I can not really say how was sacred  catholic 
in Italy before  Vatican II
council (I was 3-4 year old!), but if I have to judge
from some old noun singing old pieces, they are
not polyphonic at all, and they are so poorly
sung  that I clearly prefer post-council church music

Paolo




>----Messaggio originale----
>Da: [email protected]
>Data: 14/03/2012 13.37
>A: <[email protected]>, <[email protected]>
>Cc: <[email protected]>
>Ogg: [LUTE] Re: Nazi rules for jazz performers
>
>Chris, 
>
>the concept is so well expressed..
>
>Donatella
>
>----Messaggio 
>originale----
>Da: [email protected]
>Data: 14/03/2012 13.29
>A: 
><[email protected]>, "[email protected]"<[email protected]>
>Cc: 
><[email protected]>
>Ogg: [LUTE] Re: Nazi rules for jazz performers
>
>
>Donatella,
>        In America the change in music came much earlier, in 
>many places
>   preceding the Second Vatican Council. The Catholic 
>Church in America
>   took great pride in dissociating itself from "old 
>world ways" by
>   rejecting chant and polyphony. In its place, they 
>replaced these
>   traditions with very poor pseudo-folk music. I 
>suppose this was done in
>   order to provide "hip" music to attract 
>young people, under the
>   assumption that no one under 30 can stand 
>still long enough to
>   appreciate beauty. Unfortunately, the resultant 
>music was some hideous
>   hybrid that succeeded in being neither 
>appropriately sacred nor in any
>   way interesting to young people. At 
>any rate, young people stayed away
>   in droves, largely because of 
>this smaltzy stuff. Still, these very
>   same wannabe hippy songs - now 
>approaching 50 years old - and the
>   stated need to use them to 
>attract young people are repeated ad
>   nauseum.
>       One of the 
>great unwritten-about artistic travesties of the 20th
>   century is the 
>fact that this entire repertoire, which replaced a
>   still-living 
>century's old tradition, was not called for by any Church
>   decree, 
>but was largely engineered by the publishing company Oregan
>   Catholic 
>Press. If you go to practically any church in the country you
>   will 
>find the same poor quality songs from the 1960's and 1970's in the
>   
>hymnals. This is not due to regulation, but rather a publishing deal.
>
>   Chris
>   Dr. Christopher Wilke D.M.A.
>   Music Faculty
>   Nazareth 
>College, Rochester, NY
>   State University of New York at Geneseo
>   
>Lutenist, Guitarist and Composer
>   www.christopherwilke.com
>   --- On 
>Wed, 3/14/12, [email protected] <[email protected]> wrote:
>
>     From: 
>[email protected] <[email protected]>
>     Subject: [LUTE] Re: Nazi rules 
>for jazz performers
>     To: [email protected]
>     Cc: lute@cs.
>dartmouth.edu
>     Date: Wednesday, March 14, 2012, 3:49 AM
>
>   I 
>googled, in Italian, and this came out [1]http://www.giovaninsede.
>   
>it/animazione-liturgica.php  , there are no notes as music is not
>   
>thaught in the same way as abroad, so average people can sometimes read
>
>   chords ( sigh) and that is. You can get an idea. I used to go to 
>Mass
>   as a child, and songs which were sung were possibly ancient and
>
>   complex, often in Latin,  then when the previous Pope came, he
>   
>destroyed that part, I guess to make audience ( sad to say, but that
>   
>is), so that songs became the poorest, musically speaking, you can
>   
>imagine, accompanied by guitar, organ was heard now and then. It was
>   
>part of a "renovation"  of which I can give an example: in the village
>
>   where I go on holiday , there is a Chapel with a Renaissance 
>painting.
>   It needed restoring, but it was visible. Well , it was 
>covered with a
>   representation of a black Madonna ( I can't think of 
>the proper name
>   right now) which is not even of any artistic value.
>
>   To me listening to
>   the Mass became a real suffering, this is not 
>the main reason why I
>   quit, but I did.
>   Lute and theorbo are 
>allowed, I have been asked
>   several times to play a piece during the 
>mass ( but I have not done it
>   up to now)
>   Donatella
>   ----
>Messaggio originale----
>   Da:
>   [2][email protected]
>   Data: 
>14/03/2012 1.06
>   A: "Lute Net"<lute@cs.
>   dartmouth.edu>
>   Ogg: 
>[LUTE] Re: Nazi rules for jazz performers
>   On Mar
>   13, 2012, at 4:
>01 PM, Tony wrote:
>   > The Church's doctrine on
>   liturgical music 
>can be summarized in seven
>   >   points ....
>   Doubtless
>   there are 
>listers who know more about this than I do, but this list
>   seems like 
>a compilation of things that have been said on the subject
>   over the 
>centuries, rather than functioning doctrine.  A lot of it is
>   pre-
>Vatican II.  The one about guitars, for example, is obviously forty
>   
>or fifty years years out of date.  Try googling: catholic mass guitar
>
>   (no quotes).  Apparently the current pope Benedict doesn't like
>   
>guitars.
>   --
>   To get on or off this list see list information at
>   
>[3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>   E' nata 
>indoona: chiama, videochiama e messaggia Gratis. Scarica
>   indoona per 
>iPhone, Android e PC: [4]http://www.indoona.com/
>
>   --
>
>References
>
>   
>1. http://www.giovaninsede/
>   2. file://localhost/mc/compose?
>[email protected]
>   3. http://www.cs.dartmouth.edu/~wbc/lute-
>admin/index.html
>   4. http://www.indoona.com/
>
>
>
>
>E' nata indoona: chiama, videochiama e messaggia Gratis. Scarica indoona per 
iPhone, Android e PC: http://www.indoona.com/ 
>
>
>



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