Re: [h-cost] colonial

2006-02-19 Thread Joannah Hansen
--- Suzi Clarke [EMAIL PROTECTED] wrote:

The polonaising also doesn't seem right to me. A polonaise on an 
English robe, yes, but on a sack? I've been looking through what 
books I can lay my hands on, and I haven't yet seen a sack-backed 
gown that is polonaised. The polonaise also isn't deep enough.

Regarding the polonaising only - not had time to check out the other 
stuff - there are at least two polonaised sacks in collections that I 
have seen, one in Bath, and one in the Museum of London. Also I am 
sure there are many sketches/fashion plates showing this, usually in 
the 1770's. I think the French artist Moreau le Jeune shows this, but 
they may be retroussee dans les poches, which gives a similar look.

Of course, now that you've said that, I think I *do* remember seeing pictures 
of polonaised sacks - or they may have been retroussee dans les poches, too. ( 
Blame up-too-late-at-night brain. ) But, if a gown was polonaised, weren't they 
usually polonaised at/from the back, not pulling the gown back from the centre 
front, as this one is? That is probably the thing which is most wrong about 
this gown, and made me think that an attempt had been made to alter it to suit 
a fashion from approx. 100 years later.

http://www.flickr.com/photos/[EMAIL PROTECTED]/101523900/

http://www.flickr.com/photos/[EMAIL PROTECTED]/101523898/

http://www.flickr.com/photos/[EMAIL PROTECTED]/101523897/

http://www.flickr.com/photos/[EMAIL PROTECTED]/101523896/

http://www.flickr.com/photos/[EMAIL PROTECTED]/101523899/

Actually, now I come to think about it a bit more, I wonder if it is just that 
the sellers don't understand where the skirt should be draped from to make the 
polonaise, so that instead of pulling the skirt up from the back, they pulled 
it back from the front. Hm

I still would really like to have a good look at this gown in the flesh ( as it 
were ) or failing that, on a dress dummy that is the right size, height, and 
shape for it. And with the skirt polonaised the right way. :-) 

Joannah

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Re: [h-cost] colonial

2006-02-19 Thread aquazoo
 But, if a gown was polonaised, weren't they usually polonaised at/from
 the back, not pulling the gown back from the centre front, as this one is?
 That is probably the thing which is most wrong about this gown, and
 made me think that an attempt had been made to alter it to suit a fashion
 from approx. 100 years later.

 http://www.flickr.com/photos/[EMAIL PROTECTED]/101523900/

 For the link above - I wish I could see the front a bit better!  See
the ruching that goes (apparently) all the way up to the neckline? 
And it's not close to the body, not exact center front.  It looks
like a gown open from the neck down and worn with a zone, which is
kind of like an upside-down stomacher.  Instead of a V shape, what
shows is an A shape, although the zone may be pointed at the bottom.

 Since that particular gown sweeps back from the neckline, I think
it's dressed correctly.

 I had not seen polonaised saques, either.  (And of course I started
looking *after* I made one...)  They appear to be fairly rare, since
it disrupts the long, flowing line from the back.

 It seems like polonaising was done different ways and to different
degrees, no set rule, and I'm sure some in the 18thC did it badly!

 -Carol

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RE: [h-cost] colonial

2006-02-17 Thread Sharon at Collierfam.com
Or maybe, the underskirt opposite of the main body of the dress, so if the
dress is light with dark flowers, make the underskirt dark with light
flowers.
Sharon

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Diana Habra
Sent: Thursday, February 16, 2006 11:24 PM
To: Historical Costume
Subject: RE: [h-cost] colonial



 Perhaps a very faint hint of color of purple/ blue (periwinkle?) for 
 the dress material with eggshell white bows and underskirt. If you 
 have the split, were you thinking of a quilted underskirt or leaving
 it plan?

For a split skirt, I would decorate the underskirt or make it a different
color.  I was thinking of making a quilted underskirt but it may just be a
petticoat that I can use later with a pet-en-l'air jacket or something like
that.

Diana

www.RenaissanceFabrics.net
Everything for the Costumer

Become the change you want to see in the world.
--Ghandi

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RE: [h-cost] colonial

2006-02-17 Thread Diana Habra

 Or maybe, the underskirt opposite of the main body of the dress, so if the
 dress is light with dark flowers, make the underskirt dark with light
 flowers.
 Sharon

Wow...I hadn't thought of that and it would probably work really well! 
Thanks for the idea :~

Diana

www.RenaissanceFabrics.net
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Re: [h-cost] colonial

2006-02-17 Thread AnnBWass
 
In a message dated 2/17/2006 10:46:35 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

the  underskirt opposite of the main body of the dress, so if the
 dress is  light with dark flowers, make the underskirt dark with light
  flowers.



Along these lines, if you find a brocade you like, you can often use the  
opposite face of the brocade for a usually rather subtle contrast.
 
Ann Wass
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Re: [h-cost] colonial

2006-02-17 Thread Joannah Hansen
--- Diana Habra [EMAIL PROTECTED] wrote:

 Ooo...look what I found.
 http://www.vintagetextile.com/new_page_238.htm
 De

I LOVE this website!  I know that they show the details to help sell the
clothing but it is AWESOME for us historical costumers that may not ever
get to study garments like these in person.

