Re: P30?

2024-02-05 Thread mike wilson
 P3n 
> On 03/02/2024 13:10 GMT Mark Roberts  wrote:
> 
>  
> Could be. Its variant the P30n, by the way, is the famed Pentax "Ned".
> 
> Feb 3, 2024 4:57:28 AM Bob W PDML :
> 
> > https://www.instagram.com/p/C24TyRFNwjY/?igsh=MXJkcTNnd3VlMTBkOQ==
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Re: P30?

2024-02-03 Thread Mark Roberts
Could be. Its variant the P30n, by the way, is the famed Pentax "Ned".

Feb 3, 2024 4:57:28 AM Bob W PDML :

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P30?

2024-02-03 Thread Bob W PDML
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RE: Next body after P30?

2004-06-10 Thread Jens Bladt
I own a Super A as well as a P30 and P50. It's true that the (earlier) Super
A is superior to the other two (TTL flash and shutter priority). One thing I
like ablut both P30 and P50 is the very soft release. The P50 has a
beautiful design as well.

Jens Bladt
mailto:[EMAIL PROTECTED]
http://hjem.get2net.dk/bladt


-Oprindelig meddelelse-
Fra: Brian Walters [mailto:[EMAIL PROTECTED]
Sendt: 9. juni 2004 02:11
Til: [EMAIL PROTECTED]
Emne: Re: Next body after P30?


Hi Peter

I'd agree with Joe.

The Super A / Super Program is a great manual camera. Apart from the LX, it
was
the most sophisticated manual camera that Pentax produced and it picked up a
swag
of well deserved awards. I've seen good examples offered on ebay so you
could
probably pick one up at a reasonable cost.  It features program, aperture
priority, shutter priority and metered manual exposure modes as well as TTL
flash
(program and shutter priority only available with 'A' series manual lenses).
Also has depth of field preview, exposure compensation and a PC flash
connector
socket.  I've been using one for many years and I still use it regularly
even
though I have more recent models.

The P50/P5 is also good as a step up from the P30.  Although not as full
featured
as the Super A, it is (in my opinion anyway), one of the best handling
models
that Pentax produced - it really feels good to use.  It has 'landscape' and
'speed' program modes as well as aperture priority and metered manual.  No
TTL
flash.  It doesn't provide for manual setting of film speed - DX only (like
the
P30) but if you feel the need to change the rated film speed, you can get
around
this by using the exposure compensation facility (unlike the P30).

I've never used the MZ-M so I can't comment on that one.


Regards

Brian


+

Brian Walters
Australian Plants Societies
http://farrer.csu.edu.au/ASGAP/

On Tue, 08 Jun 2004 18:24 , [EMAIL PROTECTED] sent:

I prefer Pentax manual lenses for travel due to their size, weight and
great optics. They are also relatively cheap secondhand.

However, the bodies have always left me a bit flat. I can't afford an LX so
I started with ME Supers. More recently, the P30T has worked well ...
inexpensive and looks very unassuming to the locals. But I am perplexed
about what is the next step up. I understand the P30 was the last manual
body made.

Could I expect better results using my manual lenses with an autofocus body
instead of the P30T. I guess what I am looking for is a brief rundown of
the merits of each body when used with manual lenses. What meter modes will
or will not work, and what advantages are gained from those of the newer
features that can be so utlilized.

Thanks for any advice.

Peter Nielsen





 Msg sent via Spymac Mail - http://www.spymac.com





Re: Next body after P30?

2004-06-08 Thread Joe Wilensky
Hi, Peter,
The next step up is probably a brief step back chronologically, to 
the Super Program/Super A, which is a better and more advanced body 
than the P30t, with the sole exception of a lack of an exposure 
lock/hold button. It has TTL flash and program/aperture 
priority/shutter priority/manual modes along with program flash and 
TTL flash modes. It doesn't set the film speed for you, but this 
means you can expose film at other than its rated speed, and it has a 
really nice viewfinder with full information (at least in program  
shutter priority mode) that's a pleasure to use for manual focusing.

Other directions to go may be the slightly harder to find P5/P50, 
which I believe at least has a choice of program modes, or the 
Program A/Program Plus, which is the budget model of the Super 
Program.

In autofocus, the SF1n/SFXn is actually very nice for manual 
focusing, with the best Pentax viewfinder (all glass) of the 
autofocus bodies until the MZ-S came along. Most of the autofocus 
bodies are fine for manual focusing, though there are no split-prism 
or microprism focusing aids. The cameras can give you a beep or a 
viewfinder indicator for proper focus with manual focus lenses. Most 
of the PZ/Z series and the ZX/MZ series of autofocus bodies will give 
you multi-segment metering if you have manual focus A lenses and 
several have spot metering and other nice features that work just 
fine with manual focus lenses.

