At 05:06 AM 8/11/02, Phil Taylor wrote:

>I wonder though if we aren't beginning to split some unnecessary hairs
>here.  Are there really any circumstances where the overall length
>of the chord is different from the length of the melody note?

I'm not sure if this is what you are addressing, but it is not uncommon in 
certain types of music, religious immediately comes to mind, for the length 
of a melody note to be different from the underlying, supporting 
chords.  It is occasionally seen at the end of a tune, where the last 
melody note is held (that would be tied) over the last two bars.  The next 
to last bar will begin with the final melody note supported by the 'final' 
chord.  Then, perhaps half way through this bar, the supporting chord will 
change to some intermediate chord.  Then on the last bar, the chord will 
return to the 'final' chord for resolution of the piece.  Unfortunately, I 
am not in a position today to get to my music to give you a specific example.

Anyway, I think that you are not splitting hairs (or is it hares... Sorry, 
the expression brings to mind an old Bugs Bunny cartoon with Witch Hazel 
chasing Bugs with an axe, attempting to cook him for dinner.  Amazing what 
the mind retains... and then doesn't retain.)

Don Whitener


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