Thanks so much for sharing!  I am trying to design my wedding gown which
will roughly be from this period and I am trying to find out all I can
about construction techniques.  This new colonial dress will be a big
help.

Diana

I agree, it's a truly lovely gown. The silk is to die for.

Is it just me, or does anyone else think that someone had a go at remodeling it 
to suit a much later fashion? 

It certainly isn't helped by being mounted on a stand which isn't tall enough, 
but it seems to me that the petticoat is the wrong shape - it's too narrow - 
and something about the top ruffle doesn't look right to me. Wouldn't they have 
repeated the lace embellishment that is above the bottom ruffle? the info with 
the pictures says that the brocade doesn't extend all the way to the back - 
could some of the silk have been cut away, to make the petticoat less full and 
change the silhouette, and then used to make the top ruffle?  

The polonaising also doesn't seem right to me. A polonaise on an English robe, 
yes, but on a sack? I've been looking through what books I can lay my hands on, 
and I haven't yet seen a sack-backed gown that is polonaised. The polonaise 
also isn't deep enough. 

The lapels on the bodice and the front of the bodice are also don't look right. 
The bottom of the lapels don't seem to be finished properly. They don't have 
anywhere to go or to fit. Have they been unpicked from the front of the skirt, 
which was then moved back, making the split down the front wider?

These are some pictures of the styles that this dress in its current state 
remind me of:

http://www.flickr.com/photos/[EMAIL PROTECTED]/100837015/

http://www.flickr.com/photos/[EMAIL PROTECTED]/100837016/

http://www.flickr.com/photos/[EMAIL PROTECTED]/100837017/

http://www.flickr.com/photos/[EMAIL PROTECTED]/100837019/

http://www.flickr.com/photos/[EMAIL PROTECTED]/100837018/in/photostream/

Of course, I may be completely wrong about all this. :-) ( I *really* would 
LOVE to be able to examine this garment close up! )

Any other comments?

Joannah

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Re: [h-cost] colonial

2006-02-17 Thread Suzi Clarke

At 17:35 17/02/2006, you wrote:

--- Diana Habra [EMAIL PROTECTED] wrote:

 Ooo...look what I found.
 http://www.vintagetextile.com/new_page_238.htm
 De

I LOVE this website!  I know that they show the details to help sell the
clothing but it is AWESOME for us historical costumers that may not ever
get to study garments like these in person.

Thanks so much for sharing!  I am trying to design my wedding gown which
will roughly be from this period and I am trying to find out all I can
about construction techniques.  This new colonial dress will be a big
help.

Diana

I agree, it's a truly lovely gown. The silk is to die for.

Is it just me, or does anyone else think that someone had a go at 
remodeling it to suit a much later fashion?


It certainly isn't helped by being mounted on a stand which isn't 
tall enough, but it seems to me that the petticoat is the wrong 
shape - it's too narrow - and something about the top ruffle doesn't 
look right to me. Wouldn't they have repeated the lace embellishment 
that is above the bottom ruffle? the info with the pictures says 
that the brocade doesn't extend all the way to the back - could some 
of the silk have been cut away, to make the petticoat less full and 
change the silhouette, and then used to make the top ruffle?


The polonaising also doesn't seem right to me. A polonaise on an 
English robe, yes, but on a sack? I've been looking through what 
books I can lay my hands on, and I haven't yet seen a sack-backed 
gown that is polonaised. The polonaise also isn't deep enough.


Regarding the polonaising only - not had time to check out the other 
stuff - there are at least two polonaised sacks in collections that I 
have seen, one in Bath, and one in the Museum of London. Also I am 
sure there are many sketches/fashion plates showing this, usually in 
the 1770's. I think the French artist Moreau le Jeune shows this, but 
they may be retroussee dans les poches, which gives a similar look.


The lapels on the bodice and the front of the bodice are also don't 
look right. The bottom of the lapels don't seem to be finished 
properly. They don't have anywhere to go or to fit.


They often don't, according to Costume in Detail by Nancy 
Bradfield, unless I have read the pictures wrongly. They frequently 
just stop, in mid air as it were.


Have they been unpicked from the front of the skirt, which was then 
moved back, making the split down the front wider?


These are some pictures of the styles that this dress in its current 
state remind me of:


http://www.flickr.com/photos/[EMAIL PROTECTED]/100837015/

http://www.flickr.com/photos/[EMAIL PROTECTED]/100837016/

http://www.flickr.com/photos/[EMAIL PROTECTED]/100837017/

http://www.flickr.com/photos/[EMAIL PROTECTED]/100837019/

http://www.flickr.com/photos/[EMAIL PROTECTED]/100837018/in/photostream/

Of course, I may be completely wrong about all this. :-) ( I 
*really* would LOVE to be able to examine this garment close up! )



Suzi


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Re: [h-cost] colonial

2006-02-17 Thread Bjarne og Leif Drews

Hi Joannah,
There is in fact a sack backed english weddinggown with polonaise lift ups 
in the back. Se Norah Waughs the cut of Womens Clothes. White 
satin...


Bjarne

- Original Message - 
From: Joannah Hansen [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, February 17, 2006 6:35 PM
Subject: Re: [h-cost] colonial



--- Diana Habra [EMAIL PROTECTED] wrote:



Ooo...look what I found.
http://www.vintagetextile.com/new_page_238.htm
De


I LOVE this website!  I know that they show the details to help sell the
clothing but it is AWESOME for us historical costumers that may not ever
get to study garments like these in person.