The sole current manual-focus body, the ZX-M/MZ-M, is quite nice, 
although very small and light, and while the viewfinder is much 
smaller than the ME Super/Super Program's, it does have the split 
image/microprism focusing aid.

Joe

I prefer Pentax manual lenses for travel due to their size, weight and
great optics. They are also relatively cheap secondhand.
However, the bodies have always left me a bit flat. I can't afford an LX so
I started with ME Supers. More recently, the P30T has worked well ...
inexpensive and looks very unassuming to the locals. But I am perplexed
about what is the next step up. I understand the P30 was the last manual
body made.
Could I expect better results using my manual lenses with an autofocus body
instead of the P30T. I guess what I am looking for is a brief rundown of
the merits of each body when used with manual lenses. What meter modes will
or will not work, and what advantages are gained from those of the newer
features that can be so utlilized.
Thanks for any advice.
Peter Nielsen




--
Joe Wilensky
Staff Writer
Communication and Marketing Services
1150 Comstock Hall
Cornell University
Ithaca, NY 14853-2601
e-mail: [EMAIL PROTECTED]
tel: 607-255-1575
fax: 607-255-9873


Re: P30 and AF201SA

2003-09-26 Thread Kostas Kavoussanakis
On Fri, 26 Sep 2003, Dr E D F Williams wrote:

 Call it what you like. But the manual calls it programmed AE mode, quite

I guess AE means Automatic Exposure, or sth like that. In general, I
have seen programmed AE, aperture priority AE and shutter priority AE.
The P30 only has programmed AE.

 clearly, in several places: page 19, 22, 27 and many others. The P30T is
 slightly different. I have one of those as well. What I don't have is an
 AF200 or 201 flash so I can't do the experiment. I have a Metz 45 and a
 Popular 30TB D. I use both on Auto and they work perfectly.

Thanks Don.

Kostas



Re: P30 and AF201SA

2003-09-25 Thread Dr E D F Williams
I would suggest that it works the same way; that the aperture and speed will
be set automatically in AE mode. But if you have the shutter set below 1/100
it will not be changed - apparently. The P30 film speed is ISO 100 without a
film in the camera. But why not just put one in? Or an empty cassette? I
usually keep a few of those around -- useful for checking the meters of my
P30s (I have three of them now) against a hand held meter.

Don
___
Dr E D F Williams
http://personal.inet.fi/cool/don.williams
Author's Web Site and Photo Gallery
See New Pages The Cement Company from HELL!
Updated: August 15, 2003


- Original Message - 
From: Kostas Kavoussanakis [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, September 25, 2003 11:50 AM
Subject: Re: P30 and AF201SA


 On Wed, 24 Sep 2003, Dr E D F Williams wrote:

  In programmed AE mode the camera will be set to 1/100 and the aperture
will
  also be set according to where you have the switch - Red, Green or
Yellow .
  But this information applies to the AF200SA since the 201 was probably
not
  yet on the market at the time the P30 manual was written.

 Thanks :-(

 The AF201SA does not have Red or Yellow, just Auto. I thought that the
 A in the name would mean that it sets aperture and speed :-(

 My hope is that the P30 gets confused because it's not loaded with
 film, does not have an ISO number and plays up. Plausible?

 I may load it at some point (but the ME Super I am waiting through the
 post takes priority now).

 Thanks,
 Kostas





Re: P30 and AF201SA

2003-09-25 Thread Kostas Kavoussanakis
On Thu, 25 Sep 2003, Dr E D F Williams wrote:

 I would suggest that it works the same way; that the aperture and speed will
 be set automatically in AE mode.

The P30 does not have AE, only P and Manual. In P (even without the
flash) the shutter setting is irrelevant; the camera does as it
pleases (but tells you what it thinks).

 The P30 film speed is ISO 100 without a
 film in the camera. But why not just put one in? Or an empty cassette?

I don't do my own processing, so I don't have empty cassettes. But
what I can do is put one in and then move it to another camera if I
don't shoot; it's the DX that I want to get.

Thanks for the suggestions.

Kostas



Re: P30 and AF201SA

2003-09-25 Thread Kostas Kavoussanakis
On Thu, 25 Sep 2003, Dr E D F Williams wrote:

 'AE' mode with the P30 is attained by setting the lens to the 'A' position.

