Dear Luca, dear David, dear Howard,
thanks for the infos!
It is indeed interesting- checking the lautenweltadressbuch database,
entering "G" as type and looking for instruments with more than, say,
80 cm long petit jeu, I could only find the Berlin instrument by Koch
and the
Dear Colleagues,
I kindly invite those of you who are in NL on my Fringe recitals at
Utrecht Oude Muziek festival next weekend!
My program calls "Portraits of the Renaissance". âPortraits' means
here not only specific english genre of musical portrait (like «Queen
Elizabeth
The London Pro Musica editions of then-popular pieces with divisions by
Bassano (with lute tablature) are particularly good.
Jim Stimson
-Original Message-
From: David van Ooijen
Cc: lutelist Net
Sent: Sat, Aug 17, 2019 4:15 pm
Subject: [LUTE] Re: Lute + recorder
Of course,
I immediately checked which piece you are playing here :
It is No. 27b in my edition, Dd.2.11, f. 89r
I noticed that you ignore almost all those "ornaments" in this pieces (in my edition I
have omitted all "ornaments").
Today I would probably include them with an appropriate
Hi All,
I have a new 7c lute for sale. To see and hear it:
www.luteshop.co.uk/forsale
Best wishes to All,
Martin
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Dear Magnus,
thank you for all these interesting points. Personally, I fully
agree (as you may have noticed from my remark about all these theorbos
showing 8 fretted single courses...)
I think I saw the seven course Koch theorbo in Berlin, being now nearly
ein Berliner, I
Dear Luca,
Yes, I forgot to write, I also own a copy of Schelleâs 1728 instrument,
made by Ivo Magherini. Tuned in d minor, as you mention, without the
high f course, it's an extremely effective instrument which works
fantastic for the German late baroque repertoire. Highly
> On Aug 18, 2019, at 10:22 AM, David Van Edwards
> wrote:
>
> There are of course several luiti attiorbati in
> Paris with 7 fingered courses but one of them
> looks a bit theorbo-ish and might be the one
> you're thinking of. It's anonymous E.25 (C228) 13
> courses 1x1, 6x2 @ 710mm +
Dear Howard,
The Tielke is a bizarre German baroque swan neck
style job with an extremely long neck probably
the result of a conversion by Bachmann in 1760.
The Tieffenbrucker is another swan neck
instrument resulting from a conversion possibly
by Fux though 1696 is a bit early unless it
Dear Luca, Magnus and Howard,
There are of course several luiti attiorbati in
Paris with 7 fingered courses but one of them
looks a bit theorbo-ish and might be the one
you're thinking of. It's anonymous E.25 (C228) 13
courses 1x1, 6x2 @ 710mm + 6x2 @ 1090. Joël's
catalogue thinks it was
I'm not sure if it was stated earlier, but actually Campion makes his teacher
Maltot (who is, apart from the appearance in Campion's treatise, completely
unknown) responsible for having invented the theorbo with 8 strings/courses on
the fretboard, most possibly resulting from the invention of
Thank you, Yuval: you're absolutely right. I'm always been really
curious about poor Monsieur Maltot, about whom we know absolutely
nothing, besides François Campion's citation...
Attivato Sun, 18 Aug 2019 18:43:17 +0200 Yuval Dvoran
ha scritto
I'm not sure if it was
[1]My site has the ornaments.
--Sarge
On 8/18/2019 02:29, Rainer wrote:
Of course,
I immediately checked which piece you are playing here :
It is No. 27b in my edition, Dd.2.11, f. 89r
I noticed that you ignore almost all those "ornaments" in this
pieces (in my
As Rainer noted in his edition, Holmes often used the # sign to cross
out an unwanted note, or to indicate an error, so we cannot assume that
they are all ornaments. As he says, sometimes it is not at all clear
what they are. Sources where there are lots of ornaments (Board, ML,
etc) give us
Louise Gottsched, who wrote the first biographic article about S. L.
Weiss in her husband' BIG "Handlexicon" ("Handlexikon oder kurzgefaÃtes
Wörterbuch der schönen Wissenschaften und freyen Künste", Leipzig:
Gleditsch, 1760), defines the swan neck lute as "theorbieret" (if I
I couldn't help but play this piece...
Sounds like the Galliard is built on the same model as Can Shee Excuse.
On 18.08.19 22:13, Martin Shepherd wrote:
As Rainer noted in his edition, Holmes often used the # sign to cross
out an unwanted note, or to indicate an error, so we cannot assume
> On Aug 18, 2019, at 2:06 PM, David Van Edwards wrote:
>
> The Tielke is a bizarre German baroque swan neck
> style job with an extremely long neck probably
> the result of a conversion by Bachmann in 1760.
>
> The Tieffenbrucker is another swan neck
> instrument resulting from a conversion
Dear Luca,
That's an interesting reference and clearly the
term was commonly used in that way since there's
even a label in the Unverdorben swan-neck lute in
Fenton House which reads:
Marx Unverdorben in Venetia 158-
[illegible] 161-
Gabriel David Buchstetter Lauden und /
Geigen-Macher zu
Hi all,
Here is a video of me playing my new piece on the baroque lute I built.
You shall notice that I am (mostly!) playing thumb out near the bridge.
Susan
[1]Introduzzione and Allegro by Susan Price (Lute)
[youtube.png]
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