Thanks so much for sharing!  I am trying to design my wedding gown which
will roughly be from this period and I am trying to find out all I can
about construction techniques.  This new colonial dress will be a big

help.


Diana


I agree, it's a truly lovely gown. The silk is to die for.

Is it just me, or does anyone else think that someone had a go at 
remodeling it to suit a much later fashion?


It certainly isn't helped by being mounted on a stand which isn't tall 
enough, but it seems to me that the petticoat is the wrong shape - it's 
too narrow - and something about the top ruffle doesn't look right to me. 
Wouldn't they have repeated the lace embellishment that is above the 
bottom ruffle? the info with the pictures says that the brocade doesn't 
extend all the way to the back - could some of the silk have been cut 
away, to make the petticoat less full and change the silhouette, and then 
used to make the top ruffle?


The polonaising also doesn't seem right to me. A polonaise on an English 
robe, yes, but on a sack? I've been looking through what books I can lay 
my hands on, and I haven't yet seen a sack-backed gown that is polonaised. 
The polonaise also isn't deep enough.


The lapels on the bodice and the front of the bodice are also don't look 
right. The bottom of the lapels don't seem to be finished properly. They 
don't have anywhere to go or to fit. Have they been unpicked from the 
front of the skirt, which was then moved back, making the split down the 
front wider?


These are some pictures of the styles that this dress in its current state 
remind me of:


http://www.flickr.com/photos/[EMAIL PROTECTED]/100837015/

http://www.flickr.com/photos/[EMAIL PROTECTED]/100837016/

http://www.flickr.com/photos/[EMAIL PROTECTED]/100837017/

http://www.flickr.com/photos/[EMAIL PROTECTED]/100837019/

http://www.flickr.com/photos/[EMAIL PROTECTED]/100837018/in/photostream/

Of course, I may be completely wrong about all this. :-) ( I *really* 
would LOVE to be able to examine this garment close up! )


Any other comments?

Joannah

~*~ Practice random acts of kindness, and senseless acts of beauty. ~*~





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RE: [h-cost] colonial

2006-02-17 Thread aquazoo
Diana said,
 For a split skirt, I would decorate the underskirt or make it a different
 color.  I was thinking of making a quilted underskirt but it may just be a
 petticoat that I can use later with a pet-en-l'air jacket or something
 like that.


 It depends on how close to actual 18th century you want to make it,
and then what social class, time of day, etc.

 More formal open-front gowns have a petticoat of the same fabric,
possibly decorated with self-fabric ruching and flounces (same as the
gown).

 A petticoat of a different fabric is more of an undress look - your
serviceable wool gown is not as likely to have the same fabric for
the petticoat.

 Quilted petticoats are lovely, or you can use a Marseilles cloth (a
double weave) which was also done in the 18th century.  It's also not
a formal or evening type of look.

 Generally a lady would decorate the stomacher or neckline of the gown
to draw the eye up, rather than use a different color petticoat which
might draw the eye away from the face and neckline.

 -Carol

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Re: [h-cost] colonial

2006-02-17 Thread kelly grant
There are two gowns here in our collection at the Nova Scotia, made from the 
same, or similar fabrics, one is in it's original condition, the other has 
been remade to the end of the 18thC fashions...very cool.


It is my hope to one day take patterns from them both, you know, someday 
when I have a bit of time! ;-)


Kelly in NS
- Original Message - 
From: [EMAIL PROTECTED]

To: [EMAIL PROTECTED]
Sent: Friday, February 17, 2006 3:26 PM
Subject: Re: [h-cost] colonial




In a message dated 2/17/2006 12:37:56 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:

Is it  just me, or does anyone else think that someone had a go at 
remodeling

it to  suit a much later fashion?



That would certainly not be uncommon.  It is extremely difficult to  find 
an

18th century gown that hasn't been re-modeled, as the fabric was so
expensive!  In fact, a curator friend of mine says that an 18th century 
gown in its

original condition would be the Holy Grail of costume finds.

Ann Wass
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Re: [h-cost] colonial

2006-02-16 Thread Bjarne og Leif Drews

Hi,
Yes this picture is at a museum in London, I have studyed it there in person 
a coupple of times. The size of the picture dissapointed me a little, as it 
is a very small picture. Its a lovely dress.


Bjarne
- Original Message - 
From: [EMAIL PROTECTED]

To: [EMAIL PROTECTED]
Sent: Wednesday, February 15, 2006 10:23 PM
Subject: Re: [h-cost] colonial




In a message dated 2/15/2006 3:57:48 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:

http://commons.wikimedia.org/wiki/Image:Fran%C3%A7ois_Boucher_019.jpg
http://commons.wikimedia.org/wiki/Image:Fran%C3%A7ois_Boucher_018.jpg



The color seems off in these pics.

Anyway, Glen Close wears a replica of this gown [in a dark teal with pink
roses and bows] in Dangerous Liaisons in the only scene where all 
the main

characters are together, at the Salon, listening to the castrate singing
Handel.
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RE: [h-cost] colonial

2006-02-16 Thread Diana Habra

 Perhaps a very faint hint of color of purple/ blue (periwinkle?) for the
 dress material with eggshell white bows and underskirt.
 If you have the split, were you thinking of a quilted underskirt or
 leaving
 it plan?