That's P mode, as you then have no control of the shutter either. In
the P30 you cannot put the shutter dial to the Program or Auto
position. Are you thinking of the P30t perhaps?

http://kmp.bdimitrov.de/bodies/P/P3.html

The film made no difference either. Unlucky :-(

Kostas



P30 and AF201SA

2003-09-24 Thread Kostas Kavoussanakis

Hi,

Does anybody have the above combination? I just bought the AF201SA
(thanks Eric) and I expected it to set the aperture and speed
automatically in the P mode; I tried it in near-darkness and, while
the flash worked, the mirror stayed open for a second, so... I don't
have a manual for the P30 (the Pentax site only has a manual for the
P30t), can anybody check for me please? The flash works fine on the
MZ-50.

TIA,
Kostas



Re: P30 and AF201SA

2003-09-24 Thread Dr E D F Williams
In programmed AE mode the camera will be set to 1/100 and the aperture will
also be set according to where you have the switch - Red, Green or Yellow .
But this information applies to the AF200SA since the 201 was probably not
yet on the market at the time the P30 manual was written.

Don
___
Dr E D F Williams
http://personal.inet.fi/cool/don.williams
Author's Web Site and Photo Gallery
See New Pages The Cement Company from HELL!
Updated: August 15, 2003


- Original Message - 
From: Kostas Kavoussanakis [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, September 24, 2003 7:00 PM
Subject: P30 and AF201SA



 Hi,

 Does anybody have the above combination? I just bought the AF201SA
 (thanks Eric) and I expected it to set the aperture and speed
 automatically in the P mode; I tried it in near-darkness and, while
 the flash worked, the mirror stayed open for a second, so... I don't
 have a manual for the P30 (the Pentax site only has a manual for the
 P30t), can anybody check for me please? The flash works fine on the
 MZ-50.

 TIA,
 Kostas






Re: P30 vs. Super program (Super A)?

2003-06-12 Thread Anthony Farr
The exposure comp. detents may be 'only' at full stops, but they're not very
strongly detented, or sprung towards the detents.  It's very easy to set
them at any intermediate point to get fractional stops of compensation.

regards,
Anthony Farr

- Original Message - 
From: Lon Williamson [EMAIL PROTECTED]


 Exposure compensation detents are full stops.

(snip)



Re: P30 vs. Super program (Super A)?

2003-06-12 Thread Lon Williamson
I've had both of my SuperPrograms tested by the local
crusty old repair guy.  Synch on both is very close to
1/90th.  I posted to PDML about this once upon a time
and got a fair amount of confirmation from other folks
around here.
-Lon

Alan Chan wrote:
Pentax lied about synch speed.  It's 1/90th.


But how did you tested it out?

regards,
Alan Chan
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Re: P30 vs. Super program (Super A)?

2003-06-12 Thread Anthony Farr
I've posted about this separately, but it bears re-asking.  Do you refer to
the speed of the X-position of the mode dial, or the speed when the
shutter-speed selector is on 1/125sec?  I would frequently use that setting
if I wanted to mix TTL ambient and OTF-flash metering (the X-position is
unmetered, OTF flash is always on depending on the flash unit connected).  I
never got half-framing.  The X-position isn't a battery-less position,
unlike the ME Super AFAIK, so the reason for this is beyond my ken, but if I
had to guess then I'd say that 1/125sec doesn't have enough 'dwell' (to
steal a motoring term) to permit slower electronic flashes.  For instance my
Metz 60CT-1 has full power duration of 1/400sec, and the big Hensel 3200 and
600 joule packs I formerly used burned for about 1/100sec at high powers
(requiring 1/60sec or longer).

regards,
Anthony Farr

- Original Message - 
From: Lon Williamson [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, 12 June 2003 8:04 PM
Subject: Re: P30 vs. Super program (Super A)?


 I've had both of my SuperPrograms tested by the local
 crusty old repair guy.  Synch on both is very close to
 1/90th.  I posted to PDML about this once upon a time
 and got a fair amount of confirmation from other folks
 around here.

 -Lon

 Alan Chan wrote:
  Pentax lied about synch speed.  It's 1/90th.
 
 
  But how did you tested it out?
 
  regards,
  Alan Chan
 
  _
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Re: P30 vs. Super program (Super A)?

