On Thu, Oct 11, 2012 at 7:59 AM, Mike Tintner <[email protected]>wrote:
EVERY SINGLE creative product is the result of incorporating new,
surprising elements.
E.g. Gutenberg incorporating the action of the wine-press into printing.
________________________________________________________________________



I did not realize that Gutenberg had used a wine-press for his printing
press!
But that is an example of "synthesis".  Mike seems to be saying that
because the synthesis could not be a totally predefined process, that
proves that synthesis is not algorithmic.  From Gutenberg's view point he
had knowledge of two mechanical systems so they were 'predefined' to him.
One machine was the wine press and the other was whatever form of printing
existed before he created his press.  This is typical algorithmic
combination. It shows that by selecting kinds of things that were important
to him and by being aware of the qualities of a system that would be useful
to him, he was able to make a creative synthesis based on those properties
or features.

Computer programmers do not need to "define" every possible thing that
might exist in the world to make synthesis feasible for an AGI program.
The program only needs to be able to detect different kinds of things.
This can be done by using different kinds of methods.  Right now the
achievements in this area of AGI research are very limited but that does
not mean that no one will be able to ever find a way to develop some kind
of innovation to the field.  Algorithmic creativity is the easy part.

But Gutenberg's use of the wine press in his printing press is a perfect
example of algorithmic creativity.

It is also a great example of how some of the principals of AGI might work.
Notice that Gutenberg was also very interested in using his own
innovations to improve his printing methods.


From Wikipedia:

Johannes Gensfleisch zur Laden zum Gutenberg ([image: play]
/<http://en.wikipedia.org/wiki/Help:IPA_for_English>
j 
<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>oʊ<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>
ˌ 
<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>h<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>
ɑː 
<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>n<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>
ɨ 
<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>s<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>
<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>ˈ<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>
ɡ 
<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>uː<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>
t 
<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>ən<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>
b 
<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>ɜr<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>
ɡ 
<http://en.wikipedia.org/wiki/Help:IPA_for_English#Key>/<http://en.wikipedia.org/wiki/Help:IPA_for_English>
*yoh-HAH-nəs*<http://en.wikipedia.org/wiki/Wikipedia:Pronunciation_respelling_key>
*GOO-tən-burɡ*<http://en.wikipedia.org/wiki/Wikipedia:Pronunciation_respelling_key>;
c. 1398 – February 3, 1468) was a German<http://en.wikipedia.org/wiki/Germany>
blacksmith <http://en.wikipedia.org/wiki/Blacksmith>,
goldsmith<http://en.wikipedia.org/wiki/Goldsmith>,
printer <http://en.wikipedia.org/wiki/Printer_(publisher)>, and
publisher<http://en.wikipedia.org/wiki/Publisher>who introduced
printing <http://en.wikipedia.org/wiki/Printing> to Europe. His invention
of mechanical movable type
<http://en.wikipedia.org/wiki/Movable_type>printing started the
Printing
Revolution <http://en.wikipedia.org/wiki/Printing_Revolution> and is widely
regarded as the most important event of the modern
period<http://en.wikipedia.org/wiki/Modern_period>
.[1]<http://en.wikipedia.org/wiki/Johannes_Gutenberg#cite_note-Man_of_the_Millenium-0>It
played a key role in the development of the
Renaissance <http://en.wikipedia.org/wiki/Renaissance>,
Reformation<http://en.wikipedia.org/wiki/Protestant_Reformation>,
the Age of Enlightenment
<http://en.wikipedia.org/wiki/Age_of_Enlightenment>and the Scientific
Revolution <http://en.wikipedia.org/wiki/Scientific_Revolution> and laid
the material basis for the modern knowledge-based
economy<http://en.wikipedia.org/wiki/Knowledge-based_economy>and the
spread
of learning to the
masses<http://en.wikipedia.org/wiki/Democratization_of_knowledge>
.[2] <http://en.wikipedia.org/wiki/Johannes_Gutenberg#cite_note-1>

Gutenberg was the first European to use movable
type<http://en.wikipedia.org/wiki/Movable_type>printing, in around
1439. Among his many contributions to printing are: the
invention of a process for mass-producing movable type; the use of
oil-based ink <http://en.wikipedia.org/wiki/Ink>; and the use of a wooden
printing press similar to the agricultural screw
presses<http://en.wikipedia.org/wiki/Screw_press>of the period. His
truly epochal invention was the combination of these
elements into a practical system which allowed the mass production of
printed books and was economically viable for printers and readers alike.
Gutenberg's method for making type is traditionally considered to have
included a type metal <http://en.wikipedia.org/wiki/Type_metal> alloy
and a hand
mould <http://en.wikipedia.org/wiki/Hand_mould#Printing> for casting type.







Jim Bromer




_________________________________________________________________________________________________________________
On Thu, Oct 11, 2012 at 7:59 AM, Mike Tintner <[email protected]>wrote:

>   Arets: First of all, the burden remains on you to show us that there
> is, ahem ONE FUCKING EXAMPLE of creativity that is *not* the result of
> recombination of the already existing elements.
>
>  This is awesome ignorance. If we are talking about major cultural
> creativity in any sphere within society, EVERY SINGLE creative product is
> the result of incorporating new, surprising elements.
>
>
> E.g. Gutenberg incorporating the action of the wine-press into printing.
>  E.g. Picasso incorporating the geometric faces of primitive art into
> modern figurative painting – Demoiselles d’Avignon
>  E.g. the introduction of neural networks into computing
>  E.g. plot twists in millions of thrillers
>
>  Hence theories of bisociation, conceptual blending for creativity.
>
>  Which universe are you living in?
>
>  Major creativity always incorporates new,
> never-before-associated-in-this-sphere elements.
> That’s what makes creativity creative – new surprising elements. Jeez.
> That’s why we go “wow!” at creativity.
>
>  And minor everyday creativity also incorporates new, never before
> associated elements – even if “wow-less”.
>
>  Every patchwork in a series of patchworks incorporates new,
> non-formulaic shapes... as I have demonstrated here at length.
>
>  Now you have to PRODUCE ONE FUCKING EXAMPLE of a creative algorithm...
> we’re waiting. Not excuses and crazy logic. Scientific evidence – one
> example.
>
>  The history of science is one of people believing one crazy paradigm
> after another that got smashed. The “universally applicable algorithm” is
> one of those crazy paradigms.
>
>  P.S. Arets’ responses are in one way fascinating – he simply takes it
> for granted, religiously unquestioningly for granted that algorithms are
> creative. It is a religious, not a scientific belief.
>
>  *From:* Arets Paeglis <[email protected]>
>  *Sent:* Thursday, October 11, 2012 12:10 PM
> *To:* AGI <[email protected]>
> *Subject:* Re: [agi] Behold your saviour, Ben
>
> First of all, the burden remains on you to show us that there is, ahem ONE
> FUCKING EXAMPLE of creativity that is *not* the result of recombination
> of the already existing elements in ways that are both compressible (=
> understandable) by the agent and yet previously unknown to it. Second, I
> see no rational reason to assume that there even can be such 'exemption
> from existence of rules' in the first place.
>
> --
> http://about.me/mindbound
>
>



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