For a split skirt, I would decorate the underskirt or make it a different
color.  I was thinking of making a quilted underskirt but it may just be a
petticoat that I can use later with a pet-en-l'air jacket or something
like that.

Diana

www.RenaissanceFabrics.net
Everything for the Costumer

Become the change you want to see in the world.
--Ghandi

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RE: [h-cost] colonial

2006-02-15 Thread otsisto
Oooo wedding dress!:) What color? 
De

-Original Message-
Thanks so much for sharing!  I am trying to design my wedding gown which
will roughly be from this period and I am trying to find out all I can
about construction techniques.  This new colonial dress will be a big
help.

Diana


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Re: [h-cost] colonial

2006-02-15 Thread kelly grant
Holy Crapola, that dress is beautiful, but really badly mounted.  So I 
wouldn't trust all of their information, especially about the gown meeting 
edge to edge at the centrefront.  I wish they had taken the time to mount 
the dress proprely, then you would be able to see all it's glory in the 
photos...they are great photos, I'm bummed ;-(


If you are interested in more information about dresses from this time 
period, check out Janet Arnold's book on this period, also Louisbourg 
National Historic Site, published booklets on clothing from this time period 
a few years back, they are complete with patterns and tailoring details. 
Their website is http://fortress.uccb.ns.ca/ , you may be able to contact 
them for a copy.


For those who are interested in this era, come join me and a few hundred 
others at Louisbourg's Grande Encampment this year!


Kelly/estela
- Original Message - 
From: Diana Habra [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 15, 2006 2:11 AM
Subject: Re: [h-cost] colonial





Ooo...look what I found.
http://www.vintagetextile.com/new_page_238.htm
De


I LOVE this website!  I know that they show the details to help sell the
clothing but it is AWESOME for us historical costumers that may not ever
get to study garments like these in person.

Thanks so much for sharing!  I am trying to design my wedding gown which
will roughly be from this period and I am trying to find out all I can
about construction techniques.  This new colonial dress will be a big
help.

Diana

www.RenaissanceFabrics.net
Everything for the Costumer

Become the change you want to see in the world.
--Ghandi

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Re: [h-cost] colonial

2006-02-15 Thread Sue Clemenger
Oh, we wants it, preciouss..yes, we do.
--Sue, apparently channeling Gollum this morning


- Original Message - 
From: otsisto [EMAIL PROTECTED]
To: Historic Costume h-costume@mail.indra.com
Sent: Tuesday, February 14, 2006 9:29 PM
Subject: [h-cost] colonial


 Ooo...look what I found.
 http://www.vintagetextile.com/new_page_238.htm
 De
 
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Re: [h-cost] colonial

2006-02-15 Thread Diana Habra

 Holy Crapola, that dress is beautiful, but really badly mounted.  So I
 wouldn't trust all of their information, especially about the gown meeting
 edge to edge at the centrefront.  I wish they had taken the time to mount
 the dress proprely, then you would be able to see all it's glory in the
 photos...they are great photos, I'm bummed ;-(

 If you are interested in more information about dresses from this time
 period, check out Janet Arnold's book on this period, also Louisbourg
 National Historic Site, published booklets on clothing from this time
 period
 a few years back, they are complete with patterns and tailoring details.
 Their website is http://fortress.uccb.ns.ca/ , you may be able to contact
 them for a copy.

 For those who are interested in this era, come join me and a few hundred
 others at Louisbourg's Grande Encampment this year!

 Kelly/estela
 - Original Message -
 From: Diana Habra [EMAIL PROTECTED]
 To: Historical Costume [EMAIL PROTECTED]
 Sent: Wednesday, February 15, 2006 2:11 AM
 Subject: Re: [h-cost] colonial



 Ooo...look what I found.
 http://www.vintagetextile.com/new_page_238.htm
 De

 I LOVE this website!  I know that they show the details to help sell the
 clothing but it is AWESOME for us historical costumers that may not ever
 get to study garments like these in person.

 Thanks so much for sharing!  I am trying to design my wedding gown which
 will roughly be from this period and I am trying to find out all I can
 about construction techniques.  This new colonial dress will be a big
 help.

 Diana

 www.RenaissanceFabrics.net
 Everything for the Costumer

 Become the change you want to see in the world.
 --Ghandi

 ___
 h-costume mailing list
 h-costume@mail.indra.com
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www.RenaissanceFabrics.net
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Become the change you want to see in the world.
--Ghandi

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RE: [h-cost] colonial

2006-02-15 Thread Diana Habra

 Oooo wedding dress!:) What color?
 De

Well, that has been the hardest part.  I want to do a white-ish color
white, cream, chanpagne, etc.) but my accent color is a deep purple-blue. 
I originally intended to make it white with the blue accents but the
contrast is so big!  I am still trying to figure out how to do it.

I am very inspired by this painting:

http://www.nga.gov/cgi-bin/pimage?32697+0+0

But I also like the split-skirt style like the garment just posted. 
Sighso many ideas and I only get to choose one!

Diana

www.RenaissanceFabrics.net
Everything for the Costumer

Become the change you want to see in the world.
--Ghandi

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Re: [h-cost] colonial

2006-02-15 Thread Diana Habra

 Holy Crapola, that dress is beautiful, but really badly mounted.  So I
 wouldn't trust all of their information, especially about the gown meeting
 edge to edge at the centrefront.  I wish they had taken the time to mount
 the dress proprely, then you would be able to see all it's glory in the
 photos...they are great photos, I'm bummed ;-(

Sorry, I hit send accidently!