2003-06-12 Thread Lon Williamson
I don't think this is the case, Anthony.  The
shutter speed curve has a wiggle right at 125th
that happens on flash synch or on manual.  To me,
this is no big deal.  However, someone questing
for a perfect within a third stop exposure would
probably have to factor it in.
Anthony Farr wrote:
I read this often, and yet those times that I have shot with flash at a
selected 1/125sec, rather than at the X-position of the mode selector, I've
never got any 'half-framing'.  Perhaps the X-position is under-speed even
though the camera still truly synchs at 1/125sec.
regards,
Anthony Farr
- Original Message - 
From: Lon Williamson [EMAIL PROTECTED]

(snip)

synch is at 1/90 (although specified as 1/125)

(snip)






Re: P30 vs. Super program (Super A)?

2003-06-12 Thread Lon Williamson
Agreed.

Anthony Farr wrote:
The exposure comp. detents may be 'only' at full stops, but they're not very
strongly detented, or sprung towards the detents.  It's very easy to set
them at any intermediate point to get fractional stops of compensation.
regards,
Anthony Farr
- Original Message - 
From: Lon Williamson [EMAIL PROTECTED]


Exposure compensation detents are full stops.

(snip)






Re: P30 vs. Super program (Super A)?

2003-06-12 Thread Anthony Farr
Should be Hensel 3200 and 6000 joule packs

- Original Message - 
From: Anthony Farr [EMAIL PROTECTED]

(snip)
 For instance my
 Metz 60CT-1 has full power duration of 1/400sec, and the big Hensel 3200
and
 600 joule packs I formerly used burned for about 1/100sec at high powers
 (requiring 1/60sec or longer).

 regards,
 Anthony Farr




Re: P30 vs. Super program (Super A)?

2003-06-12 Thread Daniel Liu
So, just curious, how quickly do the pentax flashes fully discharge? 
eg, 200T, 280T, 200SA, 400T, and others?

  --Daniel Liu
  It's no longer a question of staying
  healthy.  It's a question of finding a
  sickness you like.
On Thursday, Jun 12, 2003, at 03:33 US/Pacific, Anthony Farr wrote:

Should be Hensel 3200 and 6000 joule packs

- Original Message -
From: Anthony Farr [EMAIL PROTECTED]
(snip)
For instance my
Metz 60CT-1 has full power duration of 1/400sec, and the big Hensel 
3200
and
600 joule packs I formerly used burned for about 1/100sec at high 
powers
(requiring 1/60sec or longer).

regards,
Anthony Farr





Re: P30 vs. Super program (Super A)?

2003-06-11 Thread Lon Williamson
Exposure compensation detents are full stops.
Pentax lied about synch speed.  It's 1/90th.
That's my story, and I'm sticking to it.  Got two SuperPrograms.

-Lon

Alan Chan wrote:
15 - 1/2000 shutter speeds, synch is at 1/90 (although specified as 
1/125)


???

Exposure compensation +/- 2 EV, continuous, with detents at full stops


1/2 stops as I remember.

regards,
Alan Chan
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Re: P30 vs. Super program (Super A)?

2003-06-09 Thread Lon Williamson
Here's the list of essential features on the Super A:
One screen, horizontal split and microprism surround.
Mechanical DOF, self timer, analogue TTL flash
Program, aperature, shutter, manual modes
LCD shows shutter and (sometimes) aperature
Winder  motor drive available (Winder is MEII)
PC connector for external flash
Small, removable plastic grip on front (must be removed when using winder/drive)
LCD can be backlit in dim light
No exposure lock
15 - 1/2000 shutter speeds, synch is at 1/90 (although specified as 1/125)
Exposure compensation +/- 2 EV, continuous, with detents at full stops
Jose Luis Gonzalez Martin wrote:
Thanks to everybody who answered my message about my old P30 camera. Im new
in the forum, and I like it a lot. Some of you recommended me to get a
manual old Pentax Super Program (Super A here in Europe). Is the Super
better enough to get it even having the P30? I like manual SLR, so I would
go for one of them if its really worthy: there are some Super Program
bodies in eBay to bid for. So, can anybody tell me the differences between
both cameras? Maybe best the MZ-M (ZX-M)?
Thank you!



P.D.- Is the Super ME the same camera than the Super Program?






Re: P30 vs. Super program (Super A)?

2003-06-09 Thread Alan Chan
No, the Super ME is an older one with aperture priority, only.
That was ME. ME Super has full manual also.

regards,
Alan Chan
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Re: P30 vs. Super program (Super A)?

2003-06-09 Thread Alan Chan
15 - 1/2000 shutter speeds, synch is at 1/90 (although specified as 1/125)
???

Exposure compensation +/- 2 EV, continuous, with detents at full stops
1/2 stops as I remember.

regards,
Alan Chan
_
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Re: P30 in 2003?

