[EMAIL PROTECTED] wrote:
Maybe this is a radical, heretical idea with no foundation in chemistry, physics, or acoustics, but I suspect Myron Bloom's marvelous 8D sound would have come through pretty much the same even if Myron had been playing on the shiniest, most gleaming, highly polished, brilliantly lacquer-coated 8D you ever saw.I agree. I heard he used to play around with the single F Vienna horns, as I remembered he liked the sound of Roland Berger. Bloom's sound is Bloom's sound. As a side note, I remember hearing Richard Solis do the Mahler 5th--he sounded like Richard Solis, not Myron Bloom. And, of course, it was with the marvelously sounding Cleveland Orchestra.
-- Alan Cole (rank amateur)
McLean (Fairfax County), Virginia, USA.
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Myron Bloom was the principal horn in Clevland at the time and he had a stripped version 8D that sounded marvelous.
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Jerry
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