If you think that one is mounted badly, check this one out:

http://www.vintagetextile.com/new_page_431.htm

I LOVE this jacket, but it looks so awful there!

 If you are interested in more information about dresses from this time
 period, check out Janet Arnold's book on this period,

I have the book but I don't remember many construction pictures in it. 
And I work much better from pictures than somebody's description.  I will
take a look at it again now that I know more about the period.

also Louisbourg
 National Historic Site, published booklets on clothing from this time
 period
 a few years back, they are complete with patterns and tailoring details.
 Their website is http://fortress.uccb.ns.ca/ , you may be able to contact
 them for a copy.

Thanks, I will check it out.

Diana

www.RenaissanceFabrics.net
Everything for the Costumer

Become the change you want to see in the world.
--Ghandi

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Re: [h-cost] colonial

2006-02-15 Thread shaneandsheridan
Yowza thats lovely!

Hmmm, it seems that the measurements that they give are exactly my measurements 
in a corset

Now for that winning lottery ticket. :0)

Sheridan

 
 From: otsisto [EMAIL PROTECTED]
 Date: 2006/02/14 Tue PM 11:29:31 EST
 To: Historic Costume h-costume@mail.indra.com
 Subject: [h-cost] colonial
 
 Ooo...look what I found.
 http://www.vintagetextile.com/new_page_238.htm
 De
 
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Re: [h-cost] colonial

2006-02-15 Thread Joan Jurancich

At 08:04 AM 2/15/2006, you wrote:

[anip]
 If you are interested in more information about dresses from this time
 period, check out Janet Arnold's book on this period,

I have the book but I don't remember many construction pictures in it.
And I work much better from pictures than somebody's description.  I will
take a look at it again now that I know more about the period.

also Louisbourg
 National Historic Site, published booklets on clothing from this time
 period
 a few years back, they are complete with patterns and tailoring details.
 Their website is http://fortress.uccb.ns.ca/ , you may be able to contact
 them for a copy.

Thanks, I will check it out.

Diana


Check out The Cut of Women's Clothing.  I can't lay my hands on my 
copy at the moment :-(, but there are many cutting diagrams in the back.



Joan Jurancich
[EMAIL PROTECTED] 


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Re: [h-cost] colonial

2006-02-15 Thread Bjarne og Leif Drews

Hi,
This has ben my dream to make for many many years, it is so lovely.
By the way, this portrait is one of the reasons that i keep on saying that 
cartridge pleating was used in 18th century, even though the 18th century 
womens list has disagreed.

They claim it never was used, but how would you pleat this skirt otherwise?

Bjarne


- Original Message - 
From: Diana Habra [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 15, 2006 4:55 PM
Subject: RE: [h-cost] colonial





Oooo wedding dress!:) What color?
De


Well, that has been the hardest part.  I want to do a white-ish color
white, cream, chanpagne, etc.) but my accent color is a deep purple-blue.
I originally intended to make it white with the blue accents but the
contrast is so big!  I am still trying to figure out how to do it.

I am very inspired by this painting:

http://www.nga.gov/cgi-bin/pimage?32697+0+0

But I also like the split-skirt style like the garment just posted.
Sighso many ideas and I only get to choose one!

Diana

www.RenaissanceFabrics.net
Everything for the Costumer

Become the change you want to see in the world.
--Ghandi

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RE: [h-cost] colonial

2006-02-15 Thread otsisto
I was looking up the artist and found this lovely picture.
http://commons.wikimedia.org/wiki/Image:Fran%C3%A7ois_Boucher_019.jpg
http://commons.wikimedia.org/wiki/Image:Fran%C3%A7ois_Boucher_018.jpg
If I was interested in the period and had the figure I would love a dress
like this.
Madame Pompadour has some nice dresses
http://commons.wikimedia.org/wiki/Image:Fran%C3%A7ois_Boucher_017.jpg
De

-Original Message-
 I am very inspired by this painting:

 http://www.nga.gov/cgi-bin/pimage?32697+0+0

 But I also like the split-skirt style like the garment just posted.
 Sighso many ideas and I only get to choose one!

 Diana



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RE: [h-cost] colonial

2006-02-15 Thread otsisto
This shows some other portraits of similar fullness of skirt. Click on the
picture for bigger picture and info in Spanish. Then click on that picture
with enlargement features (note: 200% is fuzzy)
http://pintura.aut.org/BU04?Autnum=11680Empnum=0Inicio=46
I'm not sure, cartridge pleating looks possible. Some techniques usually
don't disappear so easily.

De
-Original Message-
Hi,
This has ben my dream to make for many many years, it is so lovely.
By the way, this portrait is one of the reasons that i keep on saying that
cartridge pleating was used in 18th century, even though the 18th century
womens list has disagreed.
They claim it never was used, but how would you pleat this skirt otherwise?

