I'm wondering if there are any trombone players/experts out here. My
question is, how would a trombonist generally interpret a grace note with a
slur onto another note about a 2nd lower (in a 20th century score)?:
a. Would they soft-tongue the second note?
b. Would they just tongue the first
writing, and many
composers write grace notes when they _expect_ a slide, so it's best to
be explicit about what you want.
Daniel Wolf
Budapest
Colin Broom wrote:
I'm wondering if there are any trombone players/experts out here. My
question is, how would a trombonist generally interpret a grace
Just checked, and yes, it is there. What I wouldn't give to have 2 monitors
again.
C.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf
Of Henry Howey
Sent: 16 April 2004 19:33
To: [EMAIL PROTECTED]
Subject: [Finale] Two Monitors in 2K4 PC
I have found it in
I've just started re-formatting one of my earlier pieces (originally created
in Finale 2000 but most recently edited in 2003 till now). In it I've found
2 bars of 5+3/8, which in retrospect would be infinitely more sensible in
4/4. I went to change the time sig accordingly, but when I come back
The time sig metatools as stated have been around for a while, though it
doesn't say much about them in the manuals - surprising since it's such a
useful feature, and I bet loads of folk don't know about them. For anyone
who doesn't know, metatools can be programmed and used in all of the
PROTECTED] Behalf
Of Colin Broom
Sent: Wednesday, March 24, 2004 12:58 PM
To: [EMAIL PROTECTED]
Subject: [Finale] Odd Time Signature problem (FinWin2k4)
I've just started re-formatting one of my earlier pieces
(originally created
in Finale 2000 but most recently edited in 2003 till now
I've spoken to a number of musicians recently, including a noted orchestral
conductor, and several composers who all seem to feel that the dynamic
'mezzo piano' is basically a meaningless dynamic, and they think it should
never be used. I've even heard one go as far as to say that the same is
The only way I can think to do this is to force the time signature to show,
and its cautionary using the measure tool, then create a staff style that
hides the time signature on those staves that you don't want the
cautionaries, then create a auto-positioning expression of the time
signature(
If one has a very low register part for tuba, using the lowest notes, does
anyone know whether tubists generally prefer to read leger lines or an 8ve
symbol? I'm guessing an 8ve symbol is better, but I know some
instrumentalists prefer to read leger lines, si I thought I'd see if anyone
here
]
Sent: 22 January 2004 11:31
To: Colin Broom
Cc: Finale List
Subject: Re: [Finale] Tubas and 8vb
I am a tuba player and I have rarely seen an 8ve marking in my
part...although it might be helpful. More often, I see what looks like a
divisi that shows the higher octave as well as the lower
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf
Of d. collins
Sent: 17 January 2004 20:39
To: [EMAIL PROTECTED]
Subject: Re: [Finale] Sound fonts and Mac
Thanks! It works fine. Now I'd like to find a nice continuo organ
soundfont.
Dennis
Have a look at
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf
when in Speedy Edit, scroll view, with say frame 36 active, when i hit
'Home', the display briefly flashes to m. 1, then resets to m. 36 on the LH
side of the screen. 'Home' behaves normally when no frame is
.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Colin Broom
Sent: Friday, December 26, 2003 6:46 PM
To: [EMAIL PROTECTED]
Subject: [Finale] Executable shape Bug? (FinWin2004)
Okay, I've finally decided to try to get my head round executable shapes
Okay, I've finally decided to try to get my head round executable shapes for
doing rallentando/accel type things, but it doesn't seem to be working right
in Finale 2004. Anytime I change the the values of the time or level scales
then go back to the score, when I go back into the expression
whatever key you want). The tuplet dialog box
comes up. Set it to 3 16ths in the time of 2, and any other settings you
need. Then when you hold down 3 and click on the first of any group, it
will turn it into 16th triplets, EVEN if you have an 8th followed by a 16th.
Colin Broom
Okay, I'm sure this has come up before, but I'm just wondering what folks'
feelings are on the usage of cautionary accidentals in non-tonal music.
I know that one approach is to display the accidental again if the note is
repeated following other pitches in the same bar, e.g.
| F# D# Fn B D# |
I'm getting two identical copies of every email from the list at the moment.
I checked my subscription options just in case it was something to do with
that, but it's not. Is anyone else having this problem, and what do I do to
alleviate it?
Cheers,
Colin Broom
On 22 Sep 2003 at 16:19, Randolph Peters wrote:
These new desktop monitors are out of my league, but I thought some on
this list might like to drool over them. You might not ever need to
turn a page again!
