Re: I toot just toot won toot toot !?

2007-01-21 Thread Francis

Kenneth Waller wrote:
 Congratulations Francis !!!

 Feels great doesn't it.

 Looks pretty nice to me.

 What were the entry requirements regarding the images? Yachting in general 
 or??
   
They were quite loose, basically anything that a sailor might see while he's on 
the water. 



Cheers,
Francis



  ( http://www.islandlight.ca/showphoto.php?image_id=211 )

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Re: I toot just toot won toot toot !? / by buy for now

2007-01-21 Thread Francis
Thanks every one!

I'm un-subscribing for a bit while I'm travailing (just so you know I'm 
not ignoring you on purpose). Have a great time while I'm gone (and get 
over with all the K10d talk so when I come back I won't feel so under 
privileged. :-)

Cheers,
Francis

www.islandlight.ca

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A little *ist D statistics

2007-01-21 Thread Jens Bladt
Hello All
Since I am soon to receive my K10D, which will partly replace my *ist D, I
guess a little statistics is in it's place.

I had it for 29 months.
I did 45000 shots
I paid app.. 1180 USD incl. CF-cards, for it.
That's the total cost - just about.

That's in average 52 shots every day.
Each shot cost me 0,4 USD or 4.4 cents
That's 2.3 USD every day. Something like 5 cigarettes every day (Danish
price level).
I don't smoke BTW.

If I had used film and my MZ-S this figuring would have been very different:

I would have taken only 33 % of the number of shots = 15.000 shots
I would  have been able to use the camera for 29 more months before it got
obsolete, reducing the cost of the camera to 50%.
I would have used 417 films at a total cost of app. 6000 USD
Each shot would have cost me app. 0.5 USD, which is about 10 times the cost
of a digital shot !
In total I would have spent app. 7000 USD.

About selling photographs:
I believe the *ist D did pay for itself -  a couple of times actually,
during it's 29 months of hard labour.
If I had used film I would have lost money - I guess I would have spent
perhaps 3000-4000 USD, that no one but me, would have had to pay.
No wonder digtal cameras are so popular.

Soon I will (almost) retire the *ist D.
It will serve as a back-up body - or my wide angle body, when ever I use two
bodies simultaneously - one wide angle lens and one tele lens.

The final economics of the K10D will no doubt be even better than described
above, since the camera is less expensive and more ressourcefull
(67% more pixels in each shot and Shake Reduction will probably mean, that I
will sell more photographs).
The only REAL BIG DOWNSIDE: I will certainly miss TTL-flash!!!

Regards
Jens
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RE: Development: Was - Unemployed

2007-01-21 Thread Simon King
Thanks to all who commented. 
It really was just a grab shot - but then again I always try and make at
least one camera reachable.
Lighting and furniture compliments of this New York style apartment*. It a
beautiful but truly child unfriendly place.
Cheers,
Simon

* http://www.thebiscuitfactory.com.au/




-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of rg2
Sent: Sunday, 21 January 2007 3:11 AM
To: Pentax-Discuss Mail List
Subject: Re: Development: Was - Unemployed


so cute! i love the composition of the second one


rg2
- Original Message - 
From: Simon King [EMAIL PROTECTED]
To: 'Pentax-Discuss Mail List' pdml@pdml.net
Sent: Saturday, January 20, 2007 6:43 AM
Subject: Development: Was - Unemployed


 Rg2 said
every development, every new experience they have, I get to see.

 Like not having to be strapped in a chair anymore... 
 http://members.iinet.net.au/~celsim/sydney/slides/070119_07.html

 ...and is he happy about it! 
 http://members.iinet.net.au/~celsim/sydney/slides/070119_06.html

 Simon



 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
 Of
 rg2
 Sent: Saturday, 20 January 2007 8:19 AM
 To: Pentax-Discuss Mail List
 Subject: Re: Unemployed


 Scott:

 I hope you enjoy being a stay at home parent.  It is both rewarding 
 and
 can
 cause several types of insanity.  I am currently on maternity leave, with 
 a
 4 year son and a newborn daughter.  It is rewarding because every moment,
 every development, every new experience they have, I get to see.  It is 
 also

 causing me to crave adult companionship and so I turned to this list - 
 and then turned back to watching Blue's Clues with my son.  I think he 
 is more mature than some of the grumpy old men on this list :o)  I 
 take tons of pictures and show them to my husband when he gets home, 
 who largely misses out on all the great moments.  I will be looking 
 forward to more great kid photos.  What ages are your daughters?


 - Original Message -
 From: Scott Loveless [EMAIL PROTECTED]
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Friday, January 19, 2007 9:03 AM
 Subject: Unemployed


 Christie asked me yesterday if I was going to tell you guys about 
 this.  Since I spend more time reading the list than actually talking 
 to my real family I figured I would.

 I quit my job.  Christie is going to start working full-time and I'm 
 going to stay home with the girls.  After crunching the numbers a 
 bit, we found that we'd be better off financially, plus I'll be home 
 every evening (first time in four years).  So yeah, I'm gonna be a 
 stay-at-home-dad.  I've read that Mr. Mom isn't received well by 
 most stay-at-home-dads, but I don't care if anyone calls me that. 
 I've been called worse and gotten over it rather quickly.

 Brace yourselves.  I'm sure there are lots and lots of photos of my 
 kids coming to the list very, very soon.  And if you're anything like 
 me, there's nothing you like better than looking at photos of other 
 people's kids.  :)

 --
 Scott (Mr. Mom) Loveless
 http://www.twosixteen.com
 Shoot more film!

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money shot: Was - Development: and before that Was - Unemployed

2007-01-21 Thread Simon King
Hi Mark,
That's a money shot if ever I saw one!

Thanks, but I've always taken the money shot to be used in a rather more
nefarious context (what can I say, I was young, I needed the money... ).

:-)
Simon




-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Mark
Roberts
Sent: Sunday, 21 January 2007 6:14 AM
To: Pentax-Discuss Mail List
Subject: Re: Development: Was - Unemployed


Cotty wrote:

 Like not having to be strapped in a chair anymore... 
 http://members.iinet.net.au/~celsim/sydney/slides/070119_07.html

FABULOUS shot!

As disconcerting as it may be to agree with Cotty g, I have to admit 
I do so 100% in this case. That's a money shot if ever I saw one!


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Re: I toot just toot won toot toot !?

2007-01-21 Thread Cotty
On 21/1/07, [EMAIL PROTECTED], discombobulated, unleashed:

I really like the shot too, sorry.  :-). What did you do, climb out on that 
pole thing?

Don't talk about Sylwek like that ;-)

-- 


Cheers,
  Cotty


___/\__
||   (O)   | People, Places, Pastiche
||=|http://www.cottysnaps.com
_



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Re: Development: Was - Unemployed

2007-01-21 Thread Cotty
On 20/1/07, Mark Roberts, discombobulated, unleashed:

Or perhaps if you just like that sort of thing.
(Had to say it before Cotty did...)

Not so much like...more a 'need'  ;-)

-- 


Cheers,
  Cotty


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Re: Music and Portraits

2007-01-21 Thread Cotty
On 20/1/07, graywolf, discombobulated, unleashed:

BBC seems fascinated with America. 

Fascinated with the world mate ;-)

-- 


Cheers,
  Cotty


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Re: PAW 2007 - 03 - GDG

2007-01-21 Thread Cotty


http://homepage.mac.com/ramarren/photo/PAW7/03.htm

Cable release or wireless remote?  ;-)


-- 


Cheers,
  Cotty


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Re: OT: Anyone heard from our friends in the Northern Europe?

2007-01-21 Thread Cotty
On 21/1/07, David Savage, discombobulated, unleashed:

Thanks Cotty. So would you be the serious weather man or the goofy
anchor side kick type?

If I get the lottery win, I think it would be a close-run thing to go
get a degree in either Meteorology or Biology. Hey, how about both.
Otherwise, when I retire. To answer your question, I think a bit of
humour is essential in presentation. Goofy doesn't command respect, and
serious is boring. There's a nice balance to be found juggling the highs
and lows


The media here was talking up how powerful  devastating it was. It's
not like the media to overstate something is it?

:-)

Jade Goody made bigger headlines.

I've seen worse weather here.

And we've all seen much worse - devastating - on a regular basis in
large oft-ignored parts of the world. We have no right to complain.

-- 


Cheers,
  Cotty


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RE: Music and Portraits

2007-01-21 Thread Simon King
America IS the world.
Everywhere else is just tectonic plates with lumps.


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Cotty
Sent: Sunday, 21 January 2007 7:54 PM
To: pentax list
Subject: Re: Music and Portraits


On 20/1/07, graywolf, discombobulated, unleashed:

BBC seems fascinated with America.

Fascinated with the world mate ;-)

-- 


Cheers,
  Cotty


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||=|http://www.cottysnaps.com
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RE: Music and Portraits

2007-01-21 Thread Simon King
Hey Cotty,
Find the time, and do it now. Time as a way of slipping...

 BTW, if you get a chance try and have a look at the doc - it's 
 remarkable, and most likely quite salient to plenty here.

Will do. Do you get a nod in the credits?
Simon


On 1/21/07, Cotty [EMAIL PROTECTED] wrote:
 Just finished watching a fabulous BBC documentary on the LA music 
 scene from the 60s and 70s -

 http://www.bbc.co.uk/bbcfour/music/features/hotel-california.shtml

 and one slightly surprising byproduct for me personally was seeing 
 some wonderful monochrome portraits - so much so that it has inspired 
 me to try and do some more portrait work (of course, using the 
 venerable A*85 to keep it on topic). I haven't gotten my teeth into 
 anything decent - photographically speaking - for a long time, what 
 with house moving and work and such. I think I might be on the verge 
 of something big (as the bishop said to the actress).

 BTW, if you get a chance try and have a look at the doc - it's 
 remarkable, and most likely quite salient to plenty here.

 Time for some Neil Young.

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Re: Music and Portraits

2007-01-21 Thread Cotty
On 21/1/07, Simon King, discombobulated, unleashed:


Will do. Do you get a nod in the credits?

Sadly not. It's been 27 years since I worked for Auntie. I couldn't
afford the drop in pay ;-)

-- 


Cheers,
  Cotty


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Re: Wales redux

2007-01-21 Thread Peter Lacus
Hi Mark,

 http://www.robertstech.com/wales.htm

interesting and encouraging to plan a trip to Wales. Nos 16, 17 and 21 
are my favorites.

Cheers,

Peter

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Re: Macro stand setup

2007-01-21 Thread William Robb

- Original Message - 
From: Mark Cassino Subject: Re: Macro stand setup


 William Robb wrote:

 It's a bit overkill, but an enlarger chassis makes a great copy stand, 
 and
 should be fairly inexpensive.

 Very interesting. I've always wanted a copy stand but it's never made it
 to the top of the purchase list. But I do have a Bessler enlarger and
 stand sitting int he basement getting dusty.

 Thanks for pointing that out.

You'll probably find that if you remove the head from the chassis, you can 
mount a tripod head to it (3/8x20).
Some carful levelling and you are on your way.

William Robb


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RE: A little *ist D statistics

2007-01-21 Thread Jens Bladt
Small error:
Cost pr image done with *ist D is of course only 0.04 USD.
Regards

Jens Bladt
Nytarkort / Greeting Card:
http://www.jensbladt.dk/godtnytaar2007/lydshow.html

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: Jens Bladt [mailto:[EMAIL PROTECTED]
Sendt: 21. januar 2007 09:26
Til: Pentax-Discuss Mail List
Emne: A little *ist D statistics


Hello All
Since I am soon to receive my K10D, which will partly replace my *ist D, I
guess a little statistics is in it's place.

I had it for 29 months.
I did 45000 shots
I paid app.. 1180 USD incl. CF-cards, for it.
That's the total cost - just about.

That's in average 52 shots every day.
Each shot cost me 0,4 USD or 4.4 cents
That's 2.3 USD every day. Something like 5 cigarettes every day (Danish
price level).
I don't smoke BTW.

If I had used film and my MZ-S this figuring would have been very different:

I would have taken only 33 % of the number of shots = 15.000 shots
I would  have been able to use the camera for 29 more months before it got
obsolete, reducing the cost of the camera to 50%.
I would have used 417 films at a total cost of app. 6000 USD
Each shot would have cost me app. 0.5 USD, which is about 10 times the cost
of a digital shot !
In total I would have spent app. 7000 USD.

