Since everyone's had a go of guessing - I'll describe exactly what it is  
and how it was constructed.
 
It's the slow theme from the 3rd movement of Mahler's 1st symphony - but  
starting on a concert A.
 
I think I heard a few comments about rhythm being out of whack or  
intonation being a little off - well, believe it or not, the rhythm was  exact 
down 
to the millisecond. The frequencies were taken from a standard  melody 
starting from A=440 and multiplied by 16. I didn't bother to round to the  
nearest tenth of a hertz or beyond, so everything was rounded  to the nearest 
whole number in hertz and multiplied by 16. Therefore, at  most, the 
frequencies 
would have been 8 Hz off - but at that range the  most it would be is 2 
cents off, which is not very well detectable up there. I  did this due to lack 
of time I had generating it this morning.
 
As for the rhythm, each note is exactly 1 second or .5 seconds or 2 seconds 
 long. 
 
The tones are pure sine waves with no overtones - I did this because I was  
limited to the types of tones I could generate and thought it would be a 
good  starting point. 
 
The sampling rate was 44.1khz - so that isn't a factor.
 
In other words, each tone was generated for a set period of time (using a  
whole number frequency) and then the very next sample (with no overlap) the  
frequency changes. Or at least that was my goal.
 
I think what some people may be hearing is either from limitations with  
their own ears (I was surprised I couldn't hear anything beyond 12khz myself) 
or  their computer speakers. Most computer speakers aren't the quality of 
hi-fi  stereo speakers, and even if they were with a guy like me who can't 
hear  above 12khz it may not make much of a difference anyhow.
 
I also think it would be interesting to test this in the extreme low range  
- but my dog doesn't like subwoofers going below about 25Hz and she tends 
to  want to attack it. I don't blame her.
 
-William
 
 
In a message dated 11/12/2010 6:28:46 P.M. Eastern Standard Time,  
[email protected] writes:

I  recognized the tune right away, but less by pitch than by rhythm  and
contour. That was because on my computer, the sound file was generating  a
set of 'inharmonic' differentials, obscuring the intended pitch. The  
Nyquist
frequency suggests a minimum 10+ khz sampling rate, if these really  are 
sine
waves. If they have any overtones at all, you have to double the  highest
desired frequency of interest and sample at that rate X 2, or set  up a
filter. I think we're hearing a an awful lot of fold-over.

Bob  Dickow
Lionel Hampton School of Music

-----Original  Message-----
From: [email protected]  [mailto:[email protected]] On Behalf
Of [email protected]
Sent:  Friday, November 12, 2010 5:22 AM
To: [email protected]
Subject:  [Hornlist] Name that (high frequency) tune!

I found a place to host a  sample melody I generated with Sine  waves 
between 7000Hz and  11000Hz.

Name that tune! (I used something with a particular key...).  

_http://www.mediafire.com/file/d64vyqgt3lz18ri/highmelody.wav_  
(http://www.mediafire.com/file/d64vyqgt3lz18ri/highmelody.wav)  

Let's see if people can really tell frequencies apart above  5000Hz.

-William


In a message dated 11/12/2010 6:41:05 A.M.  Eastern Standard Time,  
[email protected] writes:

On  12Nov  2010, at 12:07 , Michiel van der Linden wrote:

>   "Melodies played using frequencies above 5000 Hz sound  rather
>  peculiar. You can tell that something is changing but it  doesn't sound
>  "melodic" in any way."
>
> I've not  yet found an audio example  online, but will keep  looking.

Creating your own example on your  computer should be  easy, I'll try  
that in a couple of days if nobody  else   does.

Daniel

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