On 16 Dec 2003 at 1:35, Willem-Jan Markerink wrote:
> On 15 Dec 2003 at 15:13, F�lix L�pez de Maturana wrote:
>
> >
> >
> > >But did you compare between 1Ds and an analog/film EOS-body?
> > >Or: was the (same amount of) color fringing absent on film?
> >
> > Though I own the 1V and the 1Ds I have not made a comparative test side by
> > side, but I believe that the digital has more fringing in similar
> > conditions. However is not a redhibitory problem. In more simple words none
> > who has the means and the wish of buying this camera must have a doubt.
> >
> > Felix
>
> Nice coincident: current issue of the German magazine ColorFoto has
> an article on 'digi-optimized' lenses.
> However, per this article: color-fringing is apparently not the
> critical factor with these wide-angles, they call the problem 'pixel-
> shadowing', resulting in lack of sharpness.
> (at least for those cameras/sensors that have tiny lens elements on
> top of each pixel, to increase light-gain; for sensors that have
> additional flat layers of protection on top of it, color-fringing
> might be a problem still (my view, not CF))
Correction, was too quick in reading & typing:
The angular problem caused by these microlenses is called 'pixel-
shading', and the result is vignetting, possibly creating additional
noise once corrected (either in-camera or afterwards).
> However, they also mention that our way of viewing digi pix is
> different than the most critical way of viewing slides....with
> projected slides, the edges are more easily ignored, if they survive
> a non-perfect projector lens in the first place....
> It's the digital way of viewing that makes things more critical as
> well....
And an even more subjective/false argument:
"Oh, corner isn't sharp, must be caused by projector-lens."
:))
--
Bye,
Willem-Jan Markerink
The desire to understand
is sometimes far less intelligent than
the inability to understand
<[EMAIL PROTECTED]>
[note: 'a-one' & 'en-el'!]
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