Date: Mon, 5 Feb 2001 23:25:34 +0100 (MET)
From: Werner Icking [EMAIL PROTECTED]
On ...
And Acrobat need not to be downloaded? It's of similar size
for download and bigger if installed and slower if run -
at least on my system, where I have complete Acrobat and
not only the Reader.
... I
Date: Mon, 5 Feb 2001 10:25:27 +0100 (MET)
From: Bernhard Lang [EMAIL PROTECTED]
In my configuration ghostscript produces pretty nice pdf-output (from
ps-files)
the shell script
-
[...]
gs -sDEVICE=pdfwrite -sOutputFile=$1.pdf -dNOPAUSE $1.ps quit.ps
# end of make-pdf
-
From: Laura Conrad [EMAIL PROTECTED]
Date: 05 Feb 2001 07:58:56 -0500
"Robin" == Robin Fairbairns [EMAIL PROTECTED] writes:
of course, you _can_ print it, often quite satisfactorily. but with
bitmapped fonts you might just as well have stuck with the original
postscript -- you gain
Date: Mon, 05 Feb 2001 17:56:21 +0100
From: Christian Mondrup [EMAIL PROTECTED]
[...]
ghostview (gv) displays pdf files thus produced with the same (quite
acceptable) screen rendering quality as dvipdfm produced files. But that
is not the case with Acrobat Reader used by hosts of web users.
From: H Boothroyd [EMAIL PROTECTED]
Date: Fri, 26 Jan 2001 10:57:13 + (GMT)
I would be grateful for brief comment on whether MusiXTeX, or some variant
of it, can be used or adapted for use with OzTeX under Mac OS9.
MusiXTeX, PMX and M-Tx are available for Mac, too:
.
Changes:
- T.101 repeat/volta handling enhanced by Don Simons and Werner Icking
The layout of voltas was damaged some versions ago. Trying to repair
this we detected that it never really worked ok in all cases. Now we
hope that it works well in all the many, many cases. As a sideeffect
Date: Thu, 18 Jan 2001 10:55:32 -0800
From: "Alexander V. Voinov" [EMAIL PROTECTED]
Can one now specify voltas in a meterless score?
Voltas and meter are completely independent.
Voltas are connected to start or end of a bar. But - as my example
volta.tex shows - there is no need for a bar
From: "Sander, Martin" [EMAIL PROTECTED]
Date: Mon, 15 Jan 2001 09:31:35 +0100
I am wondering whether there is a possibility do export a musixtex-score
to midi. I have skimmed through my database of postings but cannot find
anything in this direction?
The newest PMX versions (maybe only
From: "Michael Koenig" [EMAIL PROTECTED]
Date: Wed, 10 Jan 2001 10:22:07 +0100
here is the mtx-file from which I created a pmx-file.[...]
I've also attached the pmx-file just in case.
When I run scor2prt (On Win98, scor2prt for PMX Version 2.0, 18 April 99)
This is an out-dated version.
From: "Michael Koenig" [EMAIL PROTECTED]
Date: Wed, 10 Jan 2001 10:22:07 +0100
here is the mtx-file from which I created a pmx-file.[...]
I've also attached the pmx-file just in case.
When I run scor2prt (On Win98, scor2prt for PMX Version 2.0, 18 April 99)
[...]
Your version is a little
From: "Michael Koenig" [EMAIL PROTECTED]
Date: Tue, 9 Jan 2001 10:49:04 +0100
I have set a 8-system-piece. It has 3 pages with 3/3/2 systems.
How did you typeset the piece? PMX? MusiXTeX?
Now, on the pages 1 and 2 the vertical space between the systems is much
too large for my taste. On
From: "David Gonz+AOE-lez" [EMAIL PROTECTED]
Date: Thu, 4 Jan 2001 19:58:36 -0400
Hello, I've received more than once a file with subject: +ACI-Snowhite
and the seven dwarfs, the Real story+ACEAIg- Its, a virus, maybe it's
because someone in the list has it and is being sent to the adresses
Dear M-Tx users,
Szabo Zsolt developed a patch for M-Tx 0.52 which catches a bug that
the sol-fa translation of M-Tx was wrong. The patch is "approved" by
Dirk Laurie. Christian Mondrup helped to compile the DOS-Exe.