About selling photographs:
I believe the *ist D did pay for itself -  a couple of times actually,
during it's 29 months of hard labour.
If I had used film I would have lost money - I guess I would have spent
perhaps 3000-4000 USD, that no one but me, would have had to pay.
No wonder digtal cameras are so popular.

Soon I will (almost) retire the *ist D.
It will serve as a back-up body - or my wide angle body, when ever I use two
bodies simultaneously - one wide angle lens and one tele lens.

The final economics of the K10D will no doubt be even better than described
above, since the camera is less expensive and more ressourcefull
(67% more pixels in each shot and Shake Reduction will probably mean, that I
will sell more photographs).
The only REAL BIG DOWNSIDE: I will certainly miss TTL-flash!!!

Regards
Jens
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Does someone know how Shel is doing?

2007-01-21 Thread Tim Øsleby
Subject line says it all. He has been absent for a week. 


Tim
Mostly harmless (just plain Norwegian)
 




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RE: PESO - Repose

2007-01-21 Thread Tim Øsleby
Don't get any ideas, but this is art. 
Do you mind if I steal it for my computer desktop? 


Tim
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of J
and K Messervy
Sent: 21. januar 2007 04:47
To: Pentax-Discuss Mail List
Subject: PESO - Repose

Since upgrading my K10D's firmware with the unofficial version on Friday 
evening, I've been experimenting with wireless flash.  This shot had the 
AF540 on a high shelf above and to the right of shot, firing into the 
cornice for bounce.  I used the built in flash for very subtle fill.

Converted to BW in PS CS2 using the LAB lightness channel and softened in 
Photoshop also.

Comment and critique would be appreciated.

http://tinyurl.com/2k6wjy

Cheers

James M 


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Re: Praising K10D performance even with limitations

2007-01-21 Thread Bob Sullivan
Bob W,

You know AreTists, they are never bounded by measurements. :-)
While you or I were taking hard sciences and math, they were taking...???

I have a quote from Lord Kelvin in my office.  To paraphrase it:
If you can't measure a thing, if you haven't put numbers to it,
your knowledge of it is weak and pitiful.
It used to drive the 'focus group' researchers crazy.  :-)

Regards,  Bob S.

On 1/20/07, Bob W [EMAIL PROTECTED] wrote:
 is that how one defines an artist, then? Inconsistency in measurement?

 --
  Bob


  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
  Behalf Of Bob Sullivan
  Sent: 20 January 2007 21:09
  To: Pentax-Discuss Mail List
  Subject: Re: Praising K10D performance even with limitations
 
  Anybody else notice, he says cut off TWO INCHES, TWO INCHES, and
 then
  measures 2 inches on one side and 1 inch on the other.  He is
  definitely an artist, not an engineer!
  Regards,  Bob S.
 
  On 1/20/07, Markus Maurer [EMAIL PROTECTED] wrote:
   Hi Peter and Boris
   the link for the self made flash diffuser is
   http://www.abetterbouncecard.com/
  
   greetings
   Markus
  
  
  
   -Original Message-
   From: [EMAIL PROTECTED]
  [mailto:[EMAIL PROTECTED] Behalf Of
   Peter Lacus
   Sent: Saturday, January 20, 2007 8:13 AM
   To: Pentax-Discuss Mail List
   Subject: Re: Praising K10D performance even with limitations
  
  
   David,
  
   http://not.contaxg.com/document.php?id=16300full=1
   
   Please comment on the quality of light as I still want to
  learn more
   about this light billiard I've been playing yesterday with the
   diffuser and the flash.
   
   
Nothing wrong with the lighting of that shot.
   
The subject on the other hand...
  
   actually he is doing pretty well after being _shot_, IMHO. ;-)
  
   Boris, I think the lighting is as good as it gets from just
  one light
   source and I am very interested in the whole setup (I must
  have missed
   the original video and as I have a 220S, if potentially
  might work for
   me I hope). Does it also work with vertical orientation? Also
 please
   share your opinions about 31Ltd., being accustomed to shoot
  with fast
   50s on film this might be way to go for me on a DSLR. And
  the last but
   not least congratulations to your anniversary. :-)
  
   Cheers,
  
   Peter
  
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Re: Does someone know how Shel is doing?

2007-01-21 Thread Godfrey DiGiorgi
As much as I know:
He returned home two evenings ago and was feeling a little weak but  
otherwise ok.
We exchanged emails the following morning.

G


On Jan 21, 2007, at 5:08 AM, Tim Øsleby wrote:

 Subject line says it all. He has been absent for a week.


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Re: Praising K10D performance even with limitations

2007-01-21 Thread William Robb

- Original Message - 
From: Bob Sullivan 
Subject: Re: Praising K10D performance even with limitations


 Bob W,
 
 You know AreTists, they are never bounded by measurements. :-)
 While you or I were taking hard sciences and math, they were taking...???
 
 I have a quote from Lord Kelvin in my office.  To paraphrase it:
 If you can't measure a thing, if you haven't put numbers to it,
 your knowledge of it is weak and pitiful.
 It used to drive the 'focus group' researchers crazy.  :-)

I pity those who need rulers and mathmatics to measure the worth of things.
They tend to have stunted imaginations.

William Robb

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Re: Praising K10D performance even with limitations

2007-01-21 Thread Bob Sullivan
Oh yeah, from the guy who like a musician with 'perfect pitch',
can color calibrate photo processing machines from memory.

You may be an artist, but tell me again you don't measure anything. :-)

Regards,  Bob S.

On 1/21/07, William Robb [EMAIL PROTECTED] wrote:

 - Original Message -
 From: Bob Sullivan
 Subject: Re: Praising K10D performance even with limitations


  Bob W,
 
  You know AreTists, they are never bounded by measurements. :-)
  While you or I were taking hard sciences and math, they were taking...???
 
  I have a quote from Lord Kelvin in my office.  To paraphrase it:
  If you can't measure a thing, if you haven't put numbers to it,
  your knowledge of it is weak and pitiful.
  It used to drive the 'focus group' researchers crazy.  :-)

 I pity those who need rulers and mathmatics to measure the worth of things.
 They tend to have stunted imaginations.

 William Robb

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Re: Praising K10D performance even with limitations

2007-01-21 Thread David Savage
I try not to. It gets depressing ;-)

Cheers,

Dave

On 1/21/07, Bob Sullivan [EMAIL PROTECTED] wrote:
 You may be an artist, but tell me again you don't measure anything. :-)

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RE: K10D ordered and paid!

2007-01-21 Thread Jens Bladt
Thanks Godfrey.
I doubt it very much.
For each face I will have perhaps 200x200 pixel. Most likely less.

This Flickr set illustates my point:
http://www.flickr.com/photos/bladt/sets/72157594491741789/

I admit neither of these images are very good, but this is the choise of
technolgy I have available today.
(Only 6MP camera and only an EPSON 3200 flatbed scanener).
And they help payin my bills :-)

I still prefere the 6x6 version. Don't you?

PS:
The scanned image was croped out of a 200x300 mm print version (300ppi) (14
MB).
The original scan size is possibly even better.

Regards

Jens Bladt
Nytarkort / Greeting Card:
http://www.jensbladt.dk/godtnytaar2007/lydshow.html

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af Godfrey
DiGiorgi
Sendt: 21. januar 2007 00:40
Til: Pentax-Discuss Mail List
Emne: Re: K10D ordered and paid!


You'll have no problem. Even 6Mpixel will do that without a problem.

G

On Jan 20, 2007, at 3:33 PM, Jens Bladt wrote:

 Thanks, Godfrey.
 Regardsless of the print size, the resolution has to be sufficient
 enough to
 show each face well in a group of 30 people.
 IMO 35mm is not good ebough for this - so I normally use 6x6, which
 is almos
 good enough (considering my flatbed scanner, an EPSON Perfection
 3200 Photo,
 whic is not really a film scanner.

 I actually don't do prints (except for exibition og competition), only
 computer files (jpeg's).
 The images will be used for the www and for local television.

 This one wasn done with a Pentacon Six:
 http://www.jensbladt.dk/Nykoege/images/Byraad-gruppe-20x30-web.jpg

 Hard to say ... depends on what size print you need to make. 13x19 or
 16x20 inch should be no problem. Bigger than that, it depends.

 I hope to be doing some nice goup shots of the new city council in
 Koege on
 January 30th. - in appr. 9 days!
 For shots like this I'd normally use a 6x6 camera. I hope the
 K10D can
 actually compete?



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PESO: One for Annsan

2007-01-21 Thread Mark Roberts

http://www.robertstech.com/temp/one_lane.jpg
;-)


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Re: A little *ist D statistics

2007-01-21 Thread Christian
Jens Bladt wrote:
   If I had used film and my MZ-S this figuring would have been very 
different:
 
 I would have taken only 33 % of the number of shots = 15.000 shots
 I would  have been able to use the camera for 29 more months before it got
 obsolete, reducing the cost of the camera to 50%.

Jens;  I really don't understand your logic here...
Obsolete: 1 a : no longer in use or no longer useful an obsolete word 
b : of a kind or style no longer current : OLD-FASHIONED an obsolete 
technology

The *ist D can still be in use for many years as long as it works 
properly (exposure, focusing, etc).  The only real difference is the MP 
count (and 6MP WAS enough to sell images) and the AS (you ARE able to 
make good pictures without it as shown in your *ist D images).

The same logic goes for the MZ-S, even more so:  As long as it works and 
film is available it is useful and therefore NOT obsolete.  Some of my 
film cameras were older than me and far from obsolete (they allowed me 
to produce exactly the same images as a brand new film camera).

I guess my real issue is how do you measure a camera's life in months? 
Unless it just breaks down and the repair cost is too high, it still has 
useful life.  4 years for a film camera?  2 years for a DSLR?

-- 

Christian
http://photography.skofteland.net

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Re: PESO: One for Annsan

2007-01-21 Thread David Savage
I'd look, but it's not for me.

Cheers,

Dave :-)

On 1/22/07, Mark Roberts [EMAIL PROTECTED] wrote:

 http://www.robertstech.com/temp/one_lane.jpg
 ;-)

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Re: PESO: One for Annsan

2007-01-21 Thread Godfrey DiGiorgi

On Jan 21, 2007, at 7:06 AM, Mark Roberts wrote:


 http://www.robertstech.com/temp/one_lane.jpg

Good stuff!

G


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Re: Macro stand setup

2007-01-21 Thread Micah Kleit
Thanks to everyone for your terrific advice.  I've posted  
infrequently, but I hope to actually post a photo one of these days,  
when I work up the nerve, and if these macro photos work out, I'll  
include one of them as part of a first bunch of photos.

Thanks again,

Micah

On Jan 21, 2007, at 7:52 AM, William Robb wrote:


 - Original Message -
 From: Mark Cassino Subject: Re: Macro stand setup


 William Robb wrote:

 It's a bit overkill, but an enlarger chassis makes a great copy  
 stand,
 and
 should be fairly inexpensive.

 Very interesting. I've always wanted a copy stand but it's never  
 made it
 to the top of the purchase list. But I do have a Bessler enlarger and
 stand sitting int he basement getting dusty.

 Thanks for pointing that out.

 You'll probably find that if you remove the head from the chassis,  
 you can
 mount a tripod head to it (3/8x20).
 Some carful levelling and you are on your way.

 William Robb


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RE: Does someone know how Shel is doing?

2007-01-21 Thread Tim Øsleby
Thank you Godfrey. Good to hear.


Tim
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Godfrey DiGiorgi
Sent: 21. januar 2007 15:19
To: Pentax-Discuss Mail List
Subject: Re: Does someone know how Shel is doing?

As much as I know:
He returned home two evenings ago and was feeling a little weak but  
otherwise ok.
We exchanged emails the following morning.

G


On Jan 21, 2007, at 5:08 AM, Tim Øsleby wrote:

 Subject line says it all. He has been absent for a week.


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Re: Development: Was - Unemployed

2007-01-21 Thread P. J. Alling
Obviously designed and decorated by someone who's never been to New 
York, (but has visited IKEA).

