celo wrote: 
> I keep coming back asking this question. 
> 
> Is there anything better than SBT currently? The technology has improved
> a lot so there must be something better, right? No?
> 
> I didn’t do a big changes/tries but I couldn’t really tell any
> difference between SBT, Allo Digione, Raspberry Pi or Macbook. All
> connected to my DAC. They all sounded the same/similar. Nothing to give
> up SBT. Sometimes I think people just say they heard difference to say
> it because they had a new unit to try:) 
> 
> As I said, my “upgrades” if you can call it that were all small. If buy
> a network streamer from say Aurender, SoTM, Sonore, Auralic, Bluesound
> or similar brands, would I really hear a difference?
> 
> I am not sure, so wanted to see if someone could answer with a
> experience upgrading from the SBT?
> 
> Thanks!

It’s all opinion.  But we at my house are now up to over a dozen SB
clients, and I have had extended intimate listening and underhood time
with all the major players for well over a decade now: SB3, Touch,
Receiver, and TP.  While I remain fully committed to the ecosystem, I am
not a blind fanboy, and am willing to point out the flaws as well.

The Slimserver/LMS architecture is still the best in my book.  It can
handle most file formats, has great Internet radio support, and does a
better overall job than Roon, iTunes or any of the others.  Community
support and iPeng has kept it current.  It has a broad compatibilty with
clients of all kinds.  And the formats and sampling rates it does not
support in my opinion are not meaningfully superior sounding.  96/24
audio resolution is already better than most systems can fully
reproduce.  By today’s computing standards it is a very light resource
footprint, and most of the remaining issues with it are client
networking ones.  Most machines can host it.  It is close to a universal
audio streaming app.  And it’s free.  Keep it and its clients in a
modern ethernet environment, and it is fast and trouble free 99% of the
time.

The SB3 is a fair digital front end and an ok player.  It was hampered
by a cheap and very dirty power supply.  It takes a lot of digital
reprocessing/reclocking to make it sound good as a digital head end, but
it is doable.  It is fine for a casual or bedroom system.  But the Touch
and TP are clearly better machines.

The Touch is a very good digital head end and a decent player.  Its
receiver, filtering and conversion sections are good, but its output
stage is definitely midfi caliber.  As in harmonically thin and tonally
unnuanced.  At the price point, they did all they could.  But as a
digital head end feeding a better dac with a good output stage it is
still a good option for many systems.  Throw on the digital pass-through
app, and you can play 192khz media through one.  Still not bad for a
decade old product.  And it still presents a pretty face.  Just picked
up a clean spare one for $70 last month.

The TP is an outstanding digital head end and converter section, even by
today’s standards.  That is where its designers spent the budget.  And
that is why it was such a measurement champ with the audio rags.  Its
failing is a mediocre (but not bad) analog output stage.  Just not up to
snuff with the big boys.  The analog stage is where the big bucks go in
better audio equipment.  High quality output stages are expensive.  And
that is why you can now pick up OEM TPs for under $400.  It is overall
still a very good player.  But as the digital head end to a really
first-class DAC with a serious output stage, the TP is as good as
anything out there even today.  It is capped at 96/24 and stumbles on
some FLAC codings.  But as I said, the differences going to higher
sampling rates or to DSD are not all that meaningful.  I have one
feeding a fairly expensive two-chassis DAC in what could be termed a
high end system.  And the TP in that role has yet to be unseated by a
series of more recent higher end clients in repeated auditions.  It is
still that good.

That’s my opinion and YMMV.


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