Larry, I've seen them when they could not even transpose. That one lasted one 
rehearsal. I was playing second and she was attempting to play third, and kept 
asking me all night about how to transpose...

We just had a similar situation. The personnel manager of one of the orchestras 
I play with (the same one I just mentioned) hired a "hornist" that was supposed 
to have a great resume' and didn't listen to her play. This person never made 
it to a rehearsal! We were playing the Dvorak Wind Serenade, and she was to 
play third. Understandiblly, the Principal was nearly having a stroke! We 
finally got a very good player to play for the orchestra. It was totally a joke.

Walt Lewis

--- On Mon, 4/4/11, Larry Jellison <[email protected]> wrote:

From: Larry Jellison <[email protected]>
Subject: [Hornlist] Amateur Ensemble worst peeve
To: [email protected]
Date: Monday, April 4, 2011, 1:12 AM

I can't control myself any longer from asking this question, after reading all 
these suggestions about the irritating clarinet player.

The question:  What bugs you the most about playing in an amateur ensemble?

For me, it is the conductor who is happy to see anyone walk in with a French 
horn, and welcomes them without auditioning them or questioning them about 
their 
playing ability.  Often these are ex-trumpet or ex-trombone players, or 
ex-French horn players just returning to playing and have no embouchure 
development.  Somehow these "hornists"  think it is just fine for them to join 
the horn section when they can't play or can barely play.  Why is it that 
possessing a French horn gives these folks such  immediate chutzpah?  I have 
resorted to much complaining to the conductors over this.

Regards,
Larry
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