Simon King wrote:
 Thanks to all who commented. 
 It really was just a grab shot - but then again I always try and make at
 least one camera reachable.
 Lighting and furniture compliments of this New York style apartment*. It a
 beautiful but truly child unfriendly place.
 Cheers,
 Simon

 * http://www.thebiscuitfactory.com.au/




 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of rg2
 Sent: Sunday, 21 January 2007 3:11 AM
 To: Pentax-Discuss Mail List
 Subject: Re: Development: Was - Unemployed


 so cute! i love the composition of the second one


 rg2
 - Original Message - 
 From: Simon King [EMAIL PROTECTED]
 To: 'Pentax-Discuss Mail List' pdml@pdml.net
 Sent: Saturday, January 20, 2007 6:43 AM
 Subject: Development: Was - Unemployed


   
 Rg2 said
 
 every development, every new experience they have, I get to see.
   
 Like not having to be strapped in a chair anymore... 
 http://members.iinet.net.au/~celsim/sydney/slides/070119_07.html

 ...and is he happy about it! 
 http://members.iinet.net.au/~celsim/sydney/slides/070119_06.html

 Simon



 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
 Of
 rg2
 Sent: Saturday, 20 January 2007 8:19 AM
 To: Pentax-Discuss Mail List
 Subject: Re: Unemployed


 Scott:

 I hope you enjoy being a stay at home parent.  It is both rewarding 
 and
 can
 cause several types of insanity.  I am currently on maternity leave, with 
 a
 4 year son and a newborn daughter.  It is rewarding because every moment,
 every development, every new experience they have, I get to see.  It is 
 also

 causing me to crave adult companionship and so I turned to this list - 
 and then turned back to watching Blue's Clues with my son.  I think he 
 is more mature than some of the grumpy old men on this list :o)  I 
 take tons of pictures and show them to my husband when he gets home, 
 who largely misses out on all the great moments.  I will be looking 
 forward to more great kid photos.  What ages are your daughters?


 - Original Message -
 From: Scott Loveless [EMAIL PROTECTED]
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Friday, January 19, 2007 9:03 AM
 Subject: Unemployed


 
 Christie asked me yesterday if I was going to tell you guys about 
 this.  Since I spend more time reading the list than actually talking 
 to my real family I figured I would.

 I quit my job.  Christie is going to start working full-time and I'm 
 going to stay home with the girls.  After crunching the numbers a 
 bit, we found that we'd be better off financially, plus I'll be home 
 every evening (first time in four years).  So yeah, I'm gonna be a 
 stay-at-home-dad.  I've read that Mr. Mom isn't received well by 
 most stay-at-home-dads, but I don't care if anyone calls me that. 
 I've been called worse and gotten over it rather quickly.

 Brace yourselves.  I'm sure there are lots and lots of photos of my 
 kids coming to the list very, very soon.  And if you're anything like 
 me, there's nothing you like better than looking at photos of other 
 people's kids.  :)

 --
 Scott (Mr. Mom) Loveless
 http://www.twosixteen.com
 Shoot more film!

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Re: PESO: One for Annsan

2007-01-21 Thread ann sanfedele
Gee, I wonder what made you think of me?
 :)

ann

Mark Roberts wrote:

http://www.robertstech.com/temp/one_lane.jpg
;-)


  




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OT: Help! R2400 printing problem persists

2007-01-21 Thread Paul Stenquist
I've checked all the variables numerous times, and to the best of my 
knowledge, they're correct. The color space of both the file and the 
working space is correct. I reinstalled the Epson print drivers. Still 
no luck. Here are my settings (PhotoShop CS):
Settings: U.S. Prepress Defaults

RGB Working Space: Adobe RGB (1998)
Gray: Dot Gain 20%
Spot: Dog Gain 20%

Color Management Policies
RGB Preserve Embedded Profiles

Use black point compensation is checked
Use Dither (8-bit per channel images) is checked



  Image Colorspace: Adobe RGB (1998)



Print with Preview:

Source Space:
  Document is checked, and ithe indication is Document: Adobe RGB (1998

Pring Space:
Profile: Same as source


In the print Box

The preset is Premium Lustre. If I look under print settings, I see 
Ultra Premium Photo Paper Luster (that's the paper I'm using). The mode 
is advanced. The print quality is Photo RPM and Finest Detail is 
checked. Scrolling to Color Management,  I see it's set to off.


I'm going to try again, changing Print Space in the Print with Preview 
box to Adobe 98 rather than same as source. I'll set intent to relative 
colorimetric. But I'd appreciate any feedback on the above settings. If 
I can't get anywhere, I'm going to change all the ink cartridges.
Thanks for any help.
Paul


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Re: OT: Help! R2400 printing problem persists

2007-01-21 Thread Godfrey DiGiorgi
Paul,

Your Photoshop color settings look fine.

I don't have CS on my system anymore so I can't check the print  
settings in Print with Preview precisely, I don't remember all the  
differences between CS and CS2. This page shows how I make the  
settings for the Epson R2400 with CS2 ... note that this example has  
an sRGB profile embedded, normally it would be Adobe RGB (1998).

http://homepage.mac.com/godders/R2400-CS2-print/

I would run the Epson Printer Utility and do a test and calibrate  
print, see how they come out. You might have a tank gone bad or  
something like that.

Godfrey

On Jan 21, 2007, at 8:27 AM, Paul Stenquist wrote:

 I've checked all the variables numerous times, and to the best of my
 knowledge, they're correct. The color space of both the file and the
 working space is correct. I reinstalled the Epson print drivers. Still
 no luck. Here are my settings (PhotoShop CS):
 Settings: U.S. Prepress Defaults

 RGB Working Space: Adobe RGB (1998)
 Gray: Dot Gain 20%
 Spot: Dog Gain 20%

 Color Management Policies
 RGB Preserve Embedded Profiles

 Use black point compensation is checked
 Use Dither (8-bit per channel images) is checked



   Image Colorspace: Adobe RGB (1998)



 Print with Preview:

 Source Space:
   Document is checked, and ithe indication is Document: Adobe RGB  
 (1998

 Pring Space:
 Profile: Same as source


 In the print Box

 The preset is Premium Lustre. If I look under print settings, I see
 Ultra Premium Photo Paper Luster (that's the paper I'm using). The  
 mode
 is advanced. The print quality is Photo RPM and Finest Detail is
 checked. Scrolling to Color Management,  I see it's set to off.


 I'm going to try again, changing Print Space in the Print with Preview
 box to Adobe 98 rather than same as source. I'll set intent to  
 relative
 colorimetric. But I'd appreciate any feedback on the above  
 settings. If
 I can't get anywhere, I'm going to change all the ink cartridges.
 Thanks for any help.
 Paul


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RE: A little *ist D statistics

2007-01-21 Thread J. C. O'Connell
52 shots avg. per DAY for 29 months? Thats a quite extreme a bit of
shooting isnt it?
Are you an everyday pro and what are you shooting that much OF? How do
you
even find time to shoot let alone post process that much photos for that
long
a time?
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Jens Bladt
Sent: Sunday, January 21, 2007 7:55 AM
To: pdml@pdml.net
Subject: RE: A little *ist D statistics 


Small error:
Cost pr image done with *ist D is of course only 0.04 USD. Regards

Jens Bladt
Nytarkort / Greeting Card:
http://www.jensbladt.dk/godtnytaar2007/lydshow.html

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: Jens Bladt [mailto:[EMAIL PROTECTED]
Sendt: 21. januar 2007 09:26
Til: Pentax-Discuss Mail List
Emne: A little *ist D statistics


Hello All
Since I am soon to receive my K10D, which will partly replace my *ist D,
I guess a little statistics is in it's place.

I had it for 29 months.
I did 45000 shots
I paid app.. 1180 USD incl. CF-cards, for it.
That's the total cost - just about.

That's in average 52 shots every day.
Each shot cost me 0,4 USD or 4.4 cents
That's 2.3 USD every day. Something like 5 cigarettes every day (Danish
price level). I don't smoke BTW.

If I had used film and my MZ-S this figuring would have been very
different:

I would have taken only 33 % of the number of shots = 15.000 shots I
would  have been able to use the camera for 29 more months before it got
obsolete, reducing the cost of the camera to 50%. I would have used 417
films at a total cost of app. 6000 USD Each shot would have cost me app.
0.5 USD, which is about 10 times the cost of a digital shot ! In
total I would have spent app. 7000 USD.

About selling photographs:
I believe the *ist D did pay for itself -  a couple of times actually,
during it's 29 months of hard labour. If I had used film I would have
lost money - I guess I would have spent perhaps 3000-4000 USD, that no
one but me, would have had to pay. No wonder digtal cameras are so
popular.

Soon I will (almost) retire the *ist D.
It will serve as a back-up body - or my wide angle body, when ever I use
two bodies simultaneously - one wide angle lens and one tele lens.

The final economics of the K10D will no doubt be even better than
described above, since the camera is less expensive and more
ressourcefull (67% more pixels in each shot and Shake Reduction will
probably mean, that I will sell more photographs). The only REAL BIG
DOWNSIDE: I will certainly miss TTL-flash!!!

Regards
Jens
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Re: OT: Help! R2400 printing problem persists

2007-01-21 Thread Jack Davis
Something I always un-check is the High Speed box found on the
Advanced printing panel. (R1800)
Didn't do so once and the results were disappointing.
This is free!!

Jack
 
--- Paul Stenquist [EMAIL PROTECTED] wrote:

 I've checked all the variables numerous times, and to the best of my 
 knowledge, they're correct. The color space of both the file and the 
 working space is correct. I reinstalled the Epson print drivers.
 Still 
 no luck. Here are my settings (PhotoShop CS):
 Settings: U.S. Prepress Defaults
 
 RGB Working Space: Adobe RGB (1998)
 Gray: Dot Gain 20%
 Spot: Dog Gain 20%
 
 Color Management Policies
 RGB Preserve Embedded Profiles
 
 Use black point compensation is checked
 Use Dither (8-bit per channel images) is checked
 
 
 
   Image Colorspace: Adobe RGB (1998)
 
 
 
 Print with Preview:
 
 Source Space:
   Document is checked, and ithe indication is Document: Adobe RGB
 (1998
 
 Pring Space:
 Profile: Same as source
 
 
 In the print Box
 
 The preset is Premium Lustre. If I look under print settings, I see
 
 Ultra Premium Photo Paper Luster (that's the paper I'm using). The
 mode 
 is advanced. The print quality is Photo RPM and Finest Detail is 
 checked. Scrolling to Color Management,  I see it's set to off.
 
 
 I'm going to try again, changing Print Space in the Print with
 Preview 
 box to Adobe 98 rather than same as source. I'll set intent to
 relative 
 colorimetric. But I'd appreciate any feedback on the above settings.
 If 
 I can't get anywhere, I'm going to change all the ink cartridges.
 Thanks for any help.
 Paul
 
 
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Re: OT: Help! R2400 printing problem persists

2007-01-21 Thread Godfrey DiGiorgi
I haven't found this to make much difference on the R2400. I've run  
tests on the same print and the difference is only noticeable with  
very high frequency, A3 Super sized prints.

G

On Jan 21, 2007, at 9:10 AM, Jack Davis wrote:

 Something I always un-check is the High Speed box found on the
 Advanced printing panel. (R1800)
 Didn't do so once and the results were disappointing.
 This is free!!


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RE:Subject: OT: Help! R2400 printing problem persists

2007-01-21 Thread Fiso_Pentax
Hello Paul,

 I've checked all the variables numerous times, and to the best of my
 knowledge, they're correct. The color space of both the file and the 
 working space is correct. I reinstalled the Epson print drivers. Still 
 no luck. Here are my settings (PhotoShop CS):
  
Try the printer out on different
computers.

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Another PESO from Florida

2007-01-21 Thread Mark Roberts
I've tried color and b/w versions of this one. Not completely happy 
with either yet...
http://www.robertstech.com/temp/oldtree.jpg

K10D, 77 Ltd, ISO 400


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Re: Another PESO from Florida

2007-01-21 Thread Rick Womer
Mark,

Methinks it needs a wider tonal range.

Rick

--- Mark Roberts [EMAIL PROTECTED] wrote:

 I've tried color and b/w versions of this one. Not
 completely happy 
 with either yet...
 http://www.robertstech.com/temp/oldtree.jpg
 
 K10D, 77 Ltd, ISO 400
 
 
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http://www.photo.net/photos/RickW


 

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RE: Praising K10D performance even with limitations

2007-01-21 Thread Bob W
 
  Bob W,
  
  You know AreTists, they are never bounded by 
 measurements. :-)
  While you or I were taking hard sciences and math, they 
 were taking...???
  