Thanks to all!
See:
From: Guido Milanese [EMAIL PROTECTED]
Date: Thu, 14 Dec 2000 15:33:17 +0100
[...]
In fact the preamble dose not say
\input musixlyr
as in my old Dos-compiled files. I added this line by hand in the tex file,
but the result was a file correctly compiled but with no text.
It would be
Date: Fri, 01 Dec 2000 19:05:13 -0800
From: "Alexander V. Voinov" [EMAIL PROTECTED]
[...]
I have run pmx on a source which occurred on a network drive, and just
what I got:
forrtl: The mounted file system does not support extended attributes.
I copied xyz.pmx to h:\ which is a network
Date: Wed, 29 Nov 2000 02:32:11 + (GMT)
From: Howard Gilbert [EMAIL PROTECTED]
Very often I find I want to write (accompanying) parts with staccato notes
alternating with rests. Is there a way to do something like:-
a o.: r a r | a r a r | a r a o: r /
without getting staccatos
Date: Sat, 25 Nov 2000 19:39:25 +1030 (CST)
From: David Purton [EMAIL PROTECTED]
\\\settrebleclefsymbol{2}\treblelowoct\
\\\grouptop14\groupbottom11\
L2Mcn42345btttr-
[...]
I'm using a treble clef with an 8 under it (whatever the technical term
is) for the tenor part.
When I was trying to specify appropriate metronomic specifications
for my edition of Bach's Suites for Cello solo, I measured some
recordings, e.g. by Schiff, Yo-Yo Ma, Maisky and others. I observed
deviations from factor 1.3 up to factor 2.2 for a single movement.
This is more than 2!
And if a
From: "M. Lazanowski" [EMAIL PROTECTED]
Date: Mon, 20 Nov 2000 17:45:42 +0100
is it possible to code something like
With MusiXTeX everything is possible :-)
With PMX and MusiXTeX's help everything is possible :-)
3
_
|_|_|_|
| |_| |
| | | |
| | | |
x x x x
, which should
Date: Wed, 15 Nov 2000 10:54:48 +
From: Miguel Filgueiras [EMAIL PROTECTED]
I have read somewhere that the metronomic indications by Schumann
have also caused controversy. Does anyone know the details?
Searching "metronom schumann" with http://google.com resulted in
From: Arjen Bax [EMAIL PROTECTED]
Date: Mon, 13 Nov 2000 16:38:28 +0100
I received my own question 7 times from the list. Is there something wring
with my mail agent (M$ Outlook) or with the list agent at gmd.de?
There are email addresses on the list which cannot be reached either
From: HEINECKE Johannes FTRD/DMI/LAN [EMAIL PROTECTED]
Date: Fri, 27 Oct 2000 11:35:11 +0200
Don wrote:
By giving the user this override capability, I obligated myself
to explain the whole mess in the manual. [...]
So I could use this messy option :-)
how do I activate it?
It's
Date: Fri, 27 Oct 2000 12:02:25 -0300 (ADT)
From: Pantelis Andreou [EMAIL PROTECTED]
Hello everyone,
There has to be a better way to write the following code with
musixtex, using a triolet indication and a bracket.
\startpiece
\Notes\sk\uptext{\kern .6in \raise -.7in \hbox{4}}%
Instead
Date: Tue, 31 Oct 2000 09:48:27 -0400 (AST)
From: Pantelis Andreou [EMAIL PROTECTED]
when I try to execute the tex file there is a referrence to musixmad.tex
which I can't find anywhere.
musixmad.tex is part of standard MusiXTeX ... IIRC since it's very
beginning. So it should be there
From: "Simons, Don" [EMAIL PROTECTED]
Date: Sun, 15 Oct 2000 10:09:15 -0700
This looks pretty deep, and I don't have a quick solution. It's either a
problem with MusiXTeX, or (more likely) with something PMX does at the
movement break involving the macros \newnoi or \newmovement (in
Date: Thu, 12 Oct 2000 12:12:10 +0200
From: Christian Mondrup [EMAIL PROTECTED]
Werner Icking wrote:
http://www.gmd.de/Mail/mutex-archive/3357.html
I had a few problems with this solution and ended up with another one
provided during that discussion thread by Don Simons
From: "Petr Felzmann" [EMAIL PROTECTED]
Date: Wed, 27 Sep 2000 11:53:41 +0200
[... from the log-file ...]
