I've carried  the discussion about "dead photos- alive paintings" over to this
thread because, as William and I have agreed, " that topic remains a matter of
perception, which can be  the foundation for facts and logic, but cannot be
established by them."

Aesthetics must allow for different perceptions, which sets it  apart from all
the scientific disciplines that demand consensus as proven by fact and logic
and ultimately confirmed by authority.

When an  artifact is discovered in the dirt beneath Jerusalem, an
investigative  process is begun to autheticate its date. And if authorities
within the academic  community accept it as genuine, it can be then be used to
establish facts that must be logically accounted for within the narrative of
ancient history.

Since scientific inquiry is the dominant intellectual activity of our time,
there is great pressure to practice aesthetics the same way.

William is  the most enthusiastic advocate of that approach on our list,  with
continual appeals to authority, especially within neuroscience.

A  statement about "dead photos- alive paintings"  (or good paintings - bad
paintings) cannot contribute to any scientific discourse -- and yet it may be
quite useful to those who share, or want to share,  the perceptions on which
it is based.

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