Bjarne



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Re: [h-cost] colonial

2006-02-15 Thread Bjarne og Leif Drews


- Original Message - 
From: otsisto [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 15, 2006 9:55 PM
Subject: RE: [h-cost] colonial



This shows some other portraits of similar fullness of skirt. Click on the
picture for bigger picture and info in Spanish. Then click on that picture
with enlargement features (note: 200% is fuzzy)
http://pintura.aut.org/BU04?Autnum=11680Empnum=0Inicio=46
I'm not sure, cartridge pleating looks possible. Some techniques usually
don't disappear so easily.



You also clearly sees her wooden busk trough the bodice, this i never 
noticed before.
This must be a heavy duchesse satin, and imagine to pleat so much width into 
such a small waist, you really must use cartridge pleats :-) sorry i keep on


Bjarne 



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Re: [h-cost] colonial

2006-02-15 Thread AlbertCat
 
In a message dated 2/15/2006 3:57:48 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

http://commons.wikimedia.org/wiki/Image:Fran%C3%A7ois_Boucher_019.jpg
http://commons.wikimedia.org/wiki/Image:Fran%C3%A7ois_Boucher_018.jpg



The color seems off in these pics.
 
Anyway, Glen Close wears a replica of this gown [in a dark teal with pink  
roses and bows] in Dangerous Liaisons in the only scene where all the 
main 
 characters are together, at the Salon, listening to the castrate singing  
Handel.
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Re: [h-cost] colonial

2006-02-15 Thread Joan Jurancich

At 01:11 PM 2/15/2006, you wrote:


- Original Message - From: otsisto [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 15, 2006 9:55 PM
Subject: RE: [h-cost] colonial



This shows some other portraits of similar fullness of skirt. Click on the
picture for bigger picture and info in Spanish. Then click on that picture
with enlargement features (note: 200% is fuzzy)
http://pintura.aut.org/BU04?Autnum=11680Empnum=0Inicio=46
I'm not sure, cartridge pleating looks possible. Some techniques usually
don't disappear so easily.



You also clearly sees her wooden busk trough the bodice, this i 
never noticed before.
This must be a heavy duchesse satin, and imagine to pleat so much 
width into such a small waist, you really must use cartridge pleats 
:-) sorry i keep on


Bjarne


Actually, there is another technique, rolled pleats.  And they are 
easy to sew into a waistband.  My tailor, Stephen Bergdahl, used them 
for my latest Elizabethan gown (I still have not learned how to do 
them since I have not needed a new gown, yet).  He said it was very 
easy.  And it does give the look of the full skirts in many of the portraits.



Joan Jurancich
[EMAIL PROTECTED] 


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Re: [h-cost] colonial

2006-02-15 Thread Cin
The portrait is earlier 18thC, and perhaps represents an opulent
fantasy style.  If anyone can get a look at extant upper class wear
of the time, we would know if there were cartridge pleats or knife
pleats.-Carol

If pictures in books dont suit your taste, then for a good grovel, a
CV, and a letter of introduction you can get into the Bath Museum of
Costume and fondle the real thing. Other museums have their own
rituals of supplication. grin

I wonder if 18th will be fashionable among costume  dance historians
this year.  When I saw Memoirs of a Geisha this weekend, there was a
preview for Marie Antonette.
--cin
Cynthia Barnes
[EMAIL PROTECTED]

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Re: [h-cost] colonial

2006-02-15 Thread AlbertCat
 
In a message dated 2/15/2006 3:56:34 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

By the  way, this portrait is one of the reasons that i keep on saying  that
cartridge pleating was used in 18th century, even though the 18th  century
womens list has disagreed.



I think you're right. The big difference in this gown and is say one of  
Madam de Pompadour's is this is not an open robe. It is a bodice with skirt  
attached. The crisp silk looks cartridge pleated to meit doesn't even look  
like those little 1/2 inch pleats you get in the 1770s and  80s.
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RE: [h-cost] colonial

2006-02-15 Thread otsisto
On some other sites the colors were dark green, teal, blue, blue green, and
blue grey. :) annoying isn't it?:P
The two paintings are different paintings. The close up is probably copied
from the other.
De

-Original Message-
http://commons.wikimedia.org/wiki/Image:Fran%C3%A7ois_Boucher_019.jpg
http://commons.wikimedia.org/wiki/Image:Fran%C3%A7ois_Boucher_018.jpg


The color seems off in these pics.

Anyway, Glen Close wears a replica of this gown [in a dark teal with pink
roses and bows] in Dangerous Liaisons in the only scene where all the
main
 characters are together, at the Salon, listening to the castrate singing
Handel.


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Re: [h-cost] colonial

2006-02-15 Thread Diana Habra

 Holy Crapola, that dress is beautiful, but really badly mounted.  So I
 wouldn't trust all of their information, especially about the gown meeting
 edge to edge at the centrefront.  I wish they had taken the time to mount
 the dress proprely, then you would be able to see all it's glory in the
 photos...they are great photos, I'm bummed ;-(

Sorry about the other post, I hit send accidently :~


If you think the mounting was bad for that one, check this one out:

http://www.vintagetextile.com/new_page_431.htm

I LOVE this jacket, but it looks so awful there!

 If you are interested in more information about dresses from this time
 period, check out Janet Arnold's book on this period,

I have it but I don't remember too many pictures with construction
details.  Maybe I will have to look at it again.

also Louisbourg
 National Historic Site, published booklets on clothing from this time
 period
 a few years back, they are complete with patterns and tailoring details.
 Their website is http://fortress.uccb.ns.ca/ , you may be able to contact
 them for a copy.

