At 3:14 PM -0400 6/21/07, Christopher Smith wrote:

Oh yeah! That's for sure! I can't tell you how many young writers think that strings can only play mid-range whole notes, because that's what their synth string patches sound good playing.

Or that brass can only play short stabs, in the highest octave, and are incapable of playing lyrically (well, some players ARE like that!)

Or that a snare drum can't get any kind of sound other than a heavy rim shot.

Well, just to overemphasize the obvious, you can't orchestrate intelligently until you understand the instruments individually and in combination--REALLY understand them! And you won't understand them by playing with MIDI substitutes. Try doing what Rimsky-Korsakov did: learn to play them all in order to be a good inspector of bands for the Imperial Russian Navy!!!! (I'm no Rimsky, but learned to play them all so I could follow in my father's footsteps as a good high school band and orchestra director. That never happened, but it's been a godsend in my arranging and composing.) Sure, Stravinsky pushed the limits of conventional acoustic instrument sounds, but don't forget that he studied with Rimsky and KNEW those conventional limits cold! As Andrew kindly pointed out, that bassoon altissimo E was possible on the bassoons of the time, but was hardly standard usage!!

John


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John & Susie Howell
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