DCtoDaylight;423131 Wrote: 
> No....  This 6dB per bit stuff, is about all linear encoding.  Every
> additional bit of information, buy's you an extra 6dB of signal to noise
> ratio.  That's why 16 bit CD's have a maximum potential SNR of 96 dB,
> while 24 bit audio has a maximum of 144 dB.  
> 
> If you want to argue that you can't achieve 96, let alone 144, or that
> you don't need 96 (let alone 144), that's another story, but the 6dB/bit
> SNR improvement applies equally to 8 bit recordings, 16 bit recordings,
> 24 bit recordings, etc etc etc.

You mean dynamic range? - the difference between the loudest and
quietest sounds that can be resolved

the Dynamic range is 6.02dB per bit, whereas the SNR is approx
7.78dB/bit.
Anyway that's all mostly academic, isn't the point of 24-bit level
control that rounding errors in the 16th bit are just about audible,
whereas they aren't in the 17th-24th bits? (oh and of course there's
much more precision to be had with 17m discrete levels available vs 65k)


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
SB3 (wired) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker & Chord Interconnect cables
Outdoors: Boom
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