That brings to mind the singing of Ginny Hawker and Tracy Schwarz.
Purposefully in between notes and it just sends chills up your spine.  It
would drive a technical sound man nuts, I'm certain, but it wouldn't have
the same effect if it were dressed up.

I gotta thank MandoChef for getting me out to that show.  It still raises
the hair on my neck just to think of it.

Mark


On Wed, Jan 20, 2010 at 12:56 PM, Bill Burnette <[email protected]> wrote:

> I remember reading an interview with Southside Johnny, a New Jersey shore
> R&B singer years ago where he was talking about how he hated singing in the
> studio because he kept having to go back and do parts over because he was
> flat. He said "who cares about shit like that when you're singing?" I always
> thought that was pretty funny, but also telling- it's the soul that really
> matters... Now that's not to say I don't think you're technically proficient
> Mike- seems to me you're plenty proficient in that area. But it's that
> something else you do that really draws me in. When I think of guitar
> players, I guess Yngwie Malmsteen is technically proficient, but I don't
> care for what he plays. Billy Gibbons on the other hand- I could listen to
> him wail on 4-5 notes all night.
>
> Bill in Nashville
>
> On Wed, Jan 20, 2010 at 12:46 PM, <[email protected]> wrote:
>
>> Mike, it's not what you play that impresses me, hell they's only 12 notes,
>> it's how you play.  Your music moves me, and a lot of other folks.
>>
>>  Clyde Clevenger
>> Just My Opinion, But It's Right
>> Salem, Oregon
>> Old Circle <http://www.myspace.com/oldcircle>
>>
>>
>>
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