On Wed, 17 May 2000, Mthimkhulu Molekwa wrote:
Typically, scores of SATB with piano puts the SATB above
the piano. What about the addition of other instruments?
Where would you put things like solo flutes or violins,
or percussion. What about a comination of instruments such
as SATB
?
The closest approximation of such a score that I have seen is
a piano-and-percussion version of 'Misa Criolla' by Ariel Ramirez.
The soloists were at the top, SATB next, then the guitar or banjo,
then the percussion, then the piano.
Dirk
Date: Thu, 23 Sep 1999 14:54:43 +0200
From: Nicolas ASPERT [EMAIL PROTECTED]
I took a quick look at your solutions, and it looks like both are
working. However, I find that the one proposed by Mthimkhulu Molekwa (no
spelling mistakes ? :-) is easier to use than the one proposed by
Werner,
Date: Tue, 21 Sep 1999 09:32:00 +0200
From: Nicolas ASPERT [EMAIL PROTECTED]
Werner Icking wrote:
Again, I do not understand what you mean with "bars aligned". Normally
a barline is typeset for all voices of a score. Do you want to have
seperate bar lines in seper
ütsch" (sp? :-)
Yes, but I don't speak Schwyzerdu:tsch (sorry for the umlaut...I have a
US keyboard)... But people say that it is easy. Just forget about the
german grammar and you speak Schwyzerdutsch :-)
I will soon have a 3rd voice at 3/8 , so the score should look like :
voice 1 o
Nicolas ASPERT wrote:
Werner Icking wrote:
Again, I do not understand what you mean with "bars aligned". Normally
a barline is typeset for all voices of a score. Do you want to have
seperate bar lines in seperate voices at different places? e.g.
voice 1 o o o
of the MusixTex macros, or using another
"language" to write my score...
If you have any idea about the subject, please let me know.
Best regards.
Nicolas.
--
Nicolas Aspert Signal Processing Laboratory (LTS)
Swiss Federal Institute of Technology (EPFL)
Office: ELE 237
Phone:
Hello
Thanks a lot for all your solutions. I will try this tonight on my PC !
Best regards.
Nicolas.
--
Nicolas Aspert Signal Processing Laboratory (LTS)
Swiss Federal Institute of Technology (EPFL)
Office: ELE 237
Phone: +41 - 21 - 693 36 32 (Office) or 46 21 (LTS lab)
Fax: +41
On Monday, 20 September 1999, taupin writes:
Nicolas ASPERT wrote:
Werner Icking wrote:
Again, I do not understand what you mean with "bars aligned". Normally
a barline is typeset for all voices of a score. Do you want to have
seperate bar lines in seper
about how to write the bars independently on each line of
my score (using \bar just puts a bar in every line...)
I'm not sure what the problem is. Typesetting the meter should be easy.
So I assume the problem is the spacing of the notes. Don Simons has
investigated a lot to find the correct spacing
Alexander Jolk wrote:
Hi, everybody
When our conductor asked whether someone could transpose the bass line
of that one piece we're going to perform in three week's time, I
thought, wasn't there something about automatic transposition in
M-Tx?, and agreed to do it. Stupid me. It turned
From: "Simons, Don" [EMAIL PROTECTED]
Date: Mon, 13 Sep 1999 16:59:13 -0700
Alexander Jolk [SMTP:[EMAIL PROTECTED]] wrote
1. How do I get a \caesura right at the end of a bar? Kludging around
with `\atnextbar' works, but isn't beautiful. (As in
a9- | \atnextbar{\caesura}\ d0.d ...)
I
Alexander Jolk [SMTP:[EMAIL PROTECTED]] wrote
Hi, everybody
Hi yourself.
1. How do I get a \caesura right at the end of a bar? Kludging around
with `\atnextbar' works, but isn't beautiful. (As in
a9- | \atnextbar{\caesura}\ d0.d ...)
If it ain't broke...
2. In a 4/2 measure, a whole bar
[EMAIL PROTECTED] wrote:
Hello.
I have one question.
On left side of score,
/
|
|
|
|
\
There is line like this.
I don't know the name in English, so I can't find it on manual.
It's often called bracket. In the musixtex manual it's called a brace.
The way
Hello.
I have one question.
On left side of score,
/
|
|
|
|
\
There is line like this.
I don't know the name in English, so I can't find it on manual.
How can I write it through MusiXTeX ?
Please teach me.
Masashi Idogawa
E-Mail: [EMAIL PROTECTED], [EMAIL PROTECTED]
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