You'll find extremely complex layered sound editing in many of the works of Abigail Child, eg,
Is This What You Were Born For? (1981–89) 7 parts Mercy (1989) Is This What You Were Born For? Part 7 Mayhem (1987) Is This What You Were Born For? Part 6 Covert Action (1984) Is This What You Were Born For? Part 4 Mutiny (1982–83) Is This What You Were Born For? Part 2 Prefaces (1981) Is This What You Were Born For? Part 1 Robert Withers (What's AG Film?) On May 16, 2016, at 8:00 AM, [email protected] wrote: > From: lagonaboba <[email protected]> > Subject: [Frameworks] Exemplary Sound Design in AG Film > Date: May 15, 2016 3:36:20 PM EDT > To: Experimental Film Discussion List <[email protected]> > > > For a class I’m preparing, I’m interested in suggestions as to Experimental > Films with exemplary, excellent sound design and sound editing. > By excellent I mean, complex, layered, inventive, of rich and nuanced > timbre….excellent for it’s sonic qualities (as opposed to strictly > intellectual qualities). > As I plan to rent prints, it would be helpful if the works were available > from FMC, Canyon, MOMA or some USA domestic distributor. > I would include: > > Baillie’s Castro Street & Quick Billy, > Kubelka’s Unsere Afrikareise, > Hindle’s Watersmith > Jack Chambers’ Hart of London > > Thanks. >
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