This Sting LP was explicitly using Q-Sound processors, but in a subtle way 
(Hugh Padgham, who produced the album,  explained later that they wanted to 
keep mono compatibility, so they couldn't pan tracks everywhere). It was a 
trend by then, I also remind of a 90's Madonna Best Hits album that had some 
q-sounded remixed tracks as well.


> 
> can't listen to it right now, but the description reminds me of a bass slide 
> heard on sting's "mad about you" (album "the soul cages"), right at the end 
> of one chorus. on a tight speaker system with good impulse reproduction and 
> not too much reverb in the room, it materializes almost 90° to the left.
> 

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