2003-06-08 Thread Dr E D F Williams
About two years ago I got a brand new P30T from a dealer in LA. He had put
one on eBay and I emailed asking if he had any more. He had and I paid about
$120 I think. Its a fine camera and with a good lens I cannot see how other
cameras can 'run rings' around it? Perhaps you'd be able to find a new one
as well? I like mine and have a slightly older one, a P30, as well. They are
more automatic than any other cameras I've used over the last 50 years or so
and if I had to buy something else it would be an MZ-S. The P30T as you know
is mostly plastic, but I don't find this a problem. I've never broken a
camera and don't intend to start. I did lose one in the sea, but that's
another story.

Don
___
Dr E D F Williams
http://personal.inet.fi/cool/don.williams
Author's Web Site and Photo Gallery
Updated: March 30, 2002


- Original Message -
From: Peter Alling [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, June 08, 2003 3:09 AM
Subject: Re: P30 in 2003?


 The only 'current' camera made by Pentax that is manual is the ZX-M (US
 designation)
 or MZ-M as it's known in the rest of the world.  It's inexpensive and
 reliable but
 probably doesn't have as nice a view finder as the P30, it's been a long
 time since
 I've handled a P30 so I can't be entirely sure of that.  In all other
 respects the
 ZX/MZ-M runs rings around the P30 as a picture taker.

 At 01:58 AM 6/8/03 +0200, you wrote:
 Hi!
 
 I own an old P30t as my main slr camera. I like manual photography; can
 anybody tell me if there´s another camera now in the market to buy
similar
 to  the P30? Pentax, if it´s possible. I would like to buy a new one, but
 manual (I hate AF...). Give me your opinion. Is the P30t too much old
 fashioned? What´s the actual P30?
 
 Thanks!

 Outside of a dog, a book is man's best friend.
  Inside of a dog, it's too dark to read.  --Groucho Marx





P30 vs. Super program (Super A)?

2003-06-08 Thread Jose Luis Gonzalez Martin
Thanks to everybody who answered my message about my old P30 camera. Im new
in the forum, and I like it a lot. Some of you recommended me to get a
manual old Pentax Super Program (Super A here in Europe). Is the Super
better enough to get it even having the P30? I like manual SLR, so I would
go for one of them if its really worthy: there are some Super Program
bodies in eBay to bid for. So, can anybody tell me the differences between
both cameras? Maybe best the MZ-M (ZX-M)?

Thank you!




P.D.- Is the Super ME the same camera than the Super Program?



Re: P30 in 2003?

2003-06-08 Thread Alan Chan
The bright viewfinder was the only thing I missed when I sold the P30t ( 
had
it for some months). And I think the sound of the MZ-M-motor is not more
bothering than the CLACKK of the P30t-shutter.
BTW: Is the viewfinder of the MZ-S brighter than that of the MZ-M (and the
MZ5-N, - I think it's the same)?
I am sure you can evaluate that, Alan, am I right?
I hade the P50 which is the elder brother of the P30. It has brighter and 
better viewfinder than the supposed should be good Super A/Program. 
Personally, I would not consider any MZ/ZX model if you plan to use manual 
focus, except the MZ-S. The reason is that they all have highly distorted, 
low magnification, and difficult to manual focus viewfinders. I believe the 
problem lies at their poor quality uncoated plastic eyepieces which distort 
everything you see. Pentax abandoned the good old multicoated glass 
eyepieces since the Z/PZ  MZ/ZX series, until the MZ-S. For this reason, if 
you want AF body with good viewfinder, MZ-S is your only choice (Z-1p is ok 
too, but ok only). However, at 0.75X magnification, it is still lower than 
the P30 that you had. But it did not seem to be a problem the last time I 
tried it with some manual focus lenses. MX has the highest viewfinder 
magnification, ME/ME Super 2nd. I currently use the MZ-M screen in the MX 
and the viefinder is bight and big.  :-)

regards,
Alan Chan
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Re: P30 vs. Super program (Super A)?

2003-06-08 Thread Alan Chan
Thanks to everybody who answered my message about my old P30 camera. I´m 
new
in the forum, and I like it a lot. Some of you recommended me to get a
manual old Pentax Super Program (Super A here in Europe). Is the Super
better enough to get it even having the P30? I like manual SLR, so I would
go for one of them if it´s really worthy: there are some Super Program
bodies in eBay to bid for. So, can anybody tell me the differences between
both cameras? Maybe best the MZ-M (ZX-M)?
P.D.- Is the Super ME the same camera than the Super Program?
Super A is the most feature rich Pentax K mount body, and it is the best on 
paper. However, as Pentax have proven time and again, no camera should be 
too perfect. So they installed a few things to balance things out.
1) Dim  coarse focus screen (worse then P50).
2) Relatively low viewfinder magnification in its era.
3) Noise mirror/shutter (worse than P50, don't even touch the Motor Drive 
A).
4) Too much vibration from the mirror/shutter (worse than P50).