Underfull \hbox (badness 1) in paragraph at lines 23--31
[][] [][][][][]
\hbox(94.59998+0.0)x739.77165, glue set 724.28833 []
\inline=
Date: Sun, 24 Sep 2000 11:24:29 +0200
From: Reinhard Katzmann [EMAIL PROTECTED]
Dear list members,
If you are astonished about my previous mail because you didn't
see the original, that's no wonder, because it didn't make it
to the list, because Reinhard Katzmann posted it using an
email
Date: Sun, 24 Sep 2000 11:24:29 +0200
From: Reinhard Katzmann [EMAIL PROTECTED]
I uploaded new RPMS (Binaries and Sources) for Linux and
all other Systems supporting the RPM package format. The
binaries are for Pentium Class (i586 and higher) Systems
(currently at
From: "M. Chapman" [EMAIL PROTECTED]
Date: Tue, 19 Sep 2000 15:22:17 +0200
This message is long. [...]
To make a long story short: PMX's blank rests solve the problem as
I discussed it with Mike.
Instead of MusiXTeX and tabdef.tex
\notesp\tab40\ql d\en
Date: Wed, 20 Sep 2000 14:17:08 +0200 (MET DST)
From: Werner Icking [EMAIL PROTECTED]
I'm sorry about a two typos in my previous mail. Instead of
"\tabsav{##1}{##2}" please read "\tabsav{#1}{#2}":
With following redefinition:
\\let\tabsav\tab\
\\def\tab#1#2
Date: Wed, 30 Aug 2000 22:21:29 -0700
From: "Alexander V. Voinov" [EMAIL PROTECTED]
1. Is there a manual on musixflx, and are there command line options for
it at all?
Jein - that's German slang for yes and no. There is no manual on musixflx
but the command line options to make musixflx
Hello Mike,
did you look up the mailing list's archive for tabulature?
You find it at http://www.gmd.de/Mail/mutex-archive/
Did you see that there is something about tabulature on
http://www.gmd.de/Misc/Music/ under MusiXTeX add-ons?
MuTeX was the first package for typesetting music with TeX
Date: Wed, 30 Aug 2000 11:12:51 -0700
From: "Alexander V. Voinov" [EMAIL PROTECTED]
I've come across a real example, which contains an accidental in
parenthesis (don't know [the English for] its musical name). I use M-Tx,
cautionary accidental
which is great for the type of music (vocal)
From: "Michael König" [EMAIL PROTECTED]
Date: Wed, 28 Jun 2000 09:12:10 +0200
I need triolets in my piece written in mtx, but in can make it.
PMX-syntax for a quarter note divided into three is:
c4x3 c c
More details on n-tuplets can be found in the PMX documentation and
in the PMX
From: "Michael König" [EMAIL PROTECTED]
Date: Tue, 27 Jun 2000 10:41:00 +0200
Now I have another question. I have the following
f8 f r f f // a8+ f r c+ za a
In my opinion the two rests (one over the other) look ugly. Is there any
possibility to have only one rest?
PMX offers
From: "Simons, Don" [EMAIL PROTECTED]
Date: Thu, 22 Jun 2000 14:37:21 -0700
Im editing some music for publication I just noticed what appears to be a
small but persistent flaw in MusiXTeX. When a slur extends over a line
break, its starting point (before the line break) seems to be
eitergeben.}%
\def\crtexten{Draft (\number\year\number\month\number\day\the\time) -- please don't
distribute.}%
\def\cryear{#1}\setfootline}
\def\snailaddr{Werner Icking, D-53721 Siegburg, Farnweg 28}
\def\mailaddr{[EMAIL PROTECTED]}
\def\httpURL{http://www.gmd.de/Misc/Music/}
\def\ftpURL{ftp://ftp.g
From: "Henk Metselaar" [EMAIL PROTECTED]
Date: Tue, 20 Jun 2000 10:39:15 +0200
[...]
