[EMAIL PROTECTED] wrote:
there ought to be more
experiments with transposing metrics from the Indian languages, then we
could really set about transforming the sound of poetry in the English
language,


Dear Vivek,

I agree with the Indian metrics in English poetry experiment. Try everything 
from Maatrik to Varnim  with all the laghu and guru permutations. Mix them up 
with stress patterns and see what new poetry comes up.

Only, are 'beats' and 'stress' the same thing?

Everyone, including Indians, has a right to write in English (or French or 
Russian as it pleases one).No disp[ute is admissible there.But  Indian 
languages have so many different sound-patterns that English stress may be 
dificult to achieve by Indians writing in English.For instance different is 
disyllabic in English but trisyllabic for most Indian speakers.What scansion 
would be suitable in innumerable cases such as this?

I was simply saying that while we may play around with the various aspects of 
poetical language, and do it with unstinting attention, we may do well not to 
stray into stress-patterns/metrics when  we read/write poetry in Indian 
Englishes.  When we read English and American poetry, we shall pay due 
attention to metrics , if we have learnt some of those skills.

Best.

Subbarayudu




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