However, it is the only manual focus camera with 4 expoure modes - manual, 
auto, aperture priority  shutter priority. It is also the only one with TTL 
flash beside the LX. This model is also quite reliable. Dirt self-timer  
shutter release button contacts are common problem on used models, but they 
don't require new parts to fix. The area near the semi-transparent plastic 
on the top plate is the weak part so don't bang on it. IMHO, if you expect 
super sharp images handheld, get the ME Super or MX. The Super A will 
disappoint you due to the mirror flip. I don't recommend MZ-M due to its 
poor viewfinder.

regards,
Alan Chan
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P30 in 2003?

2003-06-07 Thread Jose Luis Gonzalez Martin
Hi!

I own an old P30t as my main slr camera. I like manual photography; can
anybody tell me if theres another camera now in the market to buy similar
to  the P30? Pentax, if its possible. I would like to buy a new one, but
manual (I hate AF...). Give me your opinion. Is the P30t too much old
fashioned? Whats the actual P30?

Thanks!



Re: P30 in 2003?

2003-06-07 Thread Peter Alling
The only 'current' camera made by Pentax that is manual is the ZX-M (US 
designation)
or MZ-M as it's known in the rest of the world.  It's inexpensive and 
reliable but
probably doesn't have as nice a view finder as the P30, it's been a long 
time since
I've handled a P30 so I can't be entirely sure of that.  In all other 
respects the
ZX/MZ-M runs rings around the P30 as a picture taker.

At 01:58 AM 6/8/03 +0200, you wrote:
Hi!

I own an old P30t as my main slr camera. I like manual photography; can
anybody tell me if there´s another camera now in the market to buy similar
to  the P30? Pentax, if it´s possible. I would like to buy a new one, but
manual (I hate AF...). Give me your opinion. Is the P30t too much old
fashioned? What´s the actual P30?
Thanks!
Outside of a dog, a book is man's best friend.
Inside of a dog, it's too dark to read.  --Groucho Marx


Re: P30 in 2003?

2003-06-07 Thread ernreed2
 Hi!
 
 I own an old P30t as my main slr camera. I like manual photography; can
 anybody tell me if there´s another camera now in the market to buy similar
 to  the P30? Pentax, if it´s possible. I would like to buy a new one, but
 manual (I hate AF...). Give me your opinion. Is the P30t too much old
 fashioned? What´s the actual P30?
 
 Thanks!
 

ZX-M would be the closest current equivalent. Also IMO an
improvement.



Re: P30 in 2003?

2003-06-07 Thread Alan Chan
Except the viewfinder. Sorry, can't resist.

regards,
Alan Chan
ZX-M would be the closest current equivalent. Also IMO an
improvement.
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Info on P3, P30, P3n, P30n

2003-02-25 Thread Levente -Levi- Littvay
Does anyone have these?

Can you tell me what the screen looks like.  (is it the diagonally split
prism one?)  If you have a service manual to these or to the P30t, ME
Super SE or ME SE please look up the screen part number.

Thanks

L



Re: Info on P3, P30, P3n, P30n

2003-02-25 Thread Gary L. Murphy
Levente -Levi- Littvay wrote:

Can you tell me what the screen looks like.  (is it the diagonally split
prism one?)  If you have a service manual to these or to the P30t, ME
Super SE or ME SE please look up the screen part number.
I have a P30t and the screen is diagonal... But do not have a parts manual.

--
Later,
Gary


The P30 and Land's experiment

2002-12-24 Thread Dr E D F Williams
Long ago, when he was working on the development of colour film, Land did an
interesting experiment. He took two pictures of the same scene with BW
film, one through a green filter and one through red. The pictures were then
projected on a screen from two different projectors: one with a green filter
and one with a red filter over the lens. The result was a full colour image.

In 1963 I found a description of this experiment in Scientific American and
did the experiment myself. Sure enough it worked. How and why? I don't
remember the details, or the explanation, but it had much to do with the
human eye and brain and less to do with the wavelength of the light
involved. I'm going to try the same experiment, but instead of projectors
I'm going to try to do something on my screen with Photoshop and layers. It
may not be possible, but will give me something to mess with between now and
when things get back to normal in a week or so.