  I have a quote from Lord Kelvin in my office.  To paraphrase it:
  If you can't measure a thing, if you haven't put numbers to it,
  your knowledge of it is weak and pitiful.
  It used to drive the 'focus group' researchers crazy.  :-)
 
 I pity those who need rulers and mathmatics to measure the 
 worth of things.
 They tend to have stunted imaginations.
 

yes, but on the other hand anything that drives focus group types,
marketeers and brand consultants crazy can only be good. 

I'm reminded of a marketeer at work recently who introduced us to the
idea of making our very boring financial services company into a 'love
brand'. 

Marketeer puts a quadrant on the whiteboard with one axis showing a
spectrum from rational to love, and explains a lot of fluffy brand
nonsense, with examples of different companies in different parts of
the quadrant, and tells us we want our customers to love us.

Engineering type: ok, where would you put Microsoft and Apple in that?

Marketeer puts MS in the rational box, Apple in the love box.

Engineering type: which would you rather be?

End of presentation as everybody realises they'd much rather make a
ton of money than be loved.

Bob


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Re: PESO: One for Annsan

2007-01-21 Thread Bruce Dayton
Put a smile on my face - well named.

-- 
Bruce


Sunday, January 21, 2007, 7:06:48 AM, you wrote:


MR http://www.robertstech.com/temp/one_lane.jpg
MR ;-)





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RE: Praising K10D performance even with limitations

2007-01-21 Thread Bob W
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Bob Sullivan
 Sent: 21 January 2007 13:44
 To: Pentax-Discuss Mail List
 Subject: Re: Praising K10D performance even with limitations
 
 Bob W,
 
 You know AreTists, they are never bounded by measurements.
:-)
 While you or I were taking hard sciences and math, they were 
 taking...???
 

well, as a matter of fact I dropped all sciences as soon as I could at
school - aged 13 - in favour of languages. I only took maths because I
had no choice, and I failed my O-level (exam at age 15) once before
scraping through the 2nd time. I was in my 30s before I overcame my
priest-induced maths phobia, but I now have a postgrad qualification
(with merit!) in discrete mathematics.

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Re: Another PESO from Florida

2007-01-21 Thread Godfrey DiGiorgi

On Jan 21, 2007, at 9:42 AM, Mark Roberts wrote:

 I've tried color and b/w versions of this one. Not completely happy
 with either yet...
 http://www.robertstech.com/temp/oldtree.jpg

 K10D, 77 Ltd, ISO 400

I like it, but it's a little dark overall. Also, a high frequency  
image like that needs SIZE to work well ... it is too small in this  
web-size rendering.

Godfrey


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Re: Another PESO from Florida

2007-01-21 Thread Bruce Dayton
Could also stand a not so tightly cropped view perhaps.

-- 
Bruce


Sunday, January 21, 2007, 9:54:29 AM, you wrote:

RW Mark,

RW Methinks it needs a wider tonal range.

RW Rick

RW --- Mark Roberts [EMAIL PROTECTED] wrote:

 I've tried color and b/w versions of this one. Not
 completely happy 
 with either yet...
 http://www.robertstech.com/temp/oldtree.jpg
 
 K10D, 77 Ltd, ISO 400
 
 
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RW http://www.photo.net/photos/RickW


 
RW 

RW Sucker-punch spam with award-winning protection. 
RW Try the free Yahoo! Mail Beta.
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Re: OT: Anyone heard from our friends in the Northern Europe?

2007-01-21 Thread graywolf
You mean like standing under the snow machine at a ski resort and 
talking about the blizzard that is hitting the area? Let's see, I think 
I still have my photo of the aftermath somewhere

Yes, here it is:
http://www.graywolfphoto.com/digital/_images/Misc/Blizzard-of-05.jpg



David Savage wrote:

 The media here was talking up how powerful  devastating it was. It's
 not like the media to overstate something is it?

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PESO--Christmas lights

2007-01-21 Thread Rick Womer
A bit late, perhaps, but anyway:

http://www.photo.net/photodb/photo?photo_id=5458277

This is a photo of the same picturesque porch in
Westchester NY that was the subject of an autumn PESO:

http://www.photo.net/photodb/photo?photo_id=5242404

ist D, DA 16-45, ISO 3200, f/4 @ 1/20, RAW via ACR and
PE4.

Comments appreciated.

Rick

http://www.photo.net/photos/RickW


 

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Film vs. Digital - not a religion

2007-01-21 Thread Jens Bladt
To me this question is not a religion - just at matter of choosing the right
gear for the job.
Well, I know Luminous Landscape says a Canon 1Ds does better than a scan
from a Pentax 6x7.
http://www.luminous-landscape.com/reviews/shootout.shtml

But paper is patient. So are HTML-files.
But what can we do, really?

Have any of you guys done group-portraits with a digital camera - APS or
Full Frame?
If you have such group portraits, showing 20-30 people, I'd love to see one
face croped out of it.
A crop showing 5-10% of the total frame area.
Just to see if you can do this better than me.

So, for staters I made a small comparison here:
http://www.flickr.com/photos/bladt/sets/72157594491741789/

Comments are most welcome
Regards
Jens Bladt


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Re: Film vs. Digital - not a religion

2007-01-21 Thread Paul Stenquist
Half of your examples are grossly underexposed. I'm guessing those  
are the digital samples. That makes the comparison irrelevant,  
because underexposure causes image degradation.
Paul
On Jan 21, 2007, at 1:54 PM, Jens Bladt wrote:

 To me this question is not a religion - just at matter of choosing  
 the right
 gear for the job.
 Well, I know Luminous Landscape says a Canon 1Ds does better than a  
 scan
 from a Pentax 6x7.
 http://www.luminous-landscape.com/reviews/shootout.shtml

 But paper is patient. So are HTML-files.
 But what can we do, really?

 Have any of you guys done group-portraits with a digital camera -  
 APS or
 Full Frame?
 If you have such group portraits, showing 20-30 people, I'd love to  
 see one
 face croped out of it.
 A crop showing 5-10% of the total frame area.
 Just to see if you can do this better than me.

 So, for staters I made a small comparison here:
 http://www.flickr.com/photos/bladt/sets/72157594491741789/

 Comments are most welcome
 Regards
 Jens Bladt


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Re: Film vs. Digital - not a religion

2007-01-21 Thread William Robb

- Original Message - 
From: Jens Bladt Subject: Film vs. Digital - not a religion


 To me this question is not a religion - just at matter of choosing the 
 right
 gear for the job.
 Well, I know Luminous Landscape says a Canon 1Ds does better than a scan
 from a Pentax 6x7.
 http://www.luminous-landscape.com/reviews/shootout.shtml

 But paper is patient. So are HTML-files.
 But what can we do, really?

 Have any of you guys done group-portraits with a digital camera - APS or
 Full Frame?
 If you have such group portraits, showing 20-30 people, I'd love to see 
 one
 face croped out of it.
 A crop showing 5-10% of the total frame area.
 Just to see if you can do this better than me.

 So, for staters I made a small comparison here:
 http://www.flickr.com/photos/bladt/sets/72157594491741789/

The luminous landscape article does something thing I disagree with, which 
is to compare scanned film to a digital capture.
As soon as that is done, you are no longer comparing digital to film.
I don't care what sort of scanner it is, you are now making a comparison of 
a first generation image to a third generation image.
The sad fact of life is that if you want to pull the best you can from film, 
you need to print it optically.
For the application you are discussing, I would still use MF film and scan 
(Ya I know, but try to get an optical print done these days), rather than a 
small format digital.

William Robb


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Re: OT: Help! R2400 printing problem persists

2007-01-21 Thread Paul Stenquist
I will try the test print. I'm also going to try printing with  
colorsynch. But I'm beginning to suspect it's a printer problem. Good  
thing I still have the box. I've finished printing my wedding pics  
and was assembling the book yesterday. I want to reprint one or two  
shots. I was trying to do that when the printer failed. I think I'll  
just complete the book and tell the bride that I'll replace two pages  
later. It's in a binder that allows for page removal. I don't think  
she wants to wait another couple of weeks. Bad timing for an  
equipment failure.
Paul
On Jan 21, 2007, at 12:07 PM, Godfrey DiGiorgi wrote:

 Paul,

 Your Photoshop color settings look fine.

 I don't have CS on my system anymore so I can't check the print
 settings in Print with Preview precisely, I don't remember all the
 differences between CS and CS2. This page shows how I make the
 settings for the Epson R2400 with CS2 ... note that this example has
 an sRGB profile embedded, normally it would be Adobe RGB (1998).

 http://homepage.mac.com/godders/R2400-CS2-print/

 I would run the Epson Printer Utility and do a test and calibrate
 print, see how they come out. You might have a tank gone bad or
 something like that.

 Godfrey

 On Jan 21, 2007, at 8:27 AM, Paul Stenquist wrote:

 I've checked all the variables numerous times, and to the best of my
 knowledge, they're correct. The color space of both the file and the
 working space is correct. I reinstalled the Epson print drivers.  
 Still
 no luck. Here are my settings (PhotoShop CS):
 Settings: U.S. Prepress Defaults

 RGB Working Space: Adobe RGB (1998)
 Gray: Dot Gain 20%
 Spot: Dog Gain 20%

 Color Management Policies
 RGB Preserve Embedded Profiles

 Use black point compensation is checked
 Use Dither (8-bit per channel images) is checked



   Image Colorspace: Adobe RGB (1998)



 Print with Preview:

 Source Space:
   Document is checked, and ithe indication is Document: Adobe RGB
 (1998

 Pring Space:
 Profile: Same as source


 In the print Box

 The preset is Premium Lustre. If I look under print settings, I see
 Ultra Premium Photo Paper Luster (that's the paper I'm using). The
 mode
 is advanced. The print quality is Photo RPM and Finest Detail is
 checked. Scrolling to Color Management,  I see it's set to off.


 I'm going to try again, changing Print Space in the Print with  
 Preview
 box to Adobe 98 rather than same as source. I'll set intent to
 relative
 colorimetric. But I'd appreciate any feedback on the above
 settings. If
 I can't get anywhere, I'm going to change all the ink cartridges.
 Thanks for any help.
 Paul


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Re: PESO--Christmas lights

2007-01-21 Thread Paul Stenquist
A different and pleasing interpretation of the subject.
Paul
On Jan 21, 2007, at 1:42 PM, Rick Womer wrote:

 A bit late, perhaps, but anyway:

 http://www.photo.net/photodb/photo?photo_id=5458277

 This is a photo of the same picturesque porch in
 Westchester NY that was the subject of an autumn PESO:

 http://www.photo.net/photodb/photo?photo_id=5242404

 ist D, DA 16-45, ISO 3200, f/4 @ 1/20, RAW via ACR and
 PE4.

 Comments appreciated.

 Rick

 http://www.photo.net/photos/RickW



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Re: Film vs. Digital - not a religion

2007-01-21 Thread Paul Stenquist
I respect your depth of knowledge in regard to optical printing, but  
I have to say I've never seen an optical print that resolved as much  
detail as a superb scan. Of course most scans are not superb, and  
most optical prints are not perfectly executed. This, of course,  
makes the comparison difficult.
Paul
On Jan 21, 2007, at 2:09 PM, William Robb wrote:


 - Original Message -
 From: Jens Bladt Subject: Film vs. Digital - not a religion


 To me this question is not a religion - just at matter of choosing  
 the
 right
 gear for the job.
 Well, I know Luminous Landscape says a Canon 1Ds does better than  
 a scan
 from a Pentax 6x7.
 http://www.luminous-landscape.com/reviews/shootout.shtml

 But paper is patient. So are HTML-files.
 But what can we do, really?

 Have any of you guys done group-portraits with a digital camera -  
 APS or
 Full Frame?
 If you have such group portraits, showing 20-30 people, I'd love  
 to see
 one
 face croped out of it.
 A crop showing 5-10% of the total frame area.
 Just to see if you can do this better than me.

