Ingo, yes I saw your disclaimer, I was in the middle of writing my response before I saw that you had amended your statement.
I guess there are two distinctions that I am concerned in making. One, that animation can be made either with a camera or directly onto the film surface, and secondly that there is a difference between a figure based (even rule based) " illustrative mode" and what I have called the “positional mode” of ongoing compositional invention, sometimes in direct defiance of creating referential imagery. Painting directly to motion picture film can utilize either mode, or hybrid modes utilizing a bit of both. > On Dec 3, 2017, at 7:43 AM, Ingo Petzke <i...@petzke.biz> wrote: > > Myron > That is correct – and that’s why I sent a “disclaimer” the same minute I > noticed that I hadn’t read your initial question correctly. Sorry. > What about “Free Radicals” by Len Lye? > Ingo > > Von: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] Im Auftrag > von Myron Ort > Gesendet: Sonntag, 3. Dezember 2017 15:15 > An: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Betreff: Re: [Frameworks] Painting directly to film > > I do not recall that Oscar Fischinger applied paint directly to film, can you > cite an example of his using that technique? True he is considered an > “abstract” film animator but I was hoping to make some finer distinctions > even within the area of techniques involving the appication of paint > directly to the film surface. Further, within that specialized arena, I was > making distinctions between filmmakers who do figurative animation painting > each sequential frame accordingly and those who, borrowing “art associative” > terms, paint directly onto film with an approach similar to "abstract > expressionism”, not necessarily accounting for the usual predictive movement > continuity associated with animation (or live action for that matter), and in > some cases would appear to even “ignore” (in the usual sense) the frame > lines. I sense a resistance here to the making of such distinctions, as if > using any terms of distinction would somehow rob the filmmaker of her soul, a > fear similar to those who even feel that being photographed might somehow rob > them of their very existence. Sometimes we need to invent language, > terminology, or words to point to distinctions which do actually exist. > > > > > > > > > >> On Dec 3, 2017, at 4:00 AM, Ingo Petzke <i...@petzke.biz >> <mailto:i...@petzke.biz>> wrote: >> >> Wat about some Oscar Fischinger? >> >> Cheers >> Ingo >> >> Von: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com >> <mailto:frameworks-boun...@jonasmekasfilms.com>] Im Auftrag von Myron Ort >> Gesendet: Freitag, 1. Dezember 2017 21:06 >> An: Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> Betreff: [Frameworks] Painting directly to film >> >> Can anyone site an example of “abstract expressionist” painting onto film >> prior to 1968? (Hopefully with online viewing availability). >> >> >> https://vimeo.com/220986135 <https://vimeo.com/220986135> >> >> >> Myron Ort >> www.zeno-okeanos,com <http://www.zeno-okeanos,com/> >> >> >> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> > > Myron Ort > www.zeno-okeanos,com <http://www.zeno-okeanos,com/> > > > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks Myron Ort www.zeno-okeanos,com
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