The most interesting thing about the whole experiment is that there were
shades of blue in the images. I'm going to pick up some BW film for my P30,
before the shops shut, and have a go at this over the holidays.

Don

Dr E D F Williams

http://personal.inet.fi/cool/don.williams
Author's Web Site and Photo Gallery
Updated: March 30, 2002






Re: The P30 and Land's experiment

2002-12-24 Thread Rfsindg
Don,
Thanks for the reference, I'll have to look for some of the articles.  Land 
and Polaroid did some interesting stuff with color perception.
Regards,  Bob S.

[EMAIL PROTECTED] writes:

 Long ago, when he was working on the development of colour film, Land did an
  interesting experiment. He took two pictures of the same scene with BW
  film, one through a green filter and one through red. The pictures were 
then
  projected on a screen from two different projectors: one with a green 
filter
  and one with a red filter over the lens. The result was a full colour 
image.
  
  In 1963 I found a description of this experiment in Scientific American and
  did the experiment myself. Sure enough it worked. How and why? I don't
  remember the details, or the explanation, but it had much to do with the
  human eye and brain and less to do with the wavelength of the light
  involved. I'm going to try the same experiment, but instead of projectors
  I'm going to try to do something on my screen with Photoshop and layers. It
  may not be possible, but will give me something to mess with between now 
and
  when things get back to normal in a week or so.
  
  The most interesting thing about the whole experiment is that there were
  shades of blue in the images. I'm going to pick up some BW film for my 
P30,
  before the shops shut, and have a go at this over the holidays.
  
  Don




The P30 and Land's experiment

2002-12-24 Thread Herb Chong
Message text written by INTERNET:[EMAIL PROTECTED]
Long ago, when he was working on the development of colour film, Land did
an
interesting experiment. He took two pictures of the same scene with BW
film, one through a green filter and one through red. The pictures were
then
projected on a screen from two different projectors: one with a green
filter
and one with a red filter over the lens. The result was a full colour
image.

Maxwell was the first to discover this and publish.

Herb...




Re: The P30 and Land's experiment

2002-12-24 Thread Evan Hanson
Prokudin-Gorskii used a similar method to make color photos across imperial
Russian in the late 19th and early 20th century.  His work was chronicled in
a book unfortunately I don't recall the name,

Evan


From: Dr E D F Williams
Subject: The P30 and Land's experiment


 Long ago, when he was working on the development of colour film, Land did
an
 interesting experiment. He took two pictures of the same scene with BW
 film, one through a green filter and one through red. The pictures were
then
 projected on a screen from two different projectors: one with a green
filter
 and one with a red filter over the lens. The result was a full colour
image.

 In 1963 I found a description of this experiment in Scientific American
and
 did the experiment myself. Sure enough it worked. How and why? I don't
 remember the details, or the explanation, but it had much to do with the
 human eye and brain and less to do with the wavelength of the light
 involved. I'm going to try the same experiment, but instead of projectors
 I'm going to try to do something on my screen with Photoshop and layers.
It
 may not be possible, but will give me something to mess with between now
and
 when things get back to normal in a week or so.

 The most interesting thing about the whole experiment is that there were
 shades of blue in the images. I'm going to pick up some BW film for my
P30,
 before the shops shut, and have a go at this over the holidays.

 Don

 Dr E D F Williams

 http://personal.inet.fi/cool/don.williams
 Author's Web Site and Photo Gallery
 Updated: March 30, 2002








Re: The P30 and Land's experiment

2002-12-24 Thread Bill Owens
IIRC that was the same method used by NASA to obtain color photos from the
Mars lander missions.

Bill





Vs: The P30 and Land's experiment

2002-12-24 Thread Raimo Korhonen
This is an old experiment, from the 19th century, I think. It works because the 
filters are not perfect, they let through some light that they are supposed not to. 
That´s why Maxwell
succeeded.
All the best!
Raimo
Personal photography homepage at http://www.uusikaupunki.fi/~raikorho

-Alkuperäinen viesti-
Lähettäjä: Dr E D F Williams [EMAIL PROTECTED]
Vastaanottaja: [EMAIL PROTECTED] [EMAIL PROTECTED]
Päivä: 24. joulukuuta 2002 15:12
Aihe: The P30 and Land's experiment


Long ago, when he was working on the development of colour film, Land did an
interesting experiment. He took two pictures of the same scene with BW
film, one through a green filter and one through red. The pictures were then
projected on a screen from two different projectors: one with a green filter
and one with a red filter over the lens. The result was a full colour image.

