This is forwarded from Brad Warner's website

THE ZEN OF KISS

I talked with Gene Simmons from KISS again this Monday. I met him once before 
two years ago when he came to Tokyo. We got together because he's interested in 
producing a KISS animated series and wanted to talk to Tsuburaya Productions 
(the company I work for) about the idea.

The first time I met him Gene Simmons impressed me as a very realistic person. 
A lot of artists are like that. They have the ability to see things more 
clearly than most people you meet. Of course, Gene has a lot of illusions as 
well. But even here he seems surprisingly realistic. He has a vague awareness 
that his illusions are no more than that-his own illusions.
And that's rare too. He's no Zen master by any means, but there's a bit more 
than just breathing fire, vomiting blood and offending feminists.

Any time you practice any kind of art in a very concentrated way, you learn 
about reality. Sports can work the same way. The problem with artists and 
sports people is that they usually can't extend the balance they find in their 
art into the rest of their lives. This is why so many rock stars turn to drugs 
to try and extend the high they get from being on stage. Gene
Simmons doesn't do drugs, but he uses sex and "business" in much the same way 
other rock stars use chemicals. The average rock star or sports sensation 
doesn't realize that that "high" is just the simple thrill of being fully 
present, and that it's not really all that hard to learn to do this all the 
time.

Anyhow, Gene (see, we're on a first name basis, me and Gene) offered us tickets 
to see KISS's show at the Budokan and I jumped at the chance. It was my fourth 
time to see KISS. The first was on their first post make-up tour with Vinnie 
Vincent on guitar, the other three times have been on their seemingly endless 
"final tour" which has hit Japan about once every two
years.

A KISS show is an amazing thing. There's lights and fire and explosions and 
noise. Gene Simmons flies up onto the lighting rig and sings God of Thunder a 
hundred feet above the crowd. Paul Stanley sails out over the audience and
does Love Gun on a platform right in the middle of the floor seats. Peter 
Criss's drums levitate. If Ace Frehley wouldn't have flaked out this time we 
would've seen his rocket launcher guitar too I'm sure (Tommy Thayer did a 
terrific job in his place, though, but no rocket launcher). All those lights 
and noise are exciting, but not for the reason most people think. What all that 
banging and flashing does is it forces you to stay with the moment. And that's 
what people really want most out of life, to be right where they are, right 
here and right now. It's the most exciting thing there is. This is precisely 
why the things we consider "exciting" in life are so enjoyable, because we're 
really there and not drifting off somewhere else in our brains.

I was talking to Nishijima Sensei once about this kind of thing. It wasn't KISS 
we were discussing. I think we were talking about video games with all their 
bright lights and noise. "Those kinds of things are very dangerous,"
he said. Most of the time if you hear a "religious" person tell you that video 
games or rock concerts are dangerous it's because they're afraid those things 
will turn us all into devil worshipers or something. But Nishijima's not that 
kind of guy so I knew that wasn't what he meant. The problem is not
really noise and bright lights in and of themselves. Not really. They're just 
the symptoms.

The danger is that stuff like that encourages the belief that we can only be 
happy when we're having some kind of big peak experience. We tend to structure 
our life around these big experiences and miss out on everything
that comes between. The big concert is what matters, the walk to the concert 
hall just sort of disappears into a haze of thought. We think of our lives as a 
series of big experiences with a lot of unimportant stuff in between.
It's like there's a graph we've made with the big moments as the peaks and all 
the dull ones down at the bottom. That stuff doesn't really matter --the peaks 
are what's really important. Zen practitioners are famous for running after the 
wonderful peak experience of Enlightenment and looking at the rest of their 
lives as a lot of drudgery just to get there. 

That's just sad. It's a really miserable thing to miss out on the vast majority 
of your life and focus on a few little incidents here and there. What's more, 
that kind of thinking can lead you to do all kinds of dangerous and hurtful 
things to yourself and others just to achieve the thrill of being in the moment.

People will go to almost any length just to experience the sensation of being 
in the here and now. Gamblers will risk their life's savings for the thrill of 
experiencing that extremely present moment when they don't know if the dice are 
going to come up with their number or not. Daredevils risk their very lives 
just for the thrill of being in the here and now, that little moment of not 
knowing if the parachute might not open on time. The reason some people are so 
fixated with sex is because the one time when they're really right there in 
life is when they're boinking (or being
boinked). 

The fact that we feel like we need such incredibly huge stimulation so often 
just to feel alive is a symptom of how dull and un-alive we are as a culture. 
We think we must always be entertained, that we have to have the TV or the 
internet there at all times to stimulate us. We've become far too accustomed to 
escaping reality whenever and wherever possible. The noise all around us is a 
reflection of the constant noise inside our ever busy brains. Anything to keep 
from having to experience what's really here. The danger is
that when the noise outside dies down too far we can't just live with it, we've 
got to go out and create some more excitement, like a war for example. 

The practice of zazen is a practice that allows you to learn how to make every 
single moment of your life as thrilling as a KISS concert or a
parachute jump or a night of having a greased hot Yahoo bottle shoved up your 
rectum - whatever turns you on. You gradually learn to appreciate every little 
thing without making distinctions between the stuff that's dreary and 
unimportant and the stuff that's real exciting. What happens then is amazing. 
The "middle way" often talked about by Buddhists tends to sound dull. But it's 
not at all. Walking the middle way you learn how to return to the way you were 
when you were a child. "Wow! Look there's a bug!" "Gosh! Look at this big 
booger!" The sky is sooooo blue, the grass is soooo green, those stains on the 
tub are soooo -- what the hell color is that anyway?

Zen isn't about learning how to be dispassionate, about aspiring to some
grand ideal of complete detachment from the world like some dipshits claim 
(hello, Mr. Wilber). It's not about shutting yourself off from life, turning 
into some silly little Zen robot who doesn't care about anything at all. Zen is 
about having fun all the time. You become happier and better able to enjoy 
everything. Your life becomes a hell of a lot more fun when scraping wax out of 
your ears is just as thrilling as having breakfast in one of
Tokyo's swankiest hotels with a rich rock and roll star you've idolized since 
you were 12. You learn that you don't need to do anything special at all to 
have a good time. All your time is a good time. 

That's the real benefit of Zen practice.

http://homepage.mac.com/doubtboy/kiss.html

[Non-text portions of this message have been removed]



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