 So, for staters I made a small comparison here:
 http://www.flickr.com/photos/bladt/sets/72157594491741789/

 The luminous landscape article does something thing I disagree  
 with, which
 is to compare scanned film to a digital capture.
 As soon as that is done, you are no longer comparing digital to film.
 I don't care what sort of scanner it is, you are now making a  
 comparison of
 a first generation image to a third generation image.
 The sad fact of life is that if you want to pull the best you can  
 from film,
 you need to print it optically.
 For the application you are discussing, I would still use MF film  
 and scan
 (Ya I know, but try to get an optical print done these days),  
 rather than a
 small format digital.

 William Robb


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Re: Film vs. Digital - not a religion

2007-01-21 Thread P. J. Alling
To start with, he's comparing the scanners capabilities to the direct 
digital capture more than the actual image on the film.  I think I could 
easily skew a test into the 6x7 column by shooting a nice fine ISO 100 
BW film and printing in a darkroom say an 11x14 print on a good paper 
with a nice Rodenstock lens @ say f8.0 and comparing it to a BW 
conversion of the 1Ds output printed on say an Epson 2200.  I'm betting 
the Wet print wins hands down, for detail at least.  You can say it's 
not a fair comparison, but neither is his test.  I'm not talking 
religion here either. 

Jens Bladt wrote:
 To me this question is not a religion - just at matter of choosing the right
 gear for the job.
 Well, I know Luminous Landscape says a Canon 1Ds does better than a scan
 from a Pentax 6x7.
 http://www.luminous-landscape.com/reviews/shootout.shtml

 But paper is patient. So are HTML-files.
 But what can we do, really?

 Have any of you guys done group-portraits with a digital camera - APS or
 Full Frame?
 If you have such group portraits, showing 20-30 people, I'd love to see one
 face croped out of it.
 A crop showing 5-10% of the total frame area.
 Just to see if you can do this better than me.

 So, for staters I made a small comparison here:
 http://www.flickr.com/photos/bladt/sets/72157594491741789/

 Comments are most welcome
 Regards
 Jens Bladt


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Re: Film vs. Digital - not a religion

2007-01-21 Thread Jack Davis
I completely agree. I've compared a number of images which were pro lab
scanned and LightJet printed to prints which had been previously pro
lab optically printed. In each case, the scanned image carried more
fine detail. Didn't always require a loupe to determine either.
Difference was great enough that I re-framed a few.

Jack
--- Paul Stenquist [EMAIL PROTECTED] wrote:

 I respect your depth of knowledge in regard to optical printing, but 
 
 I have to say I've never seen an optical print that resolved as much 
 
 detail as a superb scan. Of course most scans are not superb, and  
 most optical prints are not perfectly executed. This, of course,  
 makes the comparison difficult.
 Paul
 On Jan 21, 2007, at 2:09 PM, William Robb wrote:
 
 
  - Original Message -
  From: Jens Bladt Subject: Film vs. Digital - not a religion
 
 
  To me this question is not a religion - just at matter of choosing
  
  the
  right
  gear for the job.
  Well, I know Luminous Landscape says a Canon 1Ds does better than 
 
  a scan
  from a Pentax 6x7.
  http://www.luminous-landscape.com/reviews/shootout.shtml
 
  But paper is patient. So are HTML-files.
  But what can we do, really?
 
  Have any of you guys done group-portraits with a digital camera - 
 
  APS or
  Full Frame?
  If you have such group portraits, showing 20-30 people, I'd love  
  to see
  one
  face croped out of it.
  A crop showing 5-10% of the total frame area.
  Just to see if you can do this better than me.
 
  So, for staters I made a small comparison here:
  http://www.flickr.com/photos/bladt/sets/72157594491741789/
 
  The luminous landscape article does something thing I disagree  
  with, which
  is to compare scanned film to a digital capture.
  As soon as that is done, you are no longer comparing digital to
 film.
  I don't care what sort of scanner it is, you are now making a  
  comparison of
  a first generation image to a third generation image.
  The sad fact of life is that if you want to pull the best you can  
  from film,
  you need to print it optically.
  For the application you are discussing, I would still use MF film  
  and scan
  (Ya I know, but try to get an optical print done these days),  
  rather than a
  small format digital.
 
  William Robb
 
 
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Now that's room service!  Choose from over 150,000 hotels
in 45,000 destinations on Yahoo! Travel to find your fit.
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Re: PESO - Repose

2007-01-21 Thread J and K Messervy
I've got no problem with that mate.
James
- Original Message - 
From: Tim Øsleby [EMAIL PROTECTED]
To: 'Pentax-Discuss Mail List' pdml@pdml.net
Sent: Monday, January 22, 2007 12:37 AM
Subject: RE: PESO - Repose


 Don't get any ideas, but this is art.
 Do you mind if I steal it for my computer desktop?


 Tim
 Mostly harmless (just plain Norwegian)


 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of J
 and K Messervy
 Sent: 21. januar 2007 04:47
 To: Pentax-Discuss Mail List
 Subject: PESO - Repose

 Since upgrading my K10D's firmware with the unofficial version on Friday
 evening, I've been experimenting with wireless flash.  This shot had the
 AF540 on a high shelf above and to the right of shot, firing into the
 cornice for bounce.  I used the built in flash for very subtle fill.

 Converted to BW in PS CS2 using the LAB lightness channel and softened in
 Photoshop also.

 Comment and critique would be appreciated.

 http://tinyurl.com/2k6wjy

 Cheers

 James M


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Re: See Ya - This is Crazy

2007-01-21 Thread Tom C
It's why JCO should be kicked off... and why, while the list should not be 
moderated, that there should be, at times, judicial use of cutting someone 
off.

Tom C.




From: David Savage [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: See Ya - This is Crazy
Date: Sun, 21 Jan 2007 01:58:49 +0900

Wimp! :-)

Dave

On 1/21/07, W. Guy Finley [EMAIL PROTECTED] wrote:
 
  On Jan 19, 2007, at 11:09 PM, [EMAIL PROTECTED] wrote:
 
   RE: PISS OFF JCO: Camera sold,but worries remain (yet
 another eBayquestion)
 
 
  I like the digest format, helps me sort through the vast messages on
  this list.  I know I could go to individual emails and filter out
  children but I don't want the hassle of sorting through all the
  messages so this relatively new member is going to say adios.  It's
  really sad, there's some good folks providing good resources on this
  list but with no moderation to control pure and obvious trolling as
  well as the out of control OT posts I can't handle this and hope to
  see some of you helpful folks elsewhere.
 
  I'm unsubbing, email me off list if you have thoughts (invitation
  does not extend to trolls).
 
  Best regards,
  Guy

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Re: PESO - What is that?

2007-01-21 Thread rg2
Thanks for your response.  I love kiddos :o)
I actually composed that one with a purposeful asymmetry, but I appreciate 
the feedback.
rg2

- Original Message - 
From: Bruce Dayton [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Sunday, January 21, 2007 12:04 AM
Subject: Re: PESO - What is that?


 All little ones are darling.  I would have liked to see her higher in
 the frame.

 -- 
 Bruce


 Saturday, January 20, 2007, 8:32:09 AM, you wrote:

 r Hi guys

 r here's a photo of my daughter Bella inspecting the camera

 r http://picasaweb.google.com/rg2pdml/PESO/photo#5022151190239228594

 r comments welcome

 r rg2




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RE: Film vs. Digital - not a religion

2007-01-21 Thread Jens Bladt
In stead of arguing this and that; show me your digital group images.
Crop out one face covering 5-10% of the frame.
Lets see and judging for ourselves.
Regards
Jens Bladt
Nytarkort / Greeting Card:
http://www.jensbladt.dk/godtnytaar2007/lydshow.html

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af P. J.
Alling
Sendt: 21. januar 2007 20:41
Til: Pentax-Discuss Mail List
Emne: Re: Film vs. Digital - not a religion


To start with, he's comparing the scanners capabilities to the direct
digital capture more than the actual image on the film.  I think I could
easily skew a test into the 6x7 column by shooting a nice fine ISO 100
BW film and printing in a darkroom say an 11x14 print on a good paper
with a nice Rodenstock lens @ say f8.0 and comparing it to a BW
conversion of the 1Ds output printed on say an Epson 2200.  I'm betting
the Wet print wins hands down, for detail at least.  You can say it's
not a fair comparison, but neither is his test.  I'm not talking
religion here either.

Jens Bladt wrote:
 To me this question is not a religion - just at matter of choosing the
right
 gear for the job.
 Well, I know Luminous Landscape says a Canon 1Ds does better than a scan
 from a Pentax 6x7.
 http://www.luminous-landscape.com/reviews/shootout.shtml

 But paper is patient. So are HTML-files.
 But what can we do, really?

 Have any of you guys done group-portraits with a digital camera - APS or
 Full Frame?
 If you have such group portraits, showing 20-30 people, I'd love to see
one
 face croped out of it.
 A crop showing 5-10% of the total frame area.
 Just to see if you can do this better than me.

 So, for staters I made a small comparison here:
 http://www.flickr.com/photos/bladt/sets/72157594491741789/

 Comments are most welcome
 Regards
 Jens Bladt


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 22:31





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22:31

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RE: GESO: McNaught at the beach

2007-01-21 Thread Tom C
Nice job David.  I especially like the 1st and last in column 1.

Tom C.




From: David Savage [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List PDML@pdml.net
Subject: GESO: McNaught at the beach
Date: Sun, 21 Jan 2007 00:37:09 +0900

G'day All,

While everyone is still in a hating mood, I though I'd post a gallery
showing 8 of tonight's efforts:

http://www.arach.net.au/~savage/GESO/GESO_013/index.htm

The first 3 were shot using the FA* 80-200 @ 200mm  F 1.7x AF Adapter.
Images 855, 881  890 with the FA 31mm Ltd.
Images 865  873 with the FA 50mm f1.4.

I promise that's it. No more comet photos :-)

Cheers,

Dave

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Re: Film vs. Digital - not a religion

2007-01-21 Thread Jens Bladt
No, not really. Digital images of this sort must be underexposed, in order
to avoid burned out highlights, to which thery are more prone than film
images.
regards

Jens Bladt
Nytarkort / Greeting Card:
http://www.jensbladt.dk/godtnytaar2007/lydshow.html

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af Paul
Stenquist
Sendt: 21. januar 2007 20:07
Til: Pentax-Discuss Mail List
Emne: Re: Film vs. Digital - not a religion


Half of your examples are grossly underexposed. I'm guessing those
are the digital samples. That makes the comparison irrelevant,
because underexposure causes image degradation.
Paul
On Jan 21, 2007, at 1:54 PM, Jens Bladt wrote:

 To me this question is not a religion - just at matter of choosing
 the right
 gear for the job.
 Well, I know Luminous Landscape says a Canon 1Ds does better than a
 scan
 from a Pentax 6x7.
 http://www.luminous-landscape.com/reviews/shootout.shtml

 But paper is patient. So are HTML-files.
 But what can we do, really?

 Have any of you guys done group-portraits with a digital camera -
 APS or
 Full Frame?
 If you have such group portraits, showing 20-30 people, I'd love to
 see one
 face croped out of it.
 A crop showing 5-10% of the total frame area.
 Just to see if you can do this better than me.

 So, for staters I made a small comparison here:
 http://www.flickr.com/photos/bladt/sets/72157594491741789/

 Comments are most welcome
 Regards
 Jens Bladt


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Re: Praising K10D performance even with limitations

2007-01-21 Thread Bob Sullivan
Bob W,
Good for you!
I love the focus group types, such warm and fuzzy thinking!
Most of them don't even recognize the sign.
Regards,  Bob S.

On 1/21/07, Bob W [EMAIL PROTECTED] wrote:
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
  Behalf Of Bob Sullivan
  Sent: 21 January 2007 13:44
  To: Pentax-Discuss Mail List
  Subject: Re: Praising K10D performance even with limitations
 
  Bob W,
 
  You know AreTists, they are never bounded by measurements.
 :-)
  While you or I were taking hard sciences and math, they were
  taking...???
 

 well, as a matter of fact I dropped all sciences as soon as I could at
 school - aged 13 - in favour of languages. I only took maths because I
 had no choice, and I failed my O-level (exam at age 15) once before
 scraping through the 2nd time. I was in my 30s before I overcame my
 priest-induced maths phobia, but I now have a postgrad qualification
 (with merit!) in discrete mathematics.