I understand a preprocessor can assist me here. Currently I just
want to write out sheet music for my instrument, trumpet. Which
pp should I use, then and where can I get it?
From: "Luc Saffre" [EMAIL PROTECTED]
Date: Wed, 14 Jun 2000 20:31:46 +0200
[...]
One "important" problem remains with this sheet: the \caesura is placed in
the middle between the two breves. But I want it to be just in front of the
second breve. Any idea?
The MusiXTeX-definition of
Date: Thu, 15 Jun 2000 16:27:23 +0200
From: Christian Mondrup [EMAIL PROTECTED]
[...]
Here is my suggestion for a typesetting of the hymn:
Title: Litanei nach dem Hymnus Akathistos
% Composer: m\"undl. \"uberliefert
SAB: Voices V1,V2 V3; Choral; Clefs G F
... and when can I store it
From: "Michael König" [EMAIL PROTECTED]
Date: Wed, 14 Jun 2000 13:22:31 +0200
When I have a flats-change (1 flats to 0 flats) directly after a repeat
sign, the horicontal space between the
repeat-sign and the neutral-sign is to small. see the example: Any ideas?
In this case PMX clobbers a
Date: Fri, 9 Jun 2000 09:26:07 +0200 (MEST)
From: Joerg Anders [EMAIL PROTECTED]
On Wed, 7 Jun 2000, Werner Icking wrote:
[...]
If something can be done with "MusiXTeX" or "PMX on top of MusiXTeX",
then it should be done (imho) with PMX, because it's real
Date: Wed, 7 Jun 2000 19:32:38 +0200 (MEST)
From: Joerg Anders [EMAIL PROTECTED]
There are more systems than bars.
[...]
But more surprising: If I delete one of the (absolute identical)
measures all works:
[...]
Is it my error?
Yes and no. PMX does not like input lines longer that 128
From: "Michael König" [EMAIL PROTECTED]
Date: Tue, 6 Jun 2000 16:43:47 +0200
when I use pmx or mtx and have more the x systems, the space between the
systems will be streched vertically.
I know this is a feature and not abug, but I don't like this behaviour and
think it is very annoying.
From: "David González" [EMAIL PROTECTED]
Date: Wed, 24 May 2000 18:33:50 -0300
How can I define margins? for example, I wan't 1.7 cm on the right,
left, upper and lower margins. How can I get that?
e.g. for A4-size paper (210mm x 297mm):
\hsize 210mm\advance\hsize -34mm\hoffset
Date: Thu, 25 May 2000 12:18:36 +0200 (MET DST)
From: Werner Icking [EMAIL PROTECTED]
[...]
If you want to have a standard footline omit "\nopagenumbers" and add
"\advance\vsize 24pt" behind the definition of the page.
^^^
"\advance\vsize -24pt&qu
Date: Wed, 10 May 2000 14:05:25 +0200 (MEST)
From: Bernhard Lang [EMAIL PROTECTED]
[...]
Actually, this is not a problem of \changecontext but a problem of extra
space in your MusiXTeX file at the line ends. Line end characters are
translated into space characters by TeX. This may add some
From: "Jim Youngman" [EMAIL PROTECTED]
Date: Tue, 2 May 2000 22:19:01 +1000
I am new to MusiXTeX and have written code with the intention of producing
two triplets of quavers. In the second triplet, the beam is falling short of
the final note. Can someone tell me what is wrong with the
From: "Silas S. Brown" [EMAIL PROTECTED]
Date: Wed, 26 Apr 2000 22:14:45 +0100 (BST)
[...]
