On Thu, Feb 15, 2001 at 11:11:28PM +0100, Frank Nordberg wrote:
> D6 Dmaj7 D7 / | D6 / D7 D6 | D6 Dmaj7 D7 / | D6 / D7 G9 |
> G9 G11 G+11 / | G7 / G11 D6 |D6 Dmaj7 D6 / | D6 / D7 Em7 |
> Em7 Em13 Em-6 / | Em7 / / Em-6 | D6 / / / | D6 / / / ||
> D6 / / / | D6 / / / | D6 / / / | D9 / / / |
> G7 / / / | G7 / / / | D6 / / / | D6 / Fm6 / |
> Em7 / / / | A7+ / / / | D6 / / / | Em7 / Fdim7 / ||
> D69 / Dmmaj13+11 / | D9-5 / D13-9 / | D-9 / Ddim7 / |
> G9 / / / | G9 / / / | D6 / / / | D6 / Fm6 / |
> Em7 / / / | A7+ / / / | D6 / / / | Em7 / / A7+ ||
There are ambiguities here. Does G+11 mean G with added 11, G aug 11, or
G11 with the 11th sharpened?
The set I attempted to propose at the end of my mail *after* I summarised
the abc draft spec seems to cope with this chord sequence.
--
Mike Whitaker | Work: +44 1733 766619 | Work: [EMAIL PROTECTED]
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