Arets: First of all, the burden remains on you to show us that there is, ahem 
ONE FUCKING EXAMPLE of creativity that is not the result of recombination of 
the already existing elements.
This is awesome ignorance. If we are talking about major cultural creativity in 
any sphere within society, EVERY SINGLE creative product is the result of 
incorporating new, surprising elements.
E.g. Gutenberg incorporating the action of the wine-press into printing. 
E.g. Picasso incorporating the geometric faces of primitive art into modern 
figurative painting – Demoiselles d’Avignon
E.g. the introduction of neural networks into computing
E.g. plot twists in millions of thrillers
Hence theories of bisociation, conceptual blending for creativity.
Which universe are you living in?
Major creativity always incorporates new, 
never-before-associated-in-this-sphere elements.That’s what makes creativity 
creative – new surprising elements. Jeez. That’s why we go “wow!” at creativity.
And minor everyday creativity also incorporates new, never before associated 
elements – even if “wow-less”.
Every patchwork in a series of patchworks incorporates new, non-formulaic 
shapes... as I have demonstrated here at length.
Now you have to PRODUCE ONE FUCKING EXAMPLE of a creative algorithm... we’re 
waiting. Not excuses and crazy logic. Scientific evidence – one example.
The history of science is one of people believing one crazy paradigm after 
another that got smashed. The “universally applicable algorithm” is one of 
those crazy paradigms.
P.S. Arets’ responses are in one way fascinating – he simply takes it for 
granted, religiously unquestioningly for granted that algorithms are creative. 
It is a religious, not a scientific belief.
From: Arets Paeglis 
Sent: Thursday, October 11, 2012 12:10 PM
To: AGI 
Subject: Re: [agi] Behold your saviour, Ben

First of all, the burden remains on you to show us that there is, ahem ONE 
FUCKING EXAMPLE of creativity that is not the result of recombination of the 
already existing elements in ways that are both compressible (= understandable) 
by the agent and yet previously unknown to it. Second, I see no rational reason 
to assume that there even can be such 'exemption from existence of rules' in 
the first place. 

--
http://about.me/mindbound




On Thu, Oct 11, 2012 at 1:54 PM, Mike Tintner <[email protected]> wrote:

  PRODUCE ONE EXAMPLE of a creative algorithm. Or a creative recipe. One single 
algorithm that has produced one new element.

  
http://www.google.co.uk/search?q=%22there+IS+no+recipe+for+creativity%22&oq=%22there+IS+no+recipe+for+creativity%22&sugexp=chrome,mod=0&sourceid=chrome&ie=UTF-8

  Edison was a crackpot?

  
hhttp://www.google.co.uk/search?q=edison+%22there+are+no+rules+here%22&aq=f&oq=edison+%22there+are+no+rules+here%22&sugexp=chrome,mod=0&sourceid=chrome&ie=UTF-8

  The above view is pretty universal in all the creative arts, incl. the arts 
of maths and logic, science and technology. “There are no rules.” “There is no 
formula”.. etc

  ONE FUCKING EXAMPLE.


  From: Arets Paeglis 
  Sent: Thursday, October 11, 2012 11:32 AM
  To: AGI 
  Subject: Re: [agi] Behold your saviour, Ben

  If you posit that creativity is "non-algorithmic" (regardless of whatever 
that would even mean), you are also implying that it is uncomputable, since it 
supposedly cannot be the result of a finite number of steps of a program 
running on a UTM. Are you really going to crank the crackpot dial up to the 
point of claims about creativity disobeying Church-Turing thesis and requiring 
something more "exotic" than mere computation to get it done? This group is 
well-known for stuff that explores the land of unfounded, fringe claims in 
every direction but this is already becoming ridiculous. 

  --
  http://about.me/mindbound




  On Thu, Oct 11, 2012 at 1:04 PM, Mike Tintner <[email protected]> 
wrote:

    Ben,

    You seem to have gone off in flights of fancy.

    BEN:"It's trivial to write a single, short computer program that can 

    generate *every possible picture* that can be displayed on a computer
    screen, one after the other -- including all the curves you like to
    draw....  This program would indeed use simple math equations.   It
    would create a digital image of every beautiful painting ever made,
    and every one that ever will be made.. for example..."


    No it's not "trivial" and it's never been done, and never will be done. 
What on earth gives you the basis for anything you've just written? Once you 
unquestioningly posit such a magical entity - an "all-shape assuming" program - 
you can get totally lost in the "logical" but totally "fanciful" consequences.