 --
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Re: test

2007-01-21 Thread rg2
thanks very much for all the responses everyone.  I appreciate your time :o)

rg2

- Original Message - 
From: Boris Liberman [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Sunday, January 21, 2007 12:08 AM
Subject: Re: test


I do.
 
 rg2 wrote:
 if you receive this, please respond and let me know
 
 
 
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Re: Film vs. Digital - not a religion

2007-01-21 Thread Paul Stenquist
No, not really. That's a digital myth. Underexposure is the enemy of  
good digital photography
On Jan 21, 2007, at 2:51 PM, Jens Bladt wrote:

 No, not really. Digital images of this sort must be underexposed,  
 in order
 to avoid burned out highlights, to which thery are more prone than  
 film
 images.
 regards

 Jens Bladt
 Nytarkort / Greeting Card:
 http://www.jensbladt.dk/godtnytaar2007/lydshow.html

 http://www.jensbladt.dk
 +45 56 63 77 11
 +45 23 43 85 77
 Skype: jensbladt248

 -Oprindelig meddelelse-
 Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne  
 af Paul
 Stenquist
 Sendt: 21. januar 2007 20:07
 Til: Pentax-Discuss Mail List
 Emne: Re: Film vs. Digital - not a religion


 Half of your examples are grossly underexposed. I'm guessing those
 are the digital samples. That makes the comparison irrelevant,
 because underexposure causes image degradation.
 Paul
 On Jan 21, 2007, at 1:54 PM, Jens Bladt wrote:

 To me this question is not a religion - just at matter of choosing
 the right
 gear for the job.
 Well, I know Luminous Landscape says a Canon 1Ds does better than a
 scan
 from a Pentax 6x7.
 http://www.luminous-landscape.com/reviews/shootout.shtml

 But paper is patient. So are HTML-files.
 But what can we do, really?

 Have any of you guys done group-portraits with a digital camera -
 APS or
 Full Frame?
 If you have such group portraits, showing 20-30 people, I'd love to
 see one
 face croped out of it.
 A crop showing 5-10% of the total frame area.
 Just to see if you can do this better than me.

 So, for staters I made a small comparison here:
 http://www.flickr.com/photos/bladt/sets/72157594491741789/

 Comments are most welcome
 Regards
 Jens Bladt


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where to send the money?

2007-01-21 Thread cbwaters
Who has the best deal for a package of K10D, grip, kit lens, and a spare 
battery?
 I don't what to pay a bunch of shipping and mark-up, ya know?

CW


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Re: Another PESO from Florida

2007-01-21 Thread Mark Dalal
From: Mark Roberts [EMAIL PROTECTED]

 I've tried color and b/w versions of this one. Not completely happy
 with either yet...
 http://www.robertstech.com/temp/oldtree.jpg

In terms of the tones, I probably would have done something like this:

http://www.flickr.com/photo_zoom.gne?id=364911524size=o

Truth be told, this image doesn't do anything for me. There are too many 
elements to make it a cohesive. I think you would have done well to get a 
little closer and take pics of the vines and that huge knot on their own. 
Those would have likely made for better pics.

Mark 



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Re: Epson R2400 problem

2007-01-21 Thread Mark Dalal
From: Paul Stenquist [EMAIL PROTECTED]

 I've already made in the neighborhood of 100 prints with my Epson
 R2400. I'm using the same setup as described by Godders and others here
 -- Photoshop is determining color. All the prints matched my monitor
 perfectly. Until today. Suddenly, from one print to the next, I'm
 getting dark muddy colors. It alsmost looks like I'm printing with a
 fill layer over the images. I tried files I had already printed. Same
 thing. I've done a nozzle clean and check and have restarted both
 computer and printer. Any ideas or suggestions?

Paul,

I've no experience with your printer. I would make one suggestion. Try 
printing a purge page:

http://www.inksupply.com/purging.cfm

It would be interesting to see what each cartridge puts out individually. I 
wonder if you have a bum cartridge.

Just a thought...

Mark 



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Re: where to send the money?

2007-01-21 Thread Paul Stenquist
BH is among the best on price. And they are absolutely the best on  
return policy and service.
Paul
On Jan 21, 2007, at 3:04 PM, cbwaters wrote:

 Who has the best deal for a package of K10D, grip, kit lens, and a  
 spare
 battery?
  I don't what to pay a bunch of shipping and mark-up, ya know?

 CW


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Re: Epson R2400 problem

2007-01-21 Thread Paul Stenquist
Thanks Mark,
I'll try that. But I already replaced all of the cartridges.
Paul
On Jan 21, 2007, at 3:20 PM, Mark Dalal wrote:

 From: Paul Stenquist [EMAIL PROTECTED]

 I've already made in the neighborhood of 100 prints with my Epson
 R2400. I'm using the same setup as described by Godders and others  
 here
 -- Photoshop is determining color. All the prints matched my monitor
 perfectly. Until today. Suddenly, from one print to the next, I'm
 getting dark muddy colors. It alsmost looks like I'm printing with a
 fill layer over the images. I tried files I had already printed. Same
 thing. I've done a nozzle clean and check and have restarted both
 computer and printer. Any ideas or suggestions?

 Paul,

 I've no experience with your printer. I would make one suggestion. Try
 printing a purge page:

 http://www.inksupply.com/purging.cfm

 It would be interesting to see what each cartridge puts out  
 individually. I
 wonder if you have a bum cartridge.

 Just a thought...

 Mark



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Re: Another PESO from Florida

2007-01-21 Thread Mark Roberts
Bruce Dayton wrote:

Could also stand a not so tightly cropped view perhaps.

The version on line is slightly cropped from the full image and 
actually works much better than the uncropped version.

 http://www.robertstech.com/temp/oldtree.jpg



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Re: Another PESO from Florida

2007-01-21 Thread Mark Roberts
Godfrey DiGiorgi wrote:

On Jan 21, 2007, at 9:42 AM, Mark Roberts wrote:

 I've tried color and b/w versions of this one. Not completely happy
 with either yet...
 http://www.robertstech.com/temp/oldtree.jpg

 K10D, 77 Ltd, ISO 400

I like it, but it's a little dark overall. 

I tried a few brighter renderings, but decided this was the more look I 
was going for. 

Also, a high frequency image like that needs SIZE to work well ... 
it is too small in this web-size rendering.

Absolutely. I'm looking forward to doing a big print.


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Re: A little *ist D statistics

2007-01-21 Thread Russell Kerstetter
I hear ya Jens!  I have had my DL for about 13 months, and shot ~2400
frames (only 6 shots per day :(, but I guarantee that I could not have
afforded to shoot that much film.  I never got into photography
because I could not afford it, then one day I called a shop that had
some DL's on 30% off:

DL and lens - $605
two cards - $100 (or $50 as one was a gift)
rechargeable batteries - $25 (two sets)
all USD

total - $730 = .30/shot

so my shots cost more than yours :) but I have only had mine for a
year, and I only shot a measely 6/day.  But the point still remains.
And in addition to the cost, I have been able to learn much faster
than if I had been using film (yay for instant gratification, and for
not having to buy a scanner to post on the web).

and even if you didn't have a point, just a bit of trivia, yay for digital!

russ

On 1/21/07, Jens Bladt [EMAIL PROTECTED] wrote:
 Hello All
 Since I am soon to receive my K10D, which will partly replace my *ist D, I
 guess a little statistics is in it's place.

 I had it for 29 months.
 I did 45000 shots
 I paid app.. 1180 USD incl. CF-cards, for it.
 That's the total cost - just about.

 That's in average 52 shots every day.
 Each shot cost me 0,4 USD or 4.4 cents
 That's 2.3 USD every day. Something like 5 cigarettes every day (Danish
 price level).
 I don't smoke BTW.

 If I had used film and my MZ-S this figuring would have been very different:

 I would have taken only 33 % of the number of shots = 15.000 shots
 I would  have been able to use the camera for 29 more months before it got
 obsolete, reducing the cost of the camera to 50%.
 I would have used 417 films at a total cost of app. 6000 USD
 Each shot would have cost me app. 0.5 USD, which is about 10 times the cost
 of a digital shot !
 In total I would have spent app. 7000 USD.

 About selling photographs:
 I believe the *ist D did pay for itself -  a couple of times actually,
 during it's 29 months of hard labour.
 If I had used film I would have lost money - I guess I would have spent
 perhaps 3000-4000 USD, that no one but me, would have had to pay.
 No wonder digtal cameras are so popular.

 Soon I will (almost) retire the *ist D.
 It will serve as a back-up body - or my wide angle body, when ever I use two
 bodies simultaneously - one wide angle lens and one tele lens.

 The final economics of the K10D will no doubt be even better than described
 above, since the camera is less expensive and more ressourcefull
 (67% more pixels in each shot and Shake Reduction will probably mean, that I
 will sell more photographs).
 The only REAL BIG DOWNSIDE: I will certainly miss TTL-flash!!!

 Regards
 Jens
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RE: Music and Portraits

2007-01-21 Thread Simon King
Oops, my error - misread watching for working

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Cotty
Sent: Sunday, 21 January 2007 10:42 PM
To: pentax list
Subject: Re: Music and Portraits


On 21/1/07, Simon King, discombobulated, unleashed:


Will do. Do you get a nod in the credits?

Sadly not. It's been 27 years since I worked for Auntie. I couldn't afford
the drop in pay ;-)

-- 


Cheers,
  Cotty


___/\__
||   (O)   | People, Places, Pastiche
||=|http://www.cottysnaps.com
_



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Found a new model over Christmas

2007-01-21 Thread Beaker
Happy New Year!

I found a new model over Christmas. He adopted my parents, but he was  
getting under foot- an little orange trip hazard.

Cheers
Mike

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Re: Film vs. Digital - not a religion

2007-01-21 Thread Evan Hanson
My experience is more in line with what WR said.  A great optical  
print beats even a drum scan.

Evan

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Re: Found a new model over Christmas

2007-01-21 Thread Paul Stenquist
Well, let's see him.
Paul
On Jan 21, 2007, at 4:05 PM, Beaker wrote:

 Happy New Year!

 I found a new model over Christmas. He adopted my parents, but he was
 getting under foot- an little orange trip hazard.

 Cheers
 Mike

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Re: Film vs. Digital - not a religion

2007-01-21 Thread Digital Image Studio
On 22/01/07, Jens Bladt [EMAIL PROTECTED] wrote:
 To me this question is not a religion - just at matter of choosing the right
 gear for the job.
 Well, I know Luminous Landscape says a Canon 1Ds does better than a scan
 from a Pentax 6x7.
 http://www.luminous-landscape.com/reviews/shootout.shtml

There are also plenty of tests which prove the contrary too and in
each case the difference is small enough to be irrelevant at the end
of the day. But from an equipment cost perspective it's probably still
better value to shoot MF film and scan than to buy a full frame body.

That said my SO recently returned from a business conference with a
USB memory stick full of shots from the proceedings. A couple of group
shots were made using a Canon 5D and they looked good though the faces
didn't show quite the level of detail that I would expect from similar
shots made using my Mamiya 7.

-- 
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://home.swiftdsl.com.au/~distudio//publications/
Pentax user since 1986, PDMLer since 1998

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Re: Another PESO from Florida

2007-01-21 Thread Mark Cassino
Mark Roberts wrote:
 I've tried color and b/w versions of this one. Not completely happy 
 with either yet...
 http://www.robertstech.com/temp/oldtree.jpg
 
 K10D, 77 Ltd, ISO 400
 
 
Hard to say, Mark. I htink I'm getting at what you are trying to convey 
here - the brooding deep ancient tree with clinging vines - like the 
true roots of civilizations with ephemera sticks onto it that ultimately 
becomes part of it.

Definitely not an image that works well at web size - which of course 
means nothing since web size is the equivalent of a 4 x6 at best.

I'd probably try to play with the tonal ranges to boost the contrast 
without blowing out that one patch of sky at the top. Maybe play with 
the curves tool a bit or create a second layer, lighten it up, and get 
creative with the blending and transparency.

- MCC
-- 
- - - - - - - - - - - - - - - - - - - -
Mark Cassino Photography
Kalamazoo, Michigan
www.markcassino.com
- - - - - - - - - - - - - - - - - - - -

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Re: where to send the money?

