At the end of the day, whether or not you use styles, when editing the
images, you will still tweak most of the modules that you want to use.
Which means they have to be where you expect them to be.

I don't see a reason for the order of the modules to be inverted; if one
wants to ensure users know the order of the application of modules, they
can be arranged in the same order in which they are applied, instead of the
other way around.

When I first used DT and saw a favourties tab, I immediately wanted to add
the modules I would use into favourites. WB, exposure, spot removal, lens
correction, GND, denoise, crop, vibrance, tonemap, shadows/highlights,
local contrast, colour zones, monochrome, tone curve, sharpen, and
vignetting. With the exception of a few, they now appear in the inverse
order that I would use them. Vignetting and sharpening are right up top,
with exposure and WB right at the bottom. I didn't expect this behaviour; I
always work from top to bottom and not the other way round.

This is the main reason why I suggested the feature to rearrange modules
according to one's own workflow - at least in the favourites tab


On 13 May 2013 17:55, David Vincent-Jones <[email protected]> wrote:

> Marie-Noëlle .... I do understand the significant differences that occur
> in a 'film roll' but you may be surprised if you analyze your end
> product just how many of the same functions are used nearly every time
> in, for instance, a sun filled landscape situation. I would of course
> never apply exposure compensation this way. It is also possibly easier
> to turn off an item in the 'pipe' than having to search for a module.
>
> I believe that my style application provides something substantially
> better than the optimum jpg that the camera could provide. This in
> itself is a great asset in evaluating my basic material and makes for a
> starting point in my end product processing.
>
> David
>
>
> On 13-05-13 10:40 AM, Marie-Noëlle Augendre wrote:
> > I usually have no "image that is typical of a group": every shooting
> > day is different, the subjects might be completely different, more
> > often outside at any time of the day, or sometimes inside with
> > difficult light conditions; the light is changing  all the time, and
> > I'm always on the move. When several shoots of the same subject are
> > too resemblant, I usually develop/publish only one, and might keep
> > some others for later work.
> > Styles have almost no utility in these cases. I might create one for
> > the vignetting module as I find the preset too obvious; but apart from
> > that, I don't see any 'rule' that could be applied frequently enough
> > to justify the creation of a style.
> >
> > Marie-Noëlle
> >
> > 2013/5/13 David Vincent-Jones <[email protected]
> > <mailto:[email protected]>>
> >
> >     I find this discussion regarding 'finding modules' and 'module
> order',
> >     odd to say the least. Maybe it is simply my rather different
> >     approach to
> >     processing.
> >
> >     I use a number of predefined styles that I can initially apply to a
> >     group of incoming raw images. This of course is only a starting point
> >     but it allows me to far better evaluate the result of my day's shoot
> >     (and do some initial grading) without the tedium of trying to work
> >     through image by image. Those modules (from the style) that need
> >     further
> >     adjusting are now all conveniently located together in the 'pipe'
> >     group.
> >     Following that there usually are only two or three further
> refinements
> >     that I need to make using other modules but after a while I
> >     quickly have
> >     come to know where those are located; no fuss.
> >
> >     I put nothing into the favourites ... my favourites are located in an
> >     appropriate style. If an available style is not suitable for an
> >     incoming
> >     set then I simply create a style that is appropriate based on an
> image
> >     that is typical of the group.
> >
> >     David
> >
> >
> >
> >
> > --
> > <http://www.marie-noelle-augendre.com/photos/>
> >
> > Mes dernières photos sont dans ma galerie
> > <http://www.marie-noelle-augendre.com/photos/>.
> > Connaissez-vous Image Fixe <http://image-fixe.org>, le photo-club de
> > Saint Jean du Gard ?
> > Et parcourez les Cévennes à ma façon avec Cévennes Plurielles
> > <http://www.cevennes-plurielles.com/>,
>
>
>
> ------------------------------------------------------------------------------
> Learn Graph Databases - Download FREE O'Reilly Book
> "Graph Databases" is the definitive new guide to graph databases and
> their applications. This 200-page book is written by three acclaimed
> leaders in the field. The early access version is available now.
> Download your free book today! http://p.sf.net/sfu/neotech_d2d_may
> _______________________________________________
> Darktable-users mailing list
> [email protected]
> https://lists.sourceforge.net/lists/listinfo/darktable-users
>
------------------------------------------------------------------------------
Learn Graph Databases - Download FREE O'Reilly Book
"Graph Databases" is the definitive new guide to graph databases and 
their applications. This 200-page book is written by three acclaimed 
leaders in the field. The early access version is available now. 
Download your free book today! http://p.sf.net/sfu/neotech_d2d_may
_______________________________________________
Darktable-users mailing list
[email protected]
https://lists.sourceforge.net/lists/listinfo/darktable-users

Reply via email to