    Put what I wrote below into more visual program terms -

    the reality is that there are no visual programs whatsoever (autonomously 
form-changing programs vs  aids-to-human-artists programs) that do not have an 
EXTREMELY NARROW REPERTOIRE OF VISUAL FORMS.

    There are Mondrian programs that can produce endless variations on 
pseudo-Mondrians - with lines and rectangles - but THAT'S ALL THEY CAN DO.

    They can't suddenly mutate into producing new kinds of forms - Rothko 
rectangularish forms, or Miro "blotty" forms, or Jackson Pollock "blotting pad" 
forms - or any such diverse forms whether similar to an artist or not.

    They can just do their lines and rectangles. They can't mutate into curves. 
Whereas a human playing around with doodles can endlessly generate new species 
of forms.

    And if you think they can - PRODUCE ONE FUCKING EXAMPLE.

    Why is this? Because there are no formulae/algorithms that can cover 
diverse "species" of forms. I've often made this point before but there seems 
no way it can penetrate you guys -  geometry's formulae are EXTREMELY LIMITED - 
they can only produce v. limited species of geometrical forms - and thus there 
are and have to be thousands or millions of them - there isn't just one 
geometrical formula/algorithm that can produce every geometrical form 
whatsoever - triangles AND squares AND circles AND Mandelbrot curves...

    No wonder you're lost if you can even entertain such a notion as you 
started with here.

    It's worth taking time to understand the NON-GENERATIVITY message, because 
it applies to every kind of algorithmic program whatsoever - artistic, musical, 
building, cooking, circuit-building....
    And once you get it - and it's not hard - I will be your saviour.

    ************

    As for the "How is creativity produced?" again you've boxed yourself into 
an absurd corner.

    You've started with:

    "well of course creative programs are algorithmic - if he doesn't believe 
that he must believe in magical creativity".

    To repeat: there are no creative algorithms - that's as absurd as your 
quote above. But that doesn't mean for a second that creativity is 
nonmechanical/"magical"

    How do you actually create your own home-made stew, or improvise your own 
tune on a piano? Think visually of what you actually do, and you'll realise 
those are mechanical, physically instantiable affairs.

    You reach out for some foods that might be suitable, toss them into the 
pot, and see what you've got. You reach out, press some keys down and see what 
noises emerge. A machine can do that.

    Hey that's"improvisation." Real improvisation - which you really have not 
understood. Those musical programs you quoted before are merely "permutation" 
programs -  ditto GA's - there's no improvisation. They permutate a given set 
of elements, possibly then further permutating the resulting permutations. 
That's not improvisation.

    With true improvisation you physically or mentally reach out and discover 
"objets trouves". Found objects. Newly found objects. New elements. You 
physically explore the world and bring in new elements to the mix of whatever 
you're trying to produce. And there's no "prediction" involved, just creative, 
adventurous trial and error - you won't know whether anything works until 
you've tried it.

    Your GA's are not creative because there are NO NEW ELEMENTS. They merely 
play around with a GIVEN, FIXED SET OF ELEMENTS.

    Life, every which way, is creative - continually incorporating new 
elements. Sexual unions involve new mixtures of genes.

    Everyday, Turing-test, conversations are creative - continually 
incorporating new elements - which is one reason why they will always defeat 
algorithmic approaches. Today you're talking about Romney-Obama, Armstrong 
doping, Spain going to the ECB - and there's never been anything formulaically 
like these events.

    That's what it is to be a conversing human being - continually creatively 
improvising and incorporating new elements into your conversation....

    Algorithms are CLOSED SETS.   AGI is about endlessly mixing in new elements 
from the world (and your own infinite range of movement and thought) into your 
courses of action.









    -----Original Message----- From: Ben Goertzel
    Sent: Thursday, October 11, 2012 8:31 AM 

    To: AGI
    Subject: Re: [agi] Behold your saviour, Ben


    Mike T,

    About programs to generate geometrical shapes

    Let me turn your question around a bit...

    It's trivial to write a single, short computer program that can
    generate *every possible picture* that can be displayed on a computer
    screen, one after the other -- including all the curves you like to
    draw....  This program would indeed use simple math equations.   It
    would create a digital image of every beautiful painting ever made,
    and every one that ever will be made.. for example...

    The question is then how to filter down the program's output, so that
    it generates only the shapes you want it to.  If you have, say, 10 or
    20 example shapes, then current machine learning tech can learn a
    model of these 10-20 shapes, and try to create new shapes in their
    same spirit...