In 1963 I found a description of this experiment in Scientific American and
did the experiment myself. Sure enough it worked. How and why? I don't
remember the details, or the explanation, but it had much to do with the
human eye and brain and less to do with the wavelength of the light
involved. I'm going to try the same experiment, but instead of projectors
I'm going to try to do something on my screen with Photoshop and layers. It
may not be possible, but will give me something to mess with between now and
when things get back to normal in a week or so.

The most interesting thing about the whole experiment is that there were
shades of blue in the images. I'm going to pick up some BW film for my P30,
before the shops shut, and have a go at this over the holidays.

Don

Dr E D F Williams







Flash for P30 and SPII

2002-09-20 Thread Frankie Lee

I have a third party brand (TUMAX) AF flash for my Z1P. Could I use it with P30 and 
old Spotmatic SPII? Thanks.

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K28/3.5 P30 for 120 US$

2002-09-03 Thread A K



Hello!Just run into a P30 (P3) with K28/3.5 in some sort of pawnshop.I was looking for this lens for a long time to replace my A28/2.8.
The camera is in perfect working condition, very clean inside,some paint is missing on the edges of metal bottom plate.The lens is surprisingly totally dust free inside - it was very dusty outside and had some goo from some sticky tape.There is some paint missing on the aperture ring.It is perfect mechanically; it only has couple of cleaning marks on front elementthat are so tiny, that at first, I thought that they were some dust particles.
I paid 120 US$ for everything.Was the price OK and how much these things go for?
I was thinking of selling P30 with my old A28/2.8.Or maybe I'll keep them as a cheap pointshoot camera for some rough trips!
AleksandarJoin the world’s largest e-mail service with MSN Hotmail. Click Here



P30 and P30t macro photography

2002-07-18 Thread Don Williams Finland

Hi all,

I've been here, but off the list for a while. Now I'm outside crawling about
taking pictures of flowers, many being only 2-3mm diameter, as usual.

Macro Photography with P30 and P30t:

Equipment: Pentax P30 and P30t, Sigma Macro 50mm, several Pentax lenses with
Soligor macro converter, small shoe-mounted flash gun (name lost), aluminium
reflectors, Fuji and Ferrania negative colour. Processing Tetenal Colortex
C-41; s/s tanks in thermostat controlled water-bath.

I've devised a new, double, flash reflector. One part goes on top of the flash
gun with Velcro and the second part is fastened to the tripod socket - with an
adapter so the tripod can still be used.

As before the reflectors are made of 0.5mm sheet aluminium polished to remove
blemishes and then matted with 'Putkimies' (Pipe-man or plumber) drain
cleaner. This drain cleaner contains 10% NaOH and does a creditable job. It
takes a little longer than a more concentrated solution, but its right here
under the kitchen sink. This time the top reflector is more or less 'T'
shaped, extends 130mm from the front of the flash and is directly above the
object when the lens is fully extended. The front is bent down and the two
'wings' are curved left and right. The shape is parabolic and I did a lot of
calculating to get the angles right. The light is now reflected downwards at
about 50 degrees and concentrates (I won't say focuses) on the object. The
lower reflector (flat) bounces back some of the light so that the shadows are
not as pronounced as they were with only a top reflector. Naturally when I
designed this thing I considered only a single ray. The flash, to start with,
scatters the light widely. The attached top reflector does more and the light
by the time it reaches the object is very diffuse. The light coming up from
the lower reflector is much weaker. Using a Seconic flash meter I get a nice
f22 at 1:1 with 200 asa film at the subject position.

A picture taken with ambient light under these conditions would require four
or more times the exposure on a sunny day, even more under cloud. The flash,
set on automatic, serves to freeze movement nicely because the ambient
contribution to exposure is small. The busiest bees and flies, not to mention
wind-blown blooms, come out nice and sharp.

I'll be putting a picture of this contraption on my website in a week or so
and anyone wanting to see it let me know and I'll give you the address of the
directory.

Don


Dr E D F Williams
Author's Web Site and Photo Gallery
Updated: March 30, 2002
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Re: what a deal! (damaged P30 K135/2.5)

2002-04-24 Thread Rfsindg

Mishka,
All it takes is an ebay id to bid, and some perseverance.
I saw this yesterday and never checked the details...just let it float by!
For $46, it is a real deal for the 135mm.
Didn't you want one of those?
Regards,  Bob S.

[EMAIL PROTECTED] writes:

 http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1346937180 
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