2007-01-21 Thread Micah Kleit
Cameta has the whole package (this includes the kit lens, which I'm  
not sure you want) for $1099.95, which isn't a bad deal.  I've dealt  
with Cameta before, as have a couple of friends, and they're not bad  
in the way of shipping and customer service, although I never had to  
return anything to them; in that regard, BH is the best, even if they  
end up being a few dollars more.

Good luck,

Micah

On Jan 21, 2007, at 3:04 PM, cbwaters wrote:

 Who has the best deal for a package of K10D, grip, kit lens, and a  
 spare
 battery?
  I don't what to pay a bunch of shipping and mark-up, ya know?

 CW


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Re: Film vs. Digital - not a religion

2007-01-21 Thread Godfrey DiGiorgi
You've stated you are producing a group shot for the web, not for  
printing. You put a bunch of unexposed, crappily rendered JPEG clips  
up as comparison to your scanned and sharpened 6x7 clips, at double  
the size they'll appear compared to the illustration here:

 This one wasn done with a Pentacon Six:
 http://www.jensbladt.dk/Nykoege/images/Byraad-gruppe-20x30-web.jpg

to say that it won't be good enough. That's just ridiculous, Jens.

Learn digital exposure and rendering first. Then complain that it  
won't be adequate quality if it isn't for the purpose at hand.

If I had the time, I would set up a test shot and let you be the  
judge. I have no photographs of 30 person groups to work with,  
unfortunately ... They're not something I've had occasion to produce  
in the past 30 years.

G


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Re: Film vs. Digital - not a religion

2007-01-21 Thread William Robb

- Original Message - 
From: Jens Bladt Subject: RE: Film vs. Digital - not a religion


 In stead of arguing this and that; show me your digital group images.
 Crop out one face covering 5-10% of the frame.
 Lets see and judging for ourselves.

I wouldn't consider shooting a group that large on anything other than 
medium format, so I can't argue anything.

William Robb 


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Re: Film vs. Digital - not a religion

2007-01-21 Thread Mark Roberts
Evan Hanson wrote:

My experience is more in line with what WR said.  A great optical  
print beats even a drum scan.

I have found just the opposite to be true: I've rarely seen an optical 
print that can compare to a well-done scan and print. Oh, certainly the 
*resolution* and fine detail will be better on the optical print (at 
least at large sizes). But that is, IMO, a very superficial way of 
evaluating print quality. The control you get from levels and curves 
adjustment is just an overwhelming advantage for digital output. 

In fact, my dissatisfaction with optical printing is what got me 
started into digital image technology long before digital cameras of 
reasonable quality were available for less than five-figure prices.



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RE: Film vs. Digital - not a religion

2007-01-21 Thread Jens Bladt
I must admit I haven't done much work to the digital files.
I did sharpen them, though, but that didin't help much due the the low
resolution. These crops were somthing like 100x100 pixel.
That's not a lot, is it?
Up rez'ing them wouldn't help either, I'm afriad.
More exposure would perhaps have helped a too, but still not enough, I
believe.

Of cource it's not quite fair comparing af 16-24mm sensor image to a 58x58mm
slide.
I would certainly not have used 35mm film for a group shot like this either.
I will, however, try to make group shots with the K10D, just to see how much
difference 66,7% more pixels will actually make.
I will, however, certainly bring some Velvia, a 6x6 camera with a Xenotar
lens too. Just in case :-)

Regards

Jens Bladt
Nytarkort / Greeting Card:
http://www.jensbladt.dk/godtnytaar2007/lydshow.html

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af Godfrey
DiGiorgi
Sendt: 21. januar 2007 23:13
Til: Pentax-Discuss Mail List
Emne: Re: Film vs. Digital - not a religion


You've stated you are producing a group shot for the web, not for
printing. You put a bunch of unexposed, crappily rendered JPEG clips
up as comparison to your scanned and sharpened 6x7 clips, at double
the size they'll appear compared to the illustration here:

 This one wasn done with a Pentacon Six:
 http://www.jensbladt.dk/Nykoege/images/Byraad-gruppe-20x30-web.jpg

to say that it won't be good enough. That's just ridiculous, Jens.

Learn digital exposure and rendering first. Then complain that it
won't be adequate quality if it isn't for the purpose at hand.

If I had the time, I would set up a test shot and let you be the
judge. I have no photographs of 30 person groups to work with,
unfortunately ... They're not something I've had occasion to produce
in the past 30 years.

G


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Re: Film vs. Digital - not a religion

2007-01-21 Thread Mark Cassino
I spent a lot of time trying to sort out the whole film vs digital 
thing. A lot of the things I worked through are on my blog, but this 
link sums up where I finally wound up:

http://www.markcassino.com/b2evolution/index.php?title=stuff_per_pixelmore=1c=1tb=1pb=1

Medium format and certainly large format still excel at capturing scenes 
that require very high resolution, and still do a better job than 
digital. But, most folks never shoot stuff that really calls for high 
resolution, so this is a moot point to them. I don't think a group 
portrait is a particularly high resolution challenge, unless you need to 
see individual eyelashes.

As a practical example - I'm working today on an entry for an art show, 
hosted by the local at museum. I've been struggling all day to get a 
decent 12x18 print of this shot:

http://www.markcassino.com/galleries/stream/061201/_IGP0058.htm

It was taken with the K10D. There is just gobs of data in that image - 
branches upon branches upon branches. I've tried various raw 
interpreters but at the end of the day - the data just was not captured 
on the sensor, so I get jaggies and a loss of detail in the most 
intricate parts of the image.

On the flip side, the other image that I plan on submitting is a 28 x 23 
inch print of this framed out generously and sitting in my dining room:

http://www.markcassino.com/galleries/asga/asga00.htm

That was taken with a 6x7, 55mm f4, and scanned on a lowly Epson 3200. 
It was shot on Classic Pan 200. But the detail in the enlargement is 
outstanding. Here's an actual pixels sample:

http://www.markcassino.com/b2evolution/media/67_504_detail.jpg

The detail in the enlargement far exceeds the detail in the shot taken 
with the K10D. I mean - comparing a 12x18 to a 28x23, the latter has 
more detail. There is no way I could print the K10D shot at that size 
and get anything but an artifaced mess.

On the flip side - I would never try to take snow crystal shots with the 
6x7 - trying to enlarge a 5mm snow crystal up to 6 cm would be almost 
impossible - just enlarging them to fit an APS sensor will capture all 
of the availble detail.  And I have some excellent 28x28 inch 
enlargements of snow crystals shot with the *ist-D.

So - it all boils down to what tool is right for the job. The folks at 
luminous landscape defined the job a certain way, and came up with 
their results. It's useful as a benchmark of where digital is in 
relation to film - I've been surprised at how much more detail the K0D 
can capture vs the *ist-D. But it's also a bit of a tautology in that if 
you know the state of current photographic tools, what is right for the 
job is obvious.

- MCC

Jens Bladt wrote:
 To me this question is not a religion - just at matter of choosing the right
 gear for the job.
 Well, I know Luminous Landscape says a Canon 1Ds does better than a scan
 from a Pentax 6x7.
 http://www.luminous-landscape.com/reviews/shootout.shtml
 
 But paper is patient. So are HTML-files.
 But what can we do, really?
 
 Have any of you guys done group-portraits with a digital camera - APS or
 Full Frame?
 If you have such group portraits, showing 20-30 people, I'd love to see one
 face croped out of it.
 A crop showing 5-10% of the total frame area.
 Just to see if you can do this better than me.
 
 So, for staters I made a small comparison here:
 http://www.flickr.com/photos/bladt/sets/72157594491741789/
 
 Comments are most welcome
 Regards
 Jens Bladt
 
 
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A couple of woo-hoos

2007-01-21 Thread Mark Cassino
A couple bits of good news came this week.

On Thursday I got word from one of stock agents that he had sold one of 
my snow crystals shots to the Sierra Club, for use in a future holiday 
greeting card. I knew he was working on it but it was great to see the 
deal close, and obviously it's an honor to have them buy one of my 
shots. Over the last year another major US snow crystal photographer has 
pretty much eaten my lunch at every turn, so I was happy to emerge with 
one success.

And (non-Pentax context) yesterday I got word that one of my Holga shots 
was accepted into the upcoming Krappy Kamera Contest, hosted by Soho 
Photo Gallery in NYC. That's a pretty competitive show, so I'm glad ot 
have gotten in.

Common theme - both shots are macros. The snow crystal was taken with 
the extreme close up rig with the *ist-D. The Holga shot was taken with 
  3 single element closeup filters strapped to the front of the Holga 
lens, and a lot of guess work as to where to put the camera (since it's 
not an SLR system.)

- MCC


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Re: Another PESO from Florida

2007-01-21 Thread Mark Roberts
Mark Cassino wrote:

Mark Roberts wrote:
 http://www.robertstech.com/temp/oldtree.jpg
 
Definitely not an image that works well at web size - which of course 
means nothing since web size is the equivalent of a 4 x6 at best.

I'd probably try to play with the tonal ranges to boost the contrast 
without blowing out that one patch of sky at the top. Maybe play with 
the curves tool a bit or create a second layer, lighten it up, and get 
creative with the blending and transparency.

I'm working along these lines. I think there's going to be quite a bit 
of spot burning/dodging involved in the end, too.

Still, I think there's a great large print somewhere in this photo 
trying to get out. I'm going to see if I can find it :)

This one *really* needed a large format camera...


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Re: Peso - My own HDR

2007-01-21 Thread Gonz


[EMAIL PROTECTED] wrote:
 I've a problem with this shot.
 
 There is this white glow or whatever is the term just above the roofs of 
 the buildings. Then there is same white artifact around the tree 
 branches on the far left. Could be this is some kind of HDR effect. Yet, 
 it makes this photo look unnatural.
 

Thanks for looking Boris.  Yes, it seems many, if not all, HDR shots 
have this glow around areas of high contrast.  It must be related to 
the merge somehow.

 The composition is right and I generally like the scene, given the same 
 attitude we have towards snow in Israel ;-). But this HDR thingie - it 
 is still very weird to my eyes.
 
Yes, it is kind of weird, but it can have some interesting applications 
if applied judiciously.  In this case, I was going for more weird than 
normal.

 Boris
 
 
 Gonz wrote:
 
Had a nice and rare subject: snow in Texas (not north).  Thought I would 
take advantage of that to give HDR a try:

http://www.g0nz.com/picgallery/displayimage.php?album=4pos=0


If you click on the thumbnail version you get the bigger version.  For 
those on slower connections, the big version is about 600K bytes 
unfortunately, I forgot to lower the quality during the JPG conversion.


Thanks for looking,

rg

 
 
 

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PESO -- Left all alone.

2007-01-21 Thread P. J. Alling
Sitting in the window of the local coffee shop, you occasionally see a 
bit of pathos.  In this case a dog was left tied to a bench out in the 
cold while her owners went in for a cup.  She stood around disconsolate 
until they stepped out of the door.

http://www.mindspring.com/~morephotos/PESO_--_almostback.html

Pentax *ist-Ds w smc Pentax FA 43mm f1.9 Ltd.

--

The more I know of men, the more I like my dog.
-- Anne Louise Germaine de Stael


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Re: where to send the money?

2007-01-21 Thread John Francis

Adorama are good, too.
And I can (unfortunately) testify to their satisfactory
return  exchange service; my first AF-540 was defective
(probably damaged in transit - I hate UPS), but I now
have an exchange unit where the wide-angle adapter and
catchlight reflector slide in and out properly.

On Sun, Jan 21, 2007 at 03:27:06PM -0500, Paul Stenquist wrote:
 BH is among the best on price. And they are absolutely the best on  
 return policy and service.
 Paul
 On Jan 21, 2007, at 3:04 PM, cbwaters wrote:
 
  Who has the best deal for a package of K10D, grip, kit lens, and a  
  spare
  battery?
   I don't what to pay a bunch of shipping and mark-up, ya know?
 
  CW
 
 
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Re: Hello! (introduction)

2007-01-21 Thread Gonz


[EMAIL PROTECTED] wrote:
 - Original Message - 
 From: Cotty 
 Subject: Re: Hello! (introduction)
 
 
 
You can never have too many lenses.

That with or without aperture simulators?

 
 
 I don't differentiate.
 

Do you integrate?

 William Robb
 

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PESO: two more

2007-01-21 Thread Ralf R. Radermacher
One from Boulogne:

http://www.fotocommunity.de/pc/pc/mypics/770012/display/7757564

and another one from Liège:

http://www.fotocommunity.de/pc/pc/extra/buddies/display/7752110

Enjoy. Comments and suggestions as always most welcome.

