Frank Nordberg wrote:
Just like to tell everybody at abcusers that I've just posted a complete
ABC edition of Tielman Susato's Danserye
Hey great, thats really nice.
My transcriptions raises a few interesting questions regarding
ABC-versions of early music. Should we add barlines? How do
Hello again,
Frank Nordberg wrote:
http://www.musicaviva.com/abc/tunes/susato-tielman/susato-1551.abc
My transcriptions raises a few interesting questions regarding
ABC-versions of early music. Should we add barlines? How do we disern
between original and editorial accidentals? etc. etc.
Simon Wascher wrote:
Frank Nordberg wrote:
Just like to tell everybody at abcusers that I've just posted a complete
ABC edition of Tielman Susato's Danserye
Hey great, thats really nice.
It is indeed - thank you Frank.
My transcriptions raises a few interesting questions regarding
Hello,
Phil Taylor wrote:
Simon Wascher wrote:
I would find it much better to write the
music voice after voice. (...)
I disagree. Writing the abc line by line preserves the original
music layout in the abc,
Not necessarily, especially not if the original layout is no score but
single
Simon == Simon Wascher [EMAIL PROTECTED] writes:
Simon I would find it much better to write the music voice after
Simon voice. It is not really possible to read the four voices
Simon in paralell in the abc text anyway and it is complicate to
Simon extract parts for playing.
Phil == Phil Taylor [EMAIL PROTECTED] writes:
I usually use #A or bA to show editorial accidentals.
Phil Yes. Perhaps ^# would be better.
Are there any abc2ps variants that have implemented this feature?
I still find that programmers should enable voice after voice input. The
I post this as a separate thread, since it's a general ABC issue, not
specifically a renaissance one:
Simon Wascher wrote:
...
I would find it much better to write the
music voice after voice. It is not really possible to read the four
voices in paralell in the abc text anyway and it is
I would find it much better to write the music voice after voice. It
is not really possible to read the four voices in parallel in the abc
text anyway
Not unless the source is laid out helpfully, but for this sort of
music it can be quite easily. I haven't changed a note in Frank's
Simon Wascher schrieb:
| Why do'nt you use the P:field within the tune body for the Reprise
| text?
...
| To my personal understanding I always wonder why someone created a field
| that organizes the playing order and does not allow the usual part and
| playing order terms to be used
Laura Conrad asks:
| Phil == Phil Taylor [EMAIL PROTECTED] writes:
|
| I usually use #A or bA to show editorial accidentals.
|
| Phil Yes. Perhaps ^# would be better.
|
| Are there any abc2ps variants that have implemented this feature?
Well, abc2ps has accepted #A and bA
John == John Chambers [EMAIL PROTECTED] writes:
John Making ^#A work is trivial with abc2ps. You find the code that
John parses such quoted chord symbols, and have it ignore an initial
John circumflex. This is one line of C. I've done this in my abc2ps clone.
John
John == John Chambers [EMAIL PROTECTED] writes:
John Simon Wascher writes:
John | I usually use #A or bA to show editorial accidentals.
John I've done this, too. One thing to beware of here is that in some
John musical circles, an accental above (or below) the note is
Hello,
John Chambers wrote:
Simon Wascher writes:
| I usually use #A or bA to show editorial accidentals.
One thing to beware of here is that in some
musical circles, an accental above (or below) the note is used to
mean just this one note.
Its the same with me. For me using #
John Chambers wrote:
Hello,
Simon Wascher schrieb:
(...)
| $ Example: P:[Einleitung][1.][1.][2.][2.][1.][Ausgang]
John Chambers wrote:
Less messy would be to just use either of:
$ Example: P:Einleitung,1,1,2,2,1,Ausgang
$ Example: P:Einleitung 1 1 2 2 1 Ausgang
These are
Laura writes:
| John == John Chambers [EMAIL PROTECTED] writes:
| John Making ^#A work is trivial with abc2ps. You find the code that
| John parses such quoted chord symbols, and have it ignore an initial
| John circumflex. This is one line of C. I've done this
Jack Campin wrote:
Simon Wascher wrote:
I would find it much better to write the music voice after voice. It
is not really possible to read the four voices in parallel in the abc
text anyway
Not unless the source is laid out helpfully, but for this sort of
music it can be quite
On 03,Sep/01 8:30 pm, you wrote:
Just like to tell everybody at abcusers that I've just posted a complete
ABC edition of Tielman Susato's Danserye at
http://www.musicaviva.com/abc/tunes/susato-tielman/susato-1551.abc
This file has cr terminated lines I have fixed it using the KDE binary
RJP writes:
| On 03,Sep/01 8:30 pm, you wrote:
| Just like to tell everybody at abcusers that I've just posted a complete
| ABC edition of Tielman Susato's Danserye at
| http://www.musicaviva.com/abc/tunes/susato-tielman/susato-1551.abc
|
| This file has cr terminated lines I have
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