On 28/01/2013 13:44, Martyn Hodgson wrote:

   Dear Stuart,

   I hope I'm not sceptical just because it's not mentioned in an early
   English language source!

   No! I just meant that the chitarra italiana isn't mentioned (to my
   knowledge) by any British or US (etc!) researchers such as James Tyler
   and many others writing about plucked instruments Europe in the 16th
   and 17th centuries. I wonder if there is a sort of anglophone
   perspective on this.

     My doubts,and, as I keep saying this is all they are, is the lack of
   conclusive evidence that small lute shaped 4 course instruments were
   generally (always?) called guitars (chitarra etc) in Italy.

   My initial question was around the instrument expected by Barberiis (in
   1546) but this area of discussion has been mostly sidelined and the
   debate seems now to be about small lute shaped instruments depicted in
   the late 16th/early 17th centuries. With the Barberiis it seems there's
   really no evidence either way but on the other issue, later pictures of
   small lutes seem to give rise to much speculation/imagination about
   their naming. I really don't know if these latter instruments are
   Italian mandores, Italian small lutes, Italian lute shaped 4 course
   guitars or whatever, but do think that blind assertion (ie that small
   Italian lutes in some paintings are chitarra italiana) is simply this
   and a passing fashion for such ad-hoc speculation shouldn't influence
   us either way in reaching any conclusions - if that were possible.

   I hope we might see new 'discoveries' in due course.........

   Yes, it would be really interesting. Perhaps we're just going around in
   circles - but the evidence claimed for the Barberis instrument being a
   lute-like instrument is the existence of a tradition of naming
   instruments. From the perspective, say of 1600 and looking backwards
   for hundreds of years, instruments with guitar/chitarra type names,
   named a little lute as well as the new figure-of-eight instrument. We,
   looking back from 2013 are inclined to see an unbroken tradition of the
   figure-of-eight guitar going back to the middle of the 16th century and
   it seems strange to refer to a lute-like instrument as a kind of
   guitar.
   Stuart
   Stuart

   regards

   Martyn


   --- On Mon, 28/1/13, WALSH STUART [1]<[email protected]> wrote:

     From: WALSH STUART [2]<[email protected]>
     Subject: Re: [LUTE] Re: 4 course guitar in Italy
     To: "Martyn Hodgson" [3]<[email protected]>
     Cc: [4][email protected], "Davide Rebuffa"
     [5]<[email protected]>, "Monica Hall"
     [6]<[email protected]>, "Lutelist" [7]<[email protected]>
     Date: Monday, 28 January, 2013, 13:11

   On 28/01/2013 12:19, Martyn Hodgson wrote:
   >     Dear Davide,
   >
   >     Thank you for this: but why are you so sure it is a 'chitarra
   italiana'
   >     and not a mandore or, indeed, any other small lute?  Such an
   assertion
   >     and identification is rather begging the precise question we have
   been
   >     trying to tackle in this (tortuous) thread
   >
   >     regards
   >
   >     Martyn
   >
   Martyn
   I tend to think of these threads as more like casual conversation
   rather than strict debate. Where the subject matter ends up  may be
   quite different from where it started.
   But it does seem to me that there is a substantive issue here about the
   existence (or not) of a small lute-like instrument in the 16th and 17th
   centuries (the chitarra italiana and/or a late form of the medieval
   gittern, and neither thought to be the same thing as a mandore).
   Neither the chitarra italiana nor the lute-like gittern appear (so far
   as I'm aware) in histories of the lute and plucked instruments of the
   16th and 17th centuries written in English.
   I'm sure, Martyn, this is partly why you are so sceptical.
   Sticking for the moment just with the chitarra italiana (as a lute-like
   object related to the medieval gittern as proposed by R. Meucci): there
   may be compelling evidence for its existence, or it may forever be only
   a reasonable conjecture to explain, for example, nomenclature in
   inventories.
   Or, at the other end of the spectrum, the supposed existence of an
   instrument could be be based on misinterpretation of  scant evidence or
   the evidence could be so slight as to make its existence not even a
   reasonable conjecture.
   Stuart

   --

References

   1. mailto:[email protected]
   2. mailto:[email protected]
   3. mailto:[email protected]
   4. mailto:[email protected]
   5. mailto:[email protected]
   6. mailto:[email protected]
   7. mailto:[email protected]


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