Focal plane shutters are really designed for a more rapid exposure.
What is needed is probably more like a photo finish camera:
http://en.wikipedia.org/wiki/Photo_finish
Which looks to be very similar tho the line camera Kay has described
(pretty similar idea.)
That PanoScan is cool (much like certain film panoramic cameras of the
past, only digital.)
But I'm thinking one could do this with standard equipment we all
already own.

I was just thinking one could use a conventional camera that can
record 1080p movies. In the portrait mode with a wide angle lens (as
appropriate) and probably an improvised steady cam (just a balanced
mount to create some inertia and dampen vibration and movement) one
could just drive (or carefully walk) down the street taking a movie. A
camera mounted on a bike, trike or a wheelchair seems like it might be
useful. One could walk it down a chalk line.

Using scripts, one could then appropriately select from the frames
(make sure blurred frames are marked or tossed) and crop them down to
the center strip. One could retain a middle strip (5-20%) of each
image (a smaller percentage if using all frames, a larger percentage
or whole image if using only a subsample of all frames. The lens
correction would be static so PanoTools could be applied to remap each
of the selected images and stitch them into manageable sozed
rectilinear images. Viola! — a giant linear panorama.

Maybe not a viable solution for Syv since he might be on a
schedule. ;-) But with so many houses, it might be worth doing the
work up front to save time in the long run.

But my intention for Syv was that he could this capture method, if
appropriate, as an image collection device and just hand select frame
grabs — directly in front of each house, each corner of each house,
one or two images between each house, etc. Something like every 30th
or 60th frame. This would allow him to lose the tripod and save many
hours in capturing images, so long as he doesn't mid losing some
resolution and increasing post processing work.

Anyone interested in working to making this happen? It seems very
possible to me.

--John

On Nov 17, 1:00 pm, Robert Krawitz <[email protected]> wrote:
> On Thu, 17 Nov 2011 09:29:23 -0800 (PST), kfj wrote:
>
> > On 16 Nov., 09:25, JohnPW <[email protected]> wrote:
> >> Ha! Just as I expected someone with a good knowledge of the subject
> >> has responded as I wrote this.
> >> ...
> >> But I really think using a camera that can
> >> take movies might be a good way to go (see below.) The idea being, the
> >> more images you capture, the less of each one you use. Ideally you
> >> would only end up using the very center most part of each image. Being
> >> handy with scripting would help a lot here (I am definitely not!)
>
> > This is really the idea of the line camera:
>
> >http://en.wikipedia.org/wiki/Rotating_line_camera
>
> > Just a wild idea here: if I'm not mistaken, there are shutters which
> > are made of a black piece of material with a slit, and the material is
> > moved so that the slit moves over the sensor - okay, I checked myself,
> > they are called focal plain shutters:
>
> >http://en.wikipedia.org/wiki/Focal_plane_shutter
>
> Almost all modern consumer and prosumer level cameras (and all of the
> mainstream SLR systems) use focal plane shutters.  The alternative is
> a leaf shutter, which needs to be built into the lens.  That was
> common on rangefinder cameras, and many medium format and all large
> format cameras use leaf shutters in the lens.
>
> > now if you'd use such a device in a moving camera so that the slit was
> > small, but the exposure was long (I'm not sure this can be done with
> > these shutter as they come) you might end up with an image similar to
> > what you'd get from a line camera. You might have to rotate the camera
> > at the same time, or you might use a special lens that only shows a
> > vertical strip anyway (cylindrical, I'd imagine?).
>
> You can't do that with any focal plane shutter I'm aware of.  The
> curtains of the shutter move at a fixed (fast) speed.  Sometimes you
> can see the effect of the moving shutter, e. g. when photographing a
> propeller-driven aircraft.

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