I can't imagine how you arrived at your beef.  While any idea at all has some
currency somewhere, it's not the majority case that contemporary art is
antagonistic to empathy, or projected subjectivity; in fact, it's the
opposite.  But I'll add that much confusion exists about contemporary art
because it aims to be outside the familiar.

And I am speaking as an authority because I am quite well informed on art,
past and present.
wc

--- On Fri, 7/17/09, Chris Miller <[email protected]> wrote:

> From: Chris Miller <[email protected]>
> Subject: Re: Worringer and his predecessors
> To: [email protected]
> Date: Friday, July 17, 2009, 8:34 AM
> >Worringer  defines 
> this broadened notion of
> empathy as having two two impulses, abstraction and
> empathy.   That's about
> it.
>  The idea that the artwork is a container for projected
> subjectivity is
> probably the most established aesthetic view today,
> replacing the earlier,
> formalist idea that the art object contains independent
> "significant form".
> So
> now,  what's your beef?  ... WC
>
>
> Where is the evidence  to suggest that Worringer was
> presenting "a broadened
> notion of empathy as having two impulses, abstraction and
> empathy"?
>
> Nowhere does he say that Lee and Lipps' notion of empathy
> is more narrow than
> his , instead,  he  introduces another notion,
> "the tendency to abstraction"
> which    "appears to us as the polar opposite of
> the need of empathy."  (how
> more unequivocal could he get?)
>
> So, we're left with the problem of how one decides which
> abstractions serve
> better than others, in other words,  how aesthetic
> choices can be made without
> any kind of kind of empathy at all.
>
> In the century that  followed, we've seen that problem
> avoided by conflating
> aesthetic choice with either monetary investment (the shock
> and glitter world
> of Charles Saatchi) or art theory (Marxist, semiotic,
> whatever) , establishing
> a distinct, "contemporary artworld" where empathy is
> shunned, despised, and
> marginalized.
>
> That's my beef.
>
>
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