Yes, this is the problem, sorry. However, the PMX documentation is
slightly scant on the meaning of "relative accidental" - does it mean
that if I wanted a B natural in a flat key I would have to say
Date: Wed, 26 Apr 2000 22:40:11 +
From: HowardGilbert [EMAIL PROTECTED]
If you have a (partial) pickup bar which should not be repeated, make
it to a real first bar if you want to produce MIDI. Here is an
untested shortened example with 3/8th pickup with meter 4/4
1 1 3 8 4 4 0 0
...
Date: Wed, 26 Apr 2000 10:03:34 +0200
From: Christian Mondrup [EMAIL PROTECTED]
"Silas S. Brown" wrote:
Does anyone know how to make PMX print in the 24-point or 28.8-point
size (MusiXTeX's \largemusicsize and \Largemusicsize)?
Add \\Largemusicsize\ in front of the first input block:
From: "Silas S. Brown" [EMAIL PROTECTED]
Date: Wed, 26 Apr 2000 12:50:45 +0100 (BST)
Werner Icking writes:
w132m h175m
\\Largemusicsize\hsize 190mm\vsize 251mm\
This works nicely for parts. It goes slightly wrong with scores
though - when I tried it on a 3-part sc
From: "David González" [EMAIL PROTECTED]
Date: Wed, 12 Apr 2000 07:31:11 -0600
How can I change the position of the \upbow\ symbol when I
use it in front of a note in PMX, It comes at a wrong vertical position.
It's only a name for the symbol like ordinary text. Use it with
Date: Mon, 10 Apr 2000 10:09:47 +0200 (MEST)
From: Bernhard Lang [EMAIL PROTECTED]
[...]
Ok, I think, my question was too short. What I would need is a change of
spacing just within a few bars which do not even fill a line. So
"compressing" just by changing the number of bars within that
Date: Mon, 3 Apr 2000 09:23:52 +0200 (MEST)
From: Bernhard Lang [EMAIL PROTECTED]
musixflxing some music I get the following on the screen
musixflex 0.83/T.63dt+jh.2
... decoding command line
... open mv.mx1 for input
... testing versionnumber
... open mv.mx2 for output
...
Date: Mon, 27 Mar 2000 23:52:13 +
From: HowardGilbert [EMAIL PROTECTED]
[...]
I now find that dvi output from PMX/Musixtex is totally devoid of lines. All
noteheads, clefs and text are there but no stave lines no barlines and no stems
on notes. I think the problem lies in teTeX rather
Date: Fri, 24 Mar 2000 13:35:49 -0600
From: "Eric Petersen [Aero]" [EMAIL PROTECTED]
On Fri, 24 Mar 2000, Michael Hierweck wrote:
\rightrepeat\Endpiece
Try \endpiece (lowercase doesn't give the heavy final double bar).
That's not sufficient.
\rightrepeat generates a rightrepeat as bar
Date: Sat, 25 Mar 2000 12:33:14 +0100
From: Christian Mondrup [EMAIL PROTECTED]
[EMAIL PROTECTED] wrote:
Does MusiXTeX provide a means of writing chord names above the bars in the
style of Jazz "Lead Sheets," as in the Real Book etc.
if by "lead sheet" is meant tablature style chord
From: "Andre Van Ryckeghem" [EMAIL PROTECTED]
Date: Mon, 27 Mar 2000 17:40:29 +0200
I need help for making a xtuplet with 12 notes. There are no
problems when using the normal notesize (first mesure).
I like that solution most.
1.
i can not move the number 12 to the right more than 1
From: "David González" [EMAIL PROTECTED]
Date: Tue, 28 Mar 2000 01:17:40 -0600
Can someone tell me why I get this (DVI files comes with the mail)
pmxab didn't told me anything, but Texing it I got some error messages.
Please send the PMX-file. Please don't send DVI-files to the list
unless
From: "Silas S. Brown" [EMAIL PROTECTED]
Date: Wed, 22 Mar 2000 20:30:25 + (GMT)
Is there some way of putting individual musical symbols in text
documents, without having to figure out how to write a hundred lines
of MusiXTeX? Eg. if I wanted to say "B-flat", with a proper flat
sign,
Date: Tue, 14 Mar 2000 16:27:26 -0600
From: "Eric Petersen [Aero]" [EMAIL PROTECTED]
On Tue, 14 Mar 2000, Werner Icking wrote:
It would be interesting to convince PMX to do that using inline-TeX :-)
And what is wrong with
\\setsign1{2}\
in the first music paragr
Date: Tue, 14 Mar 2000 18:01:43 +
From: Nigel Warner [EMAIL PROTECTED]
Well, to answer my question Page 48
Next question - what does \changecontext do ?