Thanks!  I will look into that.  Costume Close-Up has been helpful for
construction information but they only have limited close-ups and usually
only one per garment.  But every little bit helps!

Diana

www.RenaissanceFabrics.net
Everything for the Costumer

Become the change you want to see in the world.
--Ghandi

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Re: [h-cost] colonial

2006-02-15 Thread Becky
I'd try small delicate flowers spread around the lower part of the skirt and 
in the bouquet. Ribbons should be delicat and not so bold since the color is 
so contrasted. I've made lots of wedding dresses and this is what I'd 
suggest.
My wedding colors were ecru/cream with wine accents. I mixed pale baby blue 
in there every so often for contrast. Gold accents in the table fabrics and 
a gold ribbon in my bouquet of wine and cream colored silk flowers. I used 
silk lilacs in the chapel. Looked great to me. And in only 2 weeks to plan 
it all.
- Original Message - 
From: Diana Habra [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 15, 2006 10:55 AM
Subject: RE: [h-cost] colonial





Oooo wedding dress!:) What color?
De


Well, that has been the hardest part.  I want to do a white-ish color
white, cream, chanpagne, etc.) but my accent color is a deep purple-blue.
I originally intended to make it white with the blue accents but the
contrast is so big!  I am still trying to figure out how to do it.

I am very inspired by this painting:

http://www.nga.gov/cgi-bin/pimage?32697+0+0

But I also like the split-skirt style like the garment just posted.
Sighso many ideas and I only get to choose one!

Diana

www.RenaissanceFabrics.net
Everything for the Costumer

Become the change you want to see in the world.
--Ghandi

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RE: [h-cost] colonial

2006-02-15 Thread otsisto
Perhaps a very faint hint of color of purple/ blue (periwinkle?) for the
dress material with eggshell white bows and underskirt.
If you have the split, were you thinking of a quilted underskirt or leaving
it plan?
De
-Original Message-
Well, that has been the hardest part.  I want to do a white-ish color
white, cream, chanpagne, etc.) but my accent color is a deep purple-blue.
I originally intended to make it white with the blue accents but the
contrast is so big!  I am still trying to figure out how to do it.

I am very inspired by this painting:

http://www.nga.gov/cgi-bin/pimage?32697+0+0

But I also like the split-skirt style like the garment just posted.
Sighso many ideas and I only get to choose one!

Diana


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Re: [h-cost] colonial

2006-02-15 Thread Becky
I have both Arnold books and don't need them. If anyone is interested in 
buying them, let me know. They are beautiful but not what I needed. I 
accidently ordered the wrong time period first then had to get the earlier 
period one. SO I have them both now.
- Original Message - 
From: Diana Habra [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 15, 2006 10:56 AM
Subject: Re: [h-cost] colonial





Holy Crapola, that dress is beautiful, but really badly mounted.  So I
wouldn't trust all of their information, especially about the gown 
meeting

edge to edge at the centrefront.  I wish they had taken the time to mount
the dress proprely, then you would be able to see all it's glory in the
photos...they are great photos, I'm bummed ;-(

If you are interested in more information about dresses from this time
period, check out Janet Arnold's book on this period, also Louisbourg
National Historic Site, published booklets on clothing from this time
period
a few years back, they are complete with patterns and tailoring details.
Their website is http://fortress.uccb.ns.ca/ , you may be able to contact
them for a copy.

For those who are interested in this era, come join me and a few hundred
others at Louisbourg's Grande Encampment this year!

Kelly/estela
- Original Message -
From: Diana Habra [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 15, 2006 2:11 AM
Subject: Re: [h-cost] colonial





Ooo...look what I found.
http://www.vintagetextile.com/new_page_238.htm
De


I LOVE this website!  I know that they show the details to help sell the
clothing but it is AWESOME for us historical costumers that may not ever
get to study garments like these in person.

Thanks so much for sharing!  I am trying to design my wedding gown which
will roughly be from this period and I am trying to find out all I can
about construction techniques.  This new colonial dress will be a big
help.

Diana

www.RenaissanceFabrics.net
Everything for the Costumer

Become the change you want to see in the world.
--Ghandi

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Re: [h-cost] colonial

2006-02-15 Thread Carol Kocian
If pictures in books dont suit your taste, then for a good grovel, a 
CV, and a letter of introduction you can get into the Bath Museum of 
Costume and fondle the real thing. Other museums have their own 
rituals of supplication. grin


 Well, my CV is not applicable because I haven't done much 
costume professionally.  I didn't need a letter of introduction, and 
I didn't grovel, either.  Of course, I was just looking at stockings, 
not gowns - maybe they're fussier with the gowns.  A lot of museums 
are open to visits by dedicated amateurs, you just need to phone and 
write ahead of time and understand that many places are understaffed. 
It helps to belong to the Costume Society, and meet curators that 
way.  The more people you meet, the more cool stuff you can see, then 
you meet more people, and see more stuff...


 I started 20 years ago looking at lace at the Met in New York. 
Somebody helpfully told me all you have to do is make an 
appointment.  And it worked!


 It's nice to arrive bearing gifts - chocolate is always correct. 
And if going over there (wherever over there is), books published 
over here are nice, too.


 A lot of people have opportunities to visit collections, so if 
the question is out there then people may remember to look when they 
do have the chance to examine original gowns.


