first-order
> >> information, the ambiguity can be resolved.
> >>
> >> W also has a subtle role in distance coding, but its main job is really
> >> to help us make sense of the fig8s.
> >>
> >>
> >> to wrap up, three real fig8s won't ever give you ambisonics. but if you
> >> obtain the fig8s by subtracting two back-to-back cardioids, you can also
> >> add them, which then gives you a nice omnidirectional component. note
> >> that you will have to attenuate the resulting omni signal according to
> >> the number of capsules you used.
> >>
> >>
> >> best,
> >>
> >>
> >> jörn
> >>
> >>
> >>
> >> --
> >> Jörn Nettingsmeier
> >> Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
> >>
> >> Meister für Veranstaltungstechnik (Bühne/Studio)
> >> Tonmeister VDT
> >>
> >> http://stackingdwarves.net
> >>
> >> _______________________________________________
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