Wasn't it terrible when that damn Monteverdi start writing all that modern 
stuff, how could he :)

On Mar 14, 2012, at 3:58 PM, Edward Mast wrote:

> A very sad state of affairs, Chris.  I never understood the church's - 
> catholic, protestant, or otherwise - desire to revise its music programs to 
> reflect what is going on musically in society;  to appear to be more 
> "relevant".  If you remove the unique and beautiful musical aspects of the 
> church service and make it more like what's going on everywhere outside the 
> church,  don't you also remove the motivation for congregants to come and 
> experience something they don't find outside the church?  If, as you say, 
> young people have stayed away in droves, it would seem so.
> On Mar 14, 2012, at 8:29 AM, Christopher Wilke wrote:
> 
> Ned
> 
>>   Donatella,
>>       In America the change in music came much earlier, in many places
>>  preceding the Second Vatican Council. The Catholic Church in America
>>  took great pride in dissociating itself from "old world ways" by
>>  rejecting chant and polyphony. In its place, they replaced these
>>  traditions with very poor pseudo-folk music. I suppose this was done in
>>  order to provide "hip" music to attract young people, under the
>>  assumption that no one under 30 can stand still long enough to
>>  appreciate beauty. Unfortunately, the resultant music was some hideous
>>  hybrid that succeeded in being neither appropriately sacred nor in any
>>  way interesting to young people. At any rate, young people stayed away
>>  in droves, largely because of this smaltzy stuff. Still, these very
>>  same wannabe hippy songs - now approaching 50 years old - and the
>>  stated need to use them to attract young people are repeated ad
>>  nauseum.
>>      One of the great unwritten-about artistic travesties of the 20th
>>  century is the fact that this entire repertoire, which replaced a
>>  still-living century's old tradition, was not called for by any Church
>>  decree, but was largely engineered by the publishing company Oregan
>>  Catholic Press. If you go to practically any church in the country you
>>  will find the same poor quality songs from the 1960's and 1970's in the
>>  hymnals. This is not due to regulation, but rather a publishing deal.
>>  Chris
>>  Dr. Christopher Wilke D.M.A.
>>  Music Faculty
>>  Nazareth College, Rochester, NY
>>  State University of New York at Geneseo
>>  Lutenist, Guitarist and Composer
>>  www.christopherwilke.com
>>  --- On Wed, 3/14/12, [email protected] <[email protected]> wrote:
>> 
>>    From: [email protected] <[email protected]>
>>    Subject: [LUTE] Re: Nazi rules for jazz performers
>>    To: [email protected]
>>    Cc: [email protected]
>>    Date: Wednesday, March 14, 2012, 3:49 AM
>> 
>>  I googled, in Italian, and this came out [1]http://www.giovaninsede.
>>  it/animazione-liturgica.php  , there are no notes as music is not
>>  thaught in the same way as abroad, so average people can sometimes read
>>  chords ( sigh) and that is. You can get an idea. I used to go to Mass
>>  as a child, and songs which were sung were possibly ancient and
>>  complex, often in Latin,  then when the previous Pope came, he
>>  destroyed that part, I guess to make audience ( sad to say, but that
>>  is), so that songs became the poorest, musically speaking, you can
>>  imagine, accompanied by guitar, organ was heard now and then. It was
>>  part of a "renovation"  of which I can give an example: in the village
>>  where I go on holiday , there is a Chapel with a Renaissance painting.
>>  It needed restoring, but it was visible. Well , it was covered with a
>>  representation of a black Madonna ( I can't think of the proper name
>>  right now) which is not even of any artistic value.
>>  To me listening to
>>  the Mass became a real suffering, this is not the main reason why I
>>  quit, but I did.
>>  Lute and theorbo are allowed, I have been asked
>>  several times to play a piece during the mass ( but I have not done it
>>  up to now)
>>  Donatella
>>  ----Messaggio originale----
>>  Da:
>>  [2][email protected]
>>  Data: 14/03/2012 1.06
>>  A: "Lute Net"<lute@cs.
>>  dartmouth.edu>
>>  Ogg: [LUTE] Re: Nazi rules for jazz performers
>>  On Mar
>>  13, 2012, at 4:01 PM, Tony wrote:
>>> The Church's doctrine on
>>  liturgical music can be summarized in seven
>>> points ....
>>  Doubtless
>>  there are listers who know more about this than I do, but this list
>>  seems like a compilation of things that have been said on the subject
>>  over the centuries, rather than functioning doctrine.  A lot of it is
>>  pre-Vatican II.  The one about guitars, for example, is obviously forty
>>  or fifty years years out of date.  Try googling: catholic mass guitar
>>  (no quotes).  Apparently the current pope Benedict doesn't like
>>  guitars.
>>  --
>>  To get on or off this list see list information at
>>  [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>  E' nata indoona: chiama, videochiama e messaggia Gratis. Scarica
>>  indoona per iPhone, Android e PC: [4]http://www.indoona.com/
>> 
>>  --
>> 
>> References
>> 
>>  1. http://www.giovaninsede/
>>  2. file://localhost/mc/[email protected]
>>  3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>  4. http://www.indoona.com/
>> 
> 
> 
> 



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