42?
I'm sure the answer is in musixdoc.dvi, too.
After defining a new context (e.g. by setting new signatures,
clefs,
From: "Andre Van Ryckeghem" [EMAIL PROTECTED]
Date: Thu, 9 Mar 2000 15:32:35 +0100
I know that something like "Tt+n" and "h+n" worked for me in some PMX-sources
but when I tried to make an example for you, I failed. Imho may "Tt+n" be
used to add some space (n internote) between the end of the
Date: Tue, 07 Mar 2000 23:27:07 +0100
From: [EMAIL PROTECTED] (Rainer aus dem Spring)
[...]
I have lost the link to the pmx-to-MIDI program.
Anybody got it?
The latest "official" beta-test release can be found at
http://www.gmd.de/Misc/Music/ look for PMX and "test-version".
There
Date: Wed, 01 Mar 2000 14:58:30 +
From: Nigel Warner [EMAIL PROTECTED]
[...]
I would like to use Musixtex to create small examples, a couple of
bars long or possibly more.[...]
My objective is to use TeX to generate a DVI and then process it
through Dvips to Postscript and
Date: Fri, 25 Feb 2000 16:42:31 +0100 (CET)
From: Christof Biebricher [EMAIL PROTECTED]
[...] 1/128 is certainly not common, but if a guru finds a way to write
them, let me know. I had already an occasion where I had to cheat because
I could not set it.
They are part of musixbm.tex:
From: Dirk Laurie [EMAIL PROTECTED]
Date: Mon, 28 Feb 2000 17:53:04 +0200 (SAST)
Consider the following PMX input file:
As long as the file does not start with "---" there's nothing
to consider :-(
\let\:=\relax\input musixtex\:\sepbarrules\input pmx
\input musixlyr\:\enableauxlyrics
From: "nitadori" [EMAIL PROTECTED]
Date: Thu, 24 Feb 2000 12:45:44 +0900
What I want to raise or lower is \PAuse, not \pausepp nor \pause.
The musix-fonts do not contain the characters neccessary to lift
a \PAuse. The following may help although it's a misuse of musixchar 26,
which is an
From: "nitadori" [EMAIL PROTECTED]
Date: Wed, 23 Feb 2000 09:46:38 +0900
[...]
"r9+1" in PMX, the output was "\liftpausepp{1}".
So I tried to raise it like this.
\\def\liftpausepp#1{\raise#1\Interligne\PAuse}\
But when you put this rest symbol above or below the staff, there is a
need for
Date: Mon, 21 Feb 2000 19:46:16 -0600
From: "Eric Petersen [Aero]" [EMAIL PROTECTED]
Just a slight misunderstanding: relative accidentals are relative to the
scale in the untransposed music. (That may not make much sense. [...]
O, no! Imho it's one of the most powerful logics in MusiXTeX
Date: Fri, 18 Feb 2000 23:56:58 +0100
From: taupin [EMAIL PROTECTED]
Can somebody give an answer for PMX
Diego Gonzalez wrote:
Mr Taupin:
I wan't to know what files I need to use PMX and
MusixTeX on a Win98 system, and what I have to do to run PMX, Where I
can
Date: Mon, 21 Feb 2000 14:20:02 -0500
From: Chris De Angelis [EMAIL PROTECTED]
Yeah, I knew that Rosegarden does this, but that's just the thing - I
don't want to have to edit the results. (I'm lazy!) I want it all just
to work in some kind of batch conversion process, like I was
Date: Wed, 16 Feb 2000 12:59:09 +0100
From: bastian [EMAIL PROTECTED]
MusiXTeX and PSTricks are good friends !