Ralf

-- 
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private homepage: http://www.fotoralf.de
manual cameras and photo galleries - updated Jan. 10, 2005
Contarex - Kiev 60 - Horizon 202 - P6 mount lenses

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RE: A couple of woo-hoos

2007-01-21 Thread Tom C
Congratulations Mark.  Well deserved I'm sure.  It's always gratifying to 
receive some 'official' recognition.

Tom C.




From: Mark Cassino [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: A couple of woo-hoos Date: Sun, 21 Jan 2007 18:02:36 -0500

A couple bits of good news came this week.

On Thursday I got word from one of stock agents that he had sold one of
my snow crystals shots to the Sierra Club, for use in a future holiday
greeting card. I knew he was working on it but it was great to see the
deal close, and obviously it's an honor to have them buy one of my
shots. Over the last year another major US snow crystal photographer has
pretty much eaten my lunch at every turn, so I was happy to emerge with
one success.

And (non-Pentax context) yesterday I got word that one of my Holga shots
was accepted into the upcoming Krappy Kamera Contest, hosted by Soho
Photo Gallery in NYC. That's a pretty competitive show, so I'm glad ot
have gotten in.

Common theme - both shots are macros. The snow crystal was taken with
the extreme close up rig with the *ist-D. The Holga shot was taken with
   3 single element closeup filters strapped to the front of the Holga
lens, and a lot of guess work as to where to put the camera (since it's
not an SLR system.)

- MCC


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Re: See Ya - This is Crazy

2007-01-21 Thread Scott Loveless
Maybe he should ask Doug for refund.  g

On 1/20/07, David Savage [EMAIL PROTECTED] wrote:
 Wimp! :-)

 Dave

 On 1/21/07, W. Guy Finley [EMAIL PROTECTED] wrote:
 
  On Jan 19, 2007, at 11:09 PM, [EMAIL PROTECTED] wrote:
 
   RE: PISS OFF JCO: Camera sold,but worries remain (yet
 another eBayquestion)
 
 
  I like the digest format, helps me sort through the vast messages on
  this list.  I know I could go to individual emails and filter out
  children but I don't want the hassle of sorting through all the
  messages so this relatively new member is going to say adios.  It's
  really sad, there's some good folks providing good resources on this
  list but with no moderation to control pure and obvious trolling as
  well as the out of control OT posts I can't handle this and hope to
  see some of you helpful folks elsewhere.
 
  I'm unsubbing, email me off list if you have thoughts (invitation
  does not extend to trolls).
 
  Best regards,
  Guy

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http://www.twosixteen.com
Shoot more film!

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Re: Film vs. Digital - not a religion

2007-01-21 Thread Evan Hanson
As always Mark, you make a great point.


On Jan 21, 2007, at 5:47 PM, Mark Cassino wrote:

 I spent a lot of time trying to sort out the whole film vs digital
 thing. A lot of the things I worked through are on my blog, but this
 link sums up where I finally wound up:

 http://www.markcassino.com/b2evolution/index.php? 
 title=stuff_per_pixelmore=1c=1tb=1pb=1

 Medium format and certainly large format still excel at capturing  
 scenes
 that require very high resolution, and still do a better job than
 digital. But, most folks never shoot stuff that really calls for high
 resolution, so this is a moot point to them. I don't think a group
 portrait is a particularly high resolution challenge, unless you  
 need to
 see individual eyelashes.

 As a practical example - I'm working today on an entry for an art  
 show,
 hosted by the local at museum. I've been struggling all day to get a
 decent 12x18 print of this shot:

 http://www.markcassino.com/galleries/stream/061201/_IGP0058.htm

 It was taken with the K10D. There is just gobs of data in that image -
 branches upon branches upon branches. I've tried various raw
 interpreters but at the end of the day - the data just was not  
 captured
 on the sensor, so I get jaggies and a loss of detail in the most
 intricate parts of the image.

 On the flip side, the other image that I plan on submitting is a 28  
 x 23
 inch print of this framed out generously and sitting in my dining  
 room:

 http://www.markcassino.com/galleries/asga/asga00.htm

 That was taken with a 6x7, 55mm f4, and scanned on a lowly Epson 3200.
 It was shot on Classic Pan 200. But the detail in the enlargement is
 outstanding. Here's an actual pixels sample:

 http://www.markcassino.com/b2evolution/media/67_504_detail.jpg

 The detail in the enlargement far exceeds the detail in the shot taken
 with the K10D. I mean - comparing a 12x18 to a 28x23, the latter has
 more detail. There is no way I could print the K10D shot at that size
 and get anything but an artifaced mess.

 On the flip side - I would never try to take snow crystal shots  
 with the
 6x7 - trying to enlarge a 5mm snow crystal up to 6 cm would be almost
 impossible - just enlarging them to fit an APS sensor will capture all
 of the availble detail.  And I have some excellent 28x28 inch
 enlargements of snow crystals shot with the *ist-D.

 So - it all boils down to what tool is right for the job. The folks at
 luminous landscape defined the job a certain way, and came up with
 their results. It's useful as a benchmark of where digital is in
 relation to film - I've been surprised at how much more detail the K0D
 can capture vs the *ist-D. But it's also a bit of a tautology in  
 that if
 you know the state of current photographic tools, what is right for  
 the
 job is obvious.

 - MCC

 Jens Bladt wrote:
 To me this question is not a religion - just at matter of choosing  
 the right
 gear for the job.
 Well, I know Luminous Landscape says a Canon 1Ds does better than  
 a scan
 from a Pentax 6x7.
 http://www.luminous-landscape.com/reviews/shootout.shtml

 But paper is patient. So are HTML-files.
 But what can we do, really?

 Have any of you guys done group-portraits with a digital camera -  
 APS or
 Full Frame?
 If you have such group portraits, showing 20-30 people, I'd love  
 to see one
 face croped out of it.
 A crop showing 5-10% of the total frame area.
 Just to see if you can do this better than me.

 So, for staters I made a small comparison here:
 http://www.flickr.com/photos/bladt/sets/72157594491741789/

 Comments are most welcome
 Regards
 Jens Bladt


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Re: Development: Was - Unemployed

2007-01-21 Thread Scott Loveless
On 1/20/07, Simon King [EMAIL PROTECTED] wrote:
 Rg2 said
 every development, every new experience they have, I get to see.

 Like not having to be strapped in a chair anymore...
 http://members.iinet.net.au/~celsim/sydney/slides/070119_07.html

 ...and is he happy about it!
 http://members.iinet.net.au/~celsim/sydney/slides/070119_06.html

 Simon



He certainly looks happy.  The first one is very, very good.

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Shoot more film!

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Re: Unemployed

2007-01-21 Thread Scott Loveless
On 1/19/07, rg2 [EMAIL PROTECTED] wrote:
 Scott:

 I hope you enjoy being a stay at home parent.  It is both rewarding and can
 cause several types of insanity.  I am currently on maternity leave, with a
 4 year son and a newborn daughter.  It is rewarding because every moment,
 every development, every new experience they have, I get to see.  It is also
 causing me to crave adult companionship and so I turned to this list - and
 then turned back to watching Blue's Clues with my son.  I think he is more
 mature than some of the grumpy old men on this list :o)  I take tons of
 pictures and show them to my husband when he gets home, who largely misses
 out on all the great moments.  I will be looking forward to more great kid
 photos.  What ages are your daughters?


Thanks, RG.  Much appreciated.  Megan will four next month.  Molly is
about 15 months.  The next few months should be interesting.  I'll be
trying to figure out a semi-educational day plan, all the while
fitting in as much photography as possible.  They're now models,
whether they want to be or not.  A roll of seamless is on my short
list.

-- 
Scott Loveless
http://www.twosixteen.com
Shoot more film!

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Re: Praising K10D performance even with limitations

2007-01-21 Thread mike wilson
Boris Liberman wrote:


 http://not.contaxg.com/document.php?id=16300full=1
 
 Please comment on the quality of light as I still want to learn more 
 about this light billiard I've been playing yesterday with the 
 diffuser and the flash.

Happy anniversary.  You could have worn a tie. [8-)))]

Interesting that the flash has not completely reduced/overpowered the 
ambient lighting, leaving a touch of modelling.  Just about perfect, as 
far as I can see.

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Re: A couple of woo-hoos

2007-01-21 Thread Paul Stenquist
Congratulaitions, Mark. You're snow flake shots are certainly worthy  
of wider exposure. The Krappy Kamera contest is an even bigger win.  
I've seen that show. It's excellent

Paul
Go Bears!
On Jan 21, 2007, at 6:02 PM, Mark Cassino wrote:

 A couple bits of good news came this week.

 On Thursday I got word from one of stock agents that he had sold  
 one of
 my snow crystals shots to the Sierra Club, for use in a future holiday
 greeting card. I knew he was working on it but it was great to see the
 deal close, and obviously it's an honor to have them buy one of my
 shots. Over the last year another major US snow crystal  
 photographer has
 pretty much eaten my lunch at every turn, so I was happy to emerge  
 with
 one success.

 And (non-Pentax context) yesterday I got word that one of my Holga  
 shots
 was accepted into the upcoming Krappy Kamera Contest, hosted by Soho
 Photo Gallery in NYC. That's a pretty competitive show, so I'm glad ot
 have gotten in.

 Common theme - both shots are macros. The snow crystal was taken with
 the extreme close up rig with the *ist-D. The Holga shot was taken  
 with
   3 single element closeup filters strapped to the front of the Holga
 lens, and a lot of guess work as to where to put the camera (since  
 it's
 not an SLR system.)

 - MCC


 -- 
 - - - - - - - - - - - - - - - - - - - -
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 Kalamazoo, Michigan
 www.markcassino.com
 - - - - - - - - - - - - - - - - - - - -

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Re: A couple of woo-hoos

2007-01-21 Thread Paul Stenquist
One more woo hoo.
The Bears are going to the Super Bowl! I waited twenty-one years for  
this WOOO HOOO!
Paul
PS: Who doesn't care that his printer doesn't work for the moment.
On Jan 21, 2007, at 6:02 PM, Mark Cassino wrote:

 A couple bits of good news came this week.

 On Thursday I got word from one of stock agents that he had sold  
 one of
 my snow crystals shots to the Sierra Club, for use in a future holiday
 greeting card. I knew he was working on it but it was great to see the
 deal close, and obviously it's an honor to have them buy one of my
 shots. Over the last year another major US snow crystal  
 photographer has
 pretty much eaten my lunch at every turn, so I was happy to emerge  
 with
 one success.

 And (non-Pentax context) yesterday I got word that one of my Holga  
 shots
 was accepted into the upcoming Krappy Kamera Contest, hosted by Soho
 Photo Gallery in NYC. That's a pretty competitive show, so I'm glad ot
 have gotten in.

 Common theme - both shots are macros. The snow crystal was taken with
 the extreme close up rig with the *ist-D. The Holga shot was taken  
 with
   3 single element closeup filters strapped to the front of the Holga
 lens, and a lot of guess work as to where to put the camera (since  
 it's
 not an SLR system.)

 - MCC


 -- 
 - - - - - - - - - - - - - - - - - - - -
 Mark Cassino Photography
 Kalamazoo, Michigan
 www.markcassino.com
 - - - - - - - - - - - - - - - - - - - -

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Re: PESO: two more

2007-01-21 Thread Bob Sullivan
Ralf,
Good pictures, but not as good as your previous stuff.
I wish there was a top corner to the building on the left in pix#1.
The moving barge in #2 is distracting.
Regards, Bob S.

On 1/21/07, Ralf R. Radermacher [EMAIL PROTECTED] wrote:
 One from Boulogne:

 http://www.fotocommunity.de/pc/pc/mypics/770012/display/7757564

 and another one from Liège:

 http://www.fotocommunity.de/pc/pc/extra/buddies/display/7752110

 Enjoy. Comments and suggestions as always most welcome.

 Ralf

 --
 Ralf R. Radermacher  -  DL9KCG  -  Köln/Cologne, Germany
 private homepage: http://www.fotoralf.de
 manual cameras and photo galleries - updated Jan. 10, 2005
 Contarex - Kiev 60 - Horizon 202 - P6 mount lenses

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