My Name is Oona by Gunvor Nelson

From: [email protected]
To: [email protected]
Date: Tue, 17 May 2016 12:58:02 +0800
Subject: Re: [Frameworks] Exemplary Sound Design in AG Film


Mike Leggett’s VISTASOUND (1981) – superb.Peter(Perth)
From:  FrameWorks <[email protected]> on behalf of lindsay 
mcintyre <[email protected]>
Reply-To:  Experimental Film Discussion List <[email protected]>
Date:  Tuesday, 17 May 2016 12:35 pm
To:  Experimental Film Discussion List <[email protected]>
Subject:  Re: [Frameworks] Exemplary Sound Design in AG Film

How about Very Nice, Very Nice (1961) by Arthur Lipsett?
Lindsay McIntyre


On Mon, May 16, 2016 at 10:02 PM, Ruth Hayes <[email protected]> wrote:
Real West by Kevin T. Allen. He uses contact mics, among other strategies. He 
has an excerpt on vimeo: https://vimeo.com/130916538
Ruth Hayes
http://www.randommotion.comblogs.evergreen.edu/hayesr
On May 15, 2016, at 12:36 PM, lagonaboba wrote:
For a class I’m preparing, I’m interested in suggestions as to Experimental 
Films with exemplary, excellent sound design and sound editing.By excellent I 
mean, complex, layered, inventive, of rich and nuanced timbre….excellent for 
it’s sonic qualities (as opposed to strictly intellectual qualities).As I plan 
to rent prints, it would be helpful if the works were available from FMC, 
Canyon, MOMA or some USA domestic distributor.I would include:
Baillie’s Castro Street  & Quick Billy, Kubelka’s Unsere Afrikareise, Hindle’s 
WatersmithJack Chambers’ Hart of London
Thanks.

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