PMX and PSTricks, too :-)
PS: and it works! I'm already figuring out how to
use it with PMX :-)
1 1 4 4 0 6 1 1
1 3 20 0
t
./
\\input pstricks % requires pstricks.con,
From: "Simons, Don" [EMAIL PROTECTED]
Date: Sun, 13 Feb 2000 09:39:54 -0800
Thanks for the provocative post. The information in the link is very
interesting. And I did not realize MusiXTeX had a French violin clef.
[...]
(4) Even if we could figure out how to insert the right spacings
Date: Wed, 09 Feb 2000 23:36:56 +0100
From: Guido Milanese [EMAIL PROTECTED]
[...]
(2) for complicated music (in my case, one of the versions of the
hispanic "Sibyl chant") I did as follows:
[...]
-- edited directly the TeX file, commenting all the "xbar" statements
and the "tempo" at the
Date: Tue, 08 Feb 2000 10:20:33 +
From: Miguel Filgueiras [EMAIL PROTECTED]
I have the following problem with musixflex: when processing a
small example consisting of 3 similar lines it gives an error
that does not appear when processing only the first line.
[...]
musixflex
From: "Simons, Don" [EMAIL PROTECTED]
Date: Fri, 4 Feb 2000 15:09:51 -0800
[...] In addition or perhaps as an alternative you might replace
all \xbar commands by \zbar (\\let\xbar\zbar\let\alaligne\zalaligne\); I'm
not sure what that would do to horizontal spacing. [...]
In rare cases
Date: Tue, 01 Feb 2000 20:52:55 +0100
From: Christian Mondrup [EMAIL PROTECTED]
I suggest yet another feature:
The basar is open? :-)
when a score contains octaved (up or down) staves the MIDI data generation
doesn't yet reflect that. But it would be really nice if it did !
If you don't
Date: Fri, 21 Jan 2000 15:14:06 +
From: David Bobroff [EMAIL PROTECTED]
[...]
%%%PMX FILE%%%
% Canzon V (1615)
7 7 4 4 4 4 0 0
4 12 16 .1
Trumpet 7
[...]
The first line of the PMX file is already dangerous, if you want to
use scor2prt with this PMX-file.
If scor2prt detects "%%" at
Dear Subscribers,
since we use the new mail system and the new majordomo version we
detected that in the past a lot of bounce messages didn't reach me as
mutex-owner. So there now is a long list of subscribers which I will
remove after some days because mails to their email addresses
bounce.
Date: Thu, 6 Jan 2000 20:35:59 +0100 (MET)
From: Stefano Taschini [EMAIL PROTECTED]
___ ___ I
3 || | | I || | | I
8 e. e e e I e. e e e I
Anyway if I'm not mistaken, there are 6/8 in a bar that
is declared as
Dear List members,
GMD, the sponsor of this list, will change it's mailing facilities
within the next days, maybe in the next hours. We hope that this will
go without any trouble for this list. Nevertheless it's possible that
there will be some problems. I'm sure that we will notice most
Date: Sun, 12 Dec 1999 10:45:25 +0100
From: Christian Mondrup [EMAIL PROTECTED]
For the sake of completeness I feel tempted to add to the replies of Jerome
Colburn and Andre Van Ryckeghem that
[...]
And for the same reason I feel tempted to tell that searching the
archive of this mailing
From: "Simons, Don" [EMAIL PROTECTED]
Date: Mon, 13 Dec 1999 09:52:26 -0800
Andre wrote
Now i have to put an open volta on the first mesure of the section with 3
staffs. I tried everything in pmx (i think) and in musixtex, but i do
not get it done.