Actually, thinking about this a bit more, I'm just wondering about
the size of extra
On 22 Sep 2003 at 16:19, Randolph Peters wrote:
These new desktop monitors are out of my league, but I thought some on
this list might like to drool over them. You might not ever need to
turn a page again!
http://www.go-l.com/monitors/cinerama/specs/index.htm
-Randolph Peters
Very
- Original Message -
From: Johannes Gebauer [EMAIL PROTECTED]
To: Finale list [EMAIL PROTECTED]
Sent: Saturday, September 20, 2003 2:04 PM
Subject: Re: [Finale] TAN: avoiding SPAM and viruses
On 20.09.2003 11:14 Uhr, David McKay wrote
At the moment I am receiving a deluge of viruses
I'm think about transfering my Maestro default file from 2K3 over to 2K4.
Can anyone tell me if there's any vital functionality or great setting in
Finale 2004 that I will miss by doing this? I tried to use Forza to
transfer the settings, but it doesn't seem to want to work with 2K4.
Cheers,
Doing my weekly bunch of class notes, and I'm having some issues exporting
TIFF files out of Finale 2K4 (which finally arrived on Friday, having been
ordered from UK suppliers on 18th August) into MS Word. Most of the TIFFs
coming out have very visible flaws on them, in the form of occasional
- Original Message -
TIFF files frequently look bad in Word on screen but usually print OK. Did
you try printing them? Also, did you try to open them as tiff files using
an
imaging program such as Photoshop, Quicktime, or any photo viewing
software
in your computer?
Best,
Doug
I
- Original Message -
From: Aaron Sherber [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, September 14, 2003 3:31 PM
Subject: Re: [Finale] Problems Exporting TIFFs with Fin2K4
Just tried a couple of TIFs from 2K4, and they looked fine to me, both in
my image viewer and imported
- Original Message -
From: Tyler Turner [EMAIL PROTECTED]
To: Colin Broom [EMAIL PROTECTED]
Sent: Sunday, September 14, 2003 3:46 PM
Subject: Re: [Finale] Problems Exporting TIFFs with Fin2K4
If Aaron can't reproduce the problem with your files,
it's likely video card related. First
Pre-ordered Finale 2004 some weeks ago from a UK distributor, only to find
now out that they're not shipping it till 5th September. Really annoying.
Wish I'd gone with my first instincts and just ordered direct from Coda.
Colin Broom.
___
Finale
.
Colin Broom.
___
Finale mailing list
[EMAIL PROTECTED]
http://lists.shsu.edu/mailman/listinfo/finale
- Original Message -
From: Nick Carter [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, August 11, 2003 6:58 PM
Subject: [Finale] Ted Ross reprint
I'm talking to the publisher of The Art
of Music Engraving and Processing by
Ted Ross about a reprint and I wanted to
ask the list
- Original Message -
From: Tobias Giesen [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, August 08, 2003 5:59 PM
Subject: RE: [Finale] Finale 2004 Review
Unless
all the key figures die at the same time, there should be no situation
that
will make Finale 2004 unusable for the
feature requests
- Original Message -
From: Chuck Israels
Now, here's a question for programing literate folk: Is it a practical
idea to ask for the integration of horizontal scrolling without a cursor
click in the scrolling line...maybe using the arrow keys or integrated
scroll wheels
From: Brad Beyenhof [EMAIL PROTECTED]
As far as I know, Finale never guesses at stem direction in layers.
Layers 1 3 are always stem up when more than one layer is present,
and
layers 2 4 are always stem down under the same circumstances. If
only
one layer is present, it
- Original Message -
From: Eden - Lawrence D. [EMAIL PROTECTED]
To: Finale List [EMAIL PROTECTED]
Sent: Sunday, January 12, 2003 1:20 PM
Subject: [Finale] default
Is there a way to get Finale (Mac) 2k3a to default to scroll view instead
of page view?
Options MenuProgram Options,
Can anyone tell me if I am correct in assuming that as with any other
instrument, chord symbols (e.g. C7, Dm, etc.) in a part for a stradella
system accordion appear above the staff ? I wouldn't normally even question
this were it not for the fact that the individual who's music I am notating
has
- Original Message -
From: Nick Carter [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, January 04, 2003 6:44 PM
Subject: [Finale] 4'33
I was listening to a quiz on BBC Radio recently
and one of the questions revolved around a composer
using silence in a work and being sued by
- Original Message -
From: Nico Schliemann [EMAIL PROTECTED]
To: Sibelius List [EMAIL PROTECTED]; Finale List
[EMAIL PROTECTED]
Sent: Wednesday, December 04, 2002 11:02 PM
Subject: [Finale] OT: Books about Counterpoint
Hi all,
as I know that here are many composers around, I've got a
- Original Message -
From: One of the McKays [EMAIL PROTECTED]
I am intending to get a new computer next year. I have read horror stories
of problems with Windows XP and Music programs. Does it work OK with
Finale?
David McKay
[EMAIL PROTECTED]
http://members.ozemail.com.au/~musicke
- Original Message -
From: Crystal Premo [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, November 14, 2002 5:43 PM
Subject: [Finale] 5/4
I am going to spend a small amount of time teaching my actors about 5/4
time, but I despair that there simply cannot be a folk song or a
. Is there a plug-in that does this?
Cheers,
Colin Broom.
