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Dear Friends,
Apologies for sending this so late. If you have any questions, please contact
me directly at dola...@fiu.edu.
Best wishes to you all,
David Dolata
AMS Louisville 2015
Call for Performances
Deadline: 15 January 2015
The AMS Performance Committee invites pr
A notable characteristic of many Piazzolla tangos is that they are not
intended for dancing. That is a contributing factor to the many death
threats that he faced during his lifetime.
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi..
Dan;
For that Dupont estate hazard, you could have done what the famous
pianist, Jon Nakamatsu did the last time I saw him-he walked on stage
carrying a fire extinguisher. Really. Of course, that was after the
auditorium had been cleared by a fire alarm false alert and the conce
>It would naturally take time
>for these sort of changes to be reflected outside France, especially in
>England soon after the trauma of the interregnum, so conservative Mace
>and English composers like Locke would still be thinking about the
>earlier faster type of the dance ev
>> You write 'If that was so (and I can easily imagine it was so),
>> then what about Mace's grave galliards?'
> What is the precise difficulty you have with 'Mace's grave galliards' ?
No difficulty with the pieces themselves. Fine pieces, grave and solemn, and I
like each of them. The difficul
On Dec 19, 2014, at 2:48 PM, Mathias Rösel wrote:
> Mace offers quite precise instructions how to perform his sarabands and his
> galliards.
Mace writes on page 129 of Musick’s Monument:
"Galliards, are Lesson of 2, or 3 Strains, but are perform'd in a Slow, and
Large Triple -Time; and (comm
All,
Forgive me if this has already been posted, but I find it interesting that as
late as Burwell, the sarabande played on the lute may be used for dancing:
"To make people dance with the lute it is improper; it is true that a young
lady may dance the saraband with her lute, and that is all."