You're in luck: I had to do this
From: Bas Luttik [EMAIL PROTECTED]
Date: Tue, 30 Nov 1999 14:28:23 +0100
I would like to typeset a Big Band arrangement using PMX. It is a
large score with 14 staves and the PMX-manual says that the number of
staves is limited to 12, but that this is under user control. Moreover
I have a
From: [EMAIL PROTECTED]
Date: Sat, 27 Nov 1999 16:54:33 +0100
Would somebody please be kind enough to give me an example of the
syntax of the \Ibu semi-automatic beam macros? Suppose I wanted to
beam together four quavers of pitches 'ab^cd, or a dotted quaver ^'c
and semiquaver 'd, using
From: [EMAIL PROTECTED]
Date: Tue, 23 Nov 1999 15:15:03 +0100
[... exampe files ...] Running
TeX on the files produces the .mx1 and .dvi files all right, running
musixflx on .mx1 yields .mx2, but the third pass elicits a stream of
"undefined control sequence l.1 \lineset" messages and no
Date: Thu, 23 Sep 1999 14:54:43 +0200
From: Nicolas ASPERT [EMAIL PROTECTED]
I took a quick look at your solutions, and it looks like both are
working. However, I find that the one proposed by Mthimkhulu Molekwa (no
spelling mistakes ? :-) is easier to use than the one proposed by
Werner,
Date: Tue, 21 Sep 1999 09:32:00 +0200
From: Nicolas ASPERT [EMAIL PROTECTED]
Werner Icking wrote:
Again, I do not understand what you mean with "bars aligned". Normally
a barline is typeset for all voices of a score. Do you want to have
seperate bar lines in seper
Date: Thu, 16 Sep 1999 15:41:50 +0200
From: Nicolas ASPERT [EMAIL PROTECTED]
The problem is the following : I have 2 instruments but the meter for
the first one should be 2/4, and the meter for the 2nd one should be
3/4. (there will also be a third playing 6/8...). [...]
I have no idea
Date: Tue, 14 Sep 1999 21:40:38 +0200
From: Christian Mondrup [EMAIL PROTECTED]
%%\let\pause\pauseSAV
Imho you mean %%\let\pauseSAV\pause which enables you to revoke the
redefinition of \pause if neccessary at a later point.
%%\let\pause\PAuse
When I try to use PMX's code to generate
From: "Simons, Don" [EMAIL PROTECTED]
Date: Mon, 13 Sep 1999 16:59:13 -0700
Alexander Jolk [SMTP:[EMAIL PROTECTED]] wrote
1. How do I get a \caesura right at the end of a bar? Kludging around
with `\atnextbar' works, but isn't beautiful. (As in
a9- | \atnextbar{\caesura}\ d0.d ...)
I
Date: Wed, 08 Sep 1999 09:11:13 +0200
From: Thorsten Ehm [EMAIL PROTECTED]
After a pause in using PMX, yesterday I coded a score and compiled it
PMX was quite successful, but in the first pass of running MusiXTeX
there occured the following error:
! Missing number, treated as zero.
[...]
Date: Wed, 8 Sep 1999 12:48:43 +0100
From: Daniel Barna [EMAIL PROTECTED]
is it possible (yes, it is) to give titles to movements in musixtex? (say
centered above the first line of the movement, or left/right adjusted)
I looked at many examples, but I didn't find such a solution.
MusiXTeX
Date: Wed, 04 Aug 1999 22:38:07 +0200
From: Christian Mondrup [EMAIL PROTECTED]
I had similar problems with my one of my own scores [...]
... written with M-Tx and PMX.
\let\interstaffSAV\interstaff
here's the place to save all those items, which may be modified
by one of the
Date: Mon, 26 Jul 1999 14:09:08 +0200 (MET DST)
From: Maurizio Codogno [EMAIL PROTECTED]
[...]
I was wondering if it is possible in M-Tx to switch system.
As far as I know M-Tx does not support that.
Let me explain: there is a piece with three different sections.
The first section is for
From: "Simons, Don" [EMAIL PROTECTED]
Date: Tue, 4 May 1999 18:47:36 -0700
[...]
2. If I settle for the straight bracket with \songtop...\songbottom, the
top of the bracket does not align correctly when the upper staff is reduced
in size. It appears that the bottom of bracket is OK but
Date: Thu, 29 Apr 1999 01:36:12 +0100 (GMT)
From: Howard Gilbert [EMAIL PROTECTED]
1. Is there a way in pmx to have an incomplete bar 0 as is possible at the
start of a score? That is, after doing "Lline numberM" how can one,
for example, start the new movement with a bar containing only
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