I personally never understood tuning to the concert A unless you use the Bb 
 horn and 2nd finger (4th space on the treble clef). I've seen plenty of 
people  'tune' to the first space E both open on the F horn and on the Bb 
horn. 

Then again, when I notice they don't touch their slides after they  'tune', 
I just let it go.
 
Or you could do like the strings and play everything but the A.
 
-William
 
 
In a message dated 4/22/2011 1:57:26 A.M. Eastern Daylight Time,  
[email protected] writes:

The  beginnings of this post started a few weeks ago when I noticed our 
very  
accomplished principal of a large ensemble tuning to the oboe's Concert A  
by 
playing E of the F side with open valves.  I understand the E of  the F 
horn side 
with open valves is about 20 cents flat, and that is a  lot!  Our principal 
plays 
well in tune, so I don't understand his  overall tuning strategy.  I guess 
if you 
know your horn really well,  you can lip up this pitch while tuning, know 
exactly 
how much to lip up to  bring the rest of the horn in tune.  I tune E using 
valve 
2 on the Bb  side.  One could also use 1 and 2 of the F side.  Any other 
thoughts  
out there on this?

Another thing that happens in orchestra, are the  musicians entering, 
perhaps 
after an intermission. then everyone tunes to  the Concert A with cold 
horns.   
If I tune my horn while cold,  I'm pulling the main tuning slide a bit 
after 30 
seconds of playing, and  even more after another 30 seconds, and that is 
what I 
usually  do.

Another fun tuning challenge is playing with a small church  orchestra, 
where the 
choir is tuned to the piano and the some of the  orchestra takes off and 
goes 
sharp.  Then,  you as horn, get to  decide how to adjust your pitch-- I 
adjust 
according to who I am playing  with-- I play sharp with the whoever is 
playing 
sharp if they are carrying  the dominant parts, then when I am playing 
alone with 
the choir or piano,  I go with them  Sounds better doing this that 
insisting on 
being  "right".

Another little devilish secret, years ago when I was the only  horn in a 
loud 
concert band, to cut through, to be heard, I played a bit  sharp.

Am I doing all this right? (Except for the last item, that I  don't do  
anymore).

Regards,
Larry
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