>My appreciation for Medieval art, Mesoamerican art, and some other large
categories took a while: there was no instantaneous metanoia, no thunderbolt
that knocked me off the horse. (Michael Brady)

That was my point -- the rarity of thunderbolts -- and that's why
critics/curators/experts should not be expected to deliver good judgments
within unfamiliar/unloved  genres.


Absent judgment -- all the critic can offer is a kind of descriptive taxonomy
-- like the reviews found in "Art in America".






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