    For simple classes like circles or lines, this would work fine...

    For more complex classes of shapes like, seashells or dog faces, a
    simple machine learning approach won't work unless you give it
    insanely many training examples.  To deal with systematically
    generating these more complex classes of shapes you need a more
    complex and subtle AI system than anyone has created to far.

    However, one could prove a theorem that: For any category of shapes
    that can be shown on a computer screen, there is some computer program
    that will generate all and only the shapes in that category...

    The fact that we don't currently know the exact program for
    generating, say, the set of all images of dog faces -- doesn't mean
    that there is no such program.  In fact we can prove via mathematics
    that such a program exists.

    Even if I knew that exact program (for generating the set of all
    images of dog faces), it would be large and complex and too much to
    paste into an email.  And if I did so, you wouldn't know enough to
    read the program anyway...

    As far as creativity goes -- I think you misunderstand it.   A mind is
    a complex thing, with explicitly, acutely conscious aspects plus less
    acutely conscious (commonly called "unconscious") aspects.   Some new
    creative idea may seem to the conscious mind to have popped
    miraculously out of the blue.  But actually it was created by the
    unconscious mind via combining and abstracting from and mutating
    various previously existing ideas and percepts and actions -- which
    then delivered it to the conscious mind.  By looking only at the
    conscious image of an act of creation, you see it as more
    miraculous/mysterious than it is.

    -- Ben G



    On Thu, Oct 11, 2012 at 1:26 PM, Mike Tintner <[email protected]> 
wrote:

      Mike A:
      Surely you'd have to concede that there are some rules which persist
      over time and are static?

      Absolutely. All mathematical and logical and algorithmic systems  (in
      themselves) are completely, eternally non-creative, non-generative. They 
are
      all dead recipes with rigid rules that have never and could never produce 
a
      single new ingredient or element - because quite obviously they are not
      designed to be creative. They are recipes with set, exclusive mixtures of
      ingredients.

      (This is the crux of creativity - the capacity to add new hitherto unknown
      elements to a course of action or its product).

      If you add new unknown elements to a recipe, the recipe collapses and 
could
      get v. nasty. If you allow a building algorithm that produces lego block
      structures, to introduce any new building blocks - rocks, say, or chunks 
of
      mud, -  its buildings could literally collapse. And no one tries this. 
These
      systems are designed to produce precisely predetermined results with
      precisely predetermined mixes of known elements.

      These systems are wonderful if you want to be a narrow AI cook who can 
cook
      one specialist dish or set of dishes. They're useless if you want to be a
      creative cook, who can endlessly generate new dishes, as humans can.

      Now surely you can concede that no one anywhere in the entire history of 
the
      world has produced a single exception to this general rule of the
      non-generativity of formulaic, rulebound, set-ingredients systems? There 
are
      no algorithms, formulae or logics that are creative. No one has ever
      produced an example here. No one ever will.... And there are zillions of
      possible examples.

      What we do have is the most amazing amount of logical gobbledygook that
      argues how these systems might be creative - but neither a) explains how
      they can introduce new elements or b) provides a single instance of a
      program etc that ever has.

      Nada. But an awful lot of shameful assertions that of course there are 
such
      systems - and of course people have produced millions of examples of them 
in
      the past - and how could you, Mike, be so stupid as to think there are 
not -
      and ROFL at you - oh absolutely ridiculous - but now, right now, the 
speaker
      is just too busy, you understand, to produce a single example. Oh of 
course
      he could produce *so many* examples, and he will, he will, but now right
      now, he can't.  (Basically all people who argue thus are lying gits).

      If you or Ben can grasp this simple obvious truth of the non-generativity,
      non-new-element-ality of formulaic, rulebound systems with set mixtures of
      ingredients, I will indeed be your saviour.

      What you et al are trying to maintain is a scientific, material absurdity 
-
      and something of which you will come to be v. v. ashamed. Produce ONE
      FUCKING EXAMPLE. Or admit you can't.

      P.S. And I've heard all the shit about sophisticated, evolving systems and
      GA's etc - they cannot and never have introduced a single new hitherto
      unknown element They have no novelty. Demonstrably. They are mindblowingly
      narrow in their products except to AGI suckers who actually half believe
      their own hype - and AGI is nothing but failed hype.



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    -- 
    Ben Goertzel, PhD
    http://goertzel.org

    "My humanity is a constant self-overcoming" -- Friedrich Nietzsche


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