 And then there are the symposium weekends, where a curator 
and/or private collector brings their originals to show off.


 So yes, I believe in looking at originals to learn the 
techniques that were used.


 Also, regarding American vs European - some collections in 
America include European clothing.


 -Carol
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Re: [h-cost] colonial

2006-02-14 Thread Diana Habra

 Ooo...look what I found.
 http://www.vintagetextile.com/new_page_238.htm
 De

I LOVE this website!  I know that they show the details to help sell the
clothing but it is AWESOME for us historical costumers that may not ever
get to study garments like these in person.

Thanks so much for sharing!  I am trying to design my wedding gown which
will roughly be from this period and I am trying to find out all I can
about construction techniques.  This new colonial dress will be a big
help.

Diana

www.RenaissanceFabrics.net
Everything for the Costumer

Become the change you want to see in the world.
--Ghandi

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Re: [h-cost] Colonial costume

2005-12-13 Thread AnnBWass
 
In a message dated 12/13/2005 1:47:46 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

She is  as heavy as I am, about as wide as she is tall in the body, but 
has a  short upper body compared to mine.




There is evidence of some fairly large women in Colonial America. I'm  
thinking of a painting of a woman in a green damask dress--someone on this list 
 
probably knows the one I mean. I can't remember if that dress has a stomacher 
or  
not, but, if it does, I believe it is plain and of the same fabric as the  
dress.
 
Ann Wass  
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Re: [h-cost] Colonial costume

2005-12-13 Thread Carol Kocian

Hi Kitty,

 First I would recommend the 18th century woman list which is a 
Yahoo Group - 18cWoman.  There is a concentration of people who just 
do that century, so lots of knowledge and information.


 Approximately what year of colonial does your friend want? 
Stomachers went out of fashion around the time of the American 
Revolution, but were very much in use in the early part of the 
century.


 What class is the outfit, and any particular ethnic group?  Is 
it to wear to a dance, as a volunteer for a historic site?  A 
theatrical performance?  Every-day or formal?

help keep the shape.

 I'm not familiar enough with the patterns available to be able 
to talk about them (I tend to draft or drape my own from books such 
as Patterns of Fashion).  Stays (18thC corset) really will help, 
especially if she is heavy.  Otherwise she can make the stomacher 
stiff (with boning and interfacing, which they did in the 18thC), and 
use a substantial lining in the bodice of the gown to


 Style-wise, the gown and petticoat (underskirt) can be the same 
color with a different color for the stomacher.  That will draw the 
eye up to the bustline.  (But you don't want to be spilling out of 
the gown!)  A different color petticoat is a sort of mix  match 
style sometimes seen in casual wear.  (Back to the question of the 
purpose of her gown.)  The stomacher should not match the petticoat.


 I'm not sure what you mean by a lace overlay on the stomacher. 
Some have a criss-cross ribbon pattern to look like the gown is laced 
overtop, and another style is a series of bows, as if the gown is 
tied over the stomacher.  Lace is sometimes used to give the 
appearance that the item is embroidered.  Some original stomachers 
are 3-D, with chenille embroidery, ribbon work, etc.  They can also 
be plain fabric or a brocade, without extra embellishment. (Again 
back to the purpose/class of the gown!)


 If you look around the web for ideas, be sure you know what is 
original to the 18th century (portraits  clothing) versus people in 
repro clothing.  Everyone makes their own changes and compromises, 
and it helps to know what you're looking at.


 -Carol


She wants to do a stomacher to minimize the width, and wonders how 
her skirt should look.   I can't find any pattern sites with a 
stomacher for colonial patterns, and my best guess for her is to 
make an over skirt to draw the lace overlay from the stomacher to 
the skirt and keep the eye moving and not fixated on the width.


Any other ideas?   I'd like to be able to email her some photos or 
sites to help her visualize the ideas if anyone has anything to help 
her.


Oh.  she is basically doing an impression, not perfect accuracy. 
She's never tried a corset and I'm not sure if I should offer to let 
her try mine.  LOL  I think mine might be too long anyway.

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Re: [h-cost] Colonial costume

2005-12-13 Thread AlbertCat
In a message dated 12/13/2005 6:20:14 AM Eastern Standard Time, 
[EMAIL PROTECTED] writes:

 There is evidence of some fairly large women in Colonial America. 

But of course! There're large women everywhere at every time. And mid 18th 
century is a period they look particularly good in...IMHO. I'd keep the gown 
dark and plain...trimmed with self fabric. The open robe...with a stomacher and 
petticoat showing...is a great silhouette for a large figure...but don't make 
the contrast too jarring. Either do it all out of the same fabric or choose two 
colors that are close in hue and saturation...like a burgundy and a dark 
blueor a stripe [for the gown] and something the same color as whatever the 
prominent color the stripe presents [for the petticoat and stomacher].

Use a corset...like maybe the Simplicity [or is it Butterick] pattern. It 
needn't be made with steel boning [use Rigellene] or tight. Just snug to give 
the 
right shape. I doubt whether a large woman would go with hip pads or panniers 
unless at court or something.

A bit of lace and a flower at the neckline of the dark mass of the [taffeta? 
Changeable taffeta?] dress to draw your eye to her face, and don't forget a 
white lace and linen cap...maybe some mitts

She'll look great! It'll have great character!
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