___
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu/mailman/listinfo/finale
- Original Message -
From: Dennis Bathory-Kitsz [EMAIL PROTECTED]
A tool to hide all accidentals in one pass. Yes? No?
(I'm converting an existing electronic accompaniment from a complex stream
to a 'reduced visual' and removing all clutter.)
Plug-insCanonic UtilitiesHide all
Fwd: Harpsichord built of LEGOs!Saw this a couple of weeks ago. Looks
great. A listen to the audio clip suddenly makes it clear why they don't
generally make harpsichords out of lego.
C.
- Original Message -
From: Andrew Stiller
To: finale list
Sent: Thursday, October 17, 2002 10:13 PM
to simply avoid collision with
another staff below, but it's not even that low a note in treble clef.
Interesting.
Colin.
Colin Broom, composer
[EMAIL PROTECTED
Ok, this is a new one on me. I'm putting in a bass clarinet part at the
moment (in transposed pitch), and I can't seem to insert a bass clef in one
particular bar. It just seems to refuse to display, no matter what settings
I choose, even if I haveAlways show Clef, or place the clef before or
for this instrument).
Aha! That did it. Thanks. As to your thoughts regarding using bass clef
for bass clarinet, I thought the same thing, but I'm just following the
score - it's not my music.
Colin Broom, composer
be grateful.
Regards,
Colin.
Colin Broom, composer
[EMAIL PROTECTED]
___
Finale mailing
On an orchestral score, how can I get the two or three numbers to the right
of the instrument name (for example if there are 2 clarinets) so that the 1
is directly above the 2 (and 3 if necessary)?
E.g.-
clarinet 1
2
but with clarinet centred obviously.
Anyone know? I can't for
- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, September 25, 2002 6:45 PM
Subject: Re: [Finale] ?instruments 1 2
Maybe I'm misunderstanding what you mean, but could you not achieve this by
renaming the staves to 1 and 2, then grouping the staves
information and
a FAQ section about soundfonts.
Colin Broom, composer
[EMAIL PROTECTED]
___
Finale
on tied notes; show cautionary natural after octave displacement
(e.g. G#4 followed by Gnat5), do not show on repeated notes, etc
Colin.
Colin Broom, composer
e-mail: [EMAIL PROTECTED
another way of working.
Regards,
Colin.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
___
Finale mailing list
of that and prove very handy, IMO.
Colin.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
OK, I'm sure there must be a way of doing this, but I can't find it (I've
looked in the OLD). How do I get hidden notes in another layer to playback?
Cheers,
Colin.
Colin Broom, composer
e
.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
- Original Message -
From: Johannes Gebauer [EMAIL
.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
___
Finale mailing list
[EMAIL PROTECTED]
http
in less than half a minute.
Or use the MIDI tool, scale either velocities or volume, depending on the
desired effect. Not that hard, and achieved equally quickly.
Colin.
Colin Broom, composer
e
.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
___
Finale mailing list
as well.
Colin.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
___
Finale mailing list
[EMAIL PROTECTED
.
Colin Broom, composer
e-mail: colin.broom@Cb7#9strath.ac.uk
(To reply, omit the Cb7#9 chord from the e-mail address)
Invention Ensemble: www.inventionensemble.com
users) Use the easy MIDI option in Jari's Forza
plug-in.
Do bear in mind that this will affect all staves set to that particular MIDI
channel.
Colin.
Colin Broom, composer
e-mail: [EMAIL
tuplet options.
Colin.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
situations.
Aha! Thanks for that.
Colin.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
very pissed off, and I know several others that will be too.
Windows users apparently make up about 40% or more of Emagic's revenue.
That's a lot of people.
Colin.
Colin Broom, composer
e-mail
, but was wondering what
everyone else thought.
Cheers,
Colin.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
widow contacted this list to inform everyone.
Regards,
Colin.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
Is there a way to copy a textblock from one page to another?
Johannes
Jari's Forza! text block manager plug-in will do this, even between
different files.
Colin.
Colin Broom, composer
e
this pretty well. (I haven't
tried Philip's Text Editor, as its only available for the Mac :-( ).
Colin.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
___
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu
.
Colin Broom, composer
e-mail: [EMAIL PROTECTED]
www.inventionensemble.com
___
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu/mailman
can create another
staff style.
For the items that cannot be hidden via staff styles, there are several
other methods of hiding individual items.
Colin.
Colin Broom, composer
e-mail: [EMAIL
Tackling spam is a real pain. I got so much of it I started taking some
extreme measures with my filters.
Initially, I highlighted key phrases that would appear in message bodies,
such as with 'REMOVE' in the subject, To be removed from further
mailings, click on the link below, THIS IS NOT
input the smaller
group as eighth notes, you'll find this solves your problem. To notate them
as 16th notes is incorrect; it doesn't add up.
Colin.
Colin Broom, composer
e-mail: [EMAIL